New on Blu-ray and DVD (March 3, 2015)

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At Movie Metropolis, which became defunct today because the CEO in Denmark went bankrupt, I wrote a weekly “This Week” column alerting readers to new releases. I had no idea when I posted this morning’s “This Week” column that the site would be shut down permanently, but I plan on continuing that feature here at Family Home Theater. For Movie Met readers who have found your way to my blog, Family Home Theater is devoted to “stuff the kids can see,” or at least some of the kids. Sometimes it will be the older kids, sometimes just the younger. Mostly I’ll cover PG-13, PG, and G releases, though an occasional R-rated film that’s an award winner or something older teens might want to see may also find its way into the site, if it’s rated R mostly for language. But the emphasis is on family movie nights.

Charlie160There’s always an anniversary in TV and Movie Land, and this week it’s Charlie and the Chocolate Factory, which celebrates its 10th with the release of a Blu-ray. Unless you’re wedded to the original Gene Wilder film, which seems more dated these days, this Tim Burton version of the Roald Dahl story will probably hold your kids’ attention better—even though some of you might feel more nostalgic toward the “Wilder” version. Charlie is rated PG-13, which is what you’d expect from Burton and Depp.

Jane160This week the Warner Bros. musical comedy Calamity Jane comes out on Blu-ray as a single title for the first time and as part of a four-film Blu-ray collection that also includes Kiss Me Kate 3D, The Band Wagon, and Singin’ in the Rain. This isn’t the Calamity Jane you saw in HBO’s Deadwood. In this cheery 1953 film, Jane may own a saloon, but it’s only to give Day a chance to sing. If your family loves musicals, this one isn’t a classic, but Day’s character is infectious. And it’s rated G.

Neverbeast160If you have younger children, girls especially, their “please please” radar will bleep in the direction of two new releases this week. Disney has been promoting the heck out of Tinker Bell and the Legend of the Neverbeast, and I have no problem with that kind of marketing blitz. As long as they continue to crank out above-average, G-rated, high production-value installments in this Pixie Hollow Fairies series, I’m good with it—even though it seems to be a revisionist take on the 1953 version of Tinker Bell, who was petty, jealous, self-centered, and vindictive. The reimagined Tinker Bell has a much better image—almost as squeaky clean as Doris Day’s persona. That’s good, because these Disney movies are all about modeling positive behaviors and teaching lessons in attitude adjustment. Look for Neverbeast on Blu-ray or DVD.

Barbie160The other kiddie-pleaser coming out on both formats this week is Barbie in Princess Power. Universal hasn’t been able to keep this franchise as fresh as Disney, and all you have to do realize that is recall the funny and inventive Pixar shorts featuring Barbie and Ken. Princess Power looks like another retread from tires we’ve already kicked and drives we’ve already taken. But that won’t stop little girls from enjoying it.


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BeginnersBiblecoverGrade: B+
Entire family: No (ages 6 and under only)
1995, 90 min. (3 stories), Color
Time Life/StarVista
Not rated (would be G)
Aspect ratio: 1.33:1 (full screen)
Featured audio: English Mono
Bonus features: None

The DVD notes indicate that this video is copyrighted 1995, which is two years before the Karyn Henley and Dennas Davis version of The Beginners Bible and well before the 2005 update from Kelly Pulley. Don’t look for a similar style, because the rendering and animation in this Sony Wonder production seem more closely related to what we saw in the old For Better or For Worse comic strips by Lynn Johnston. The name “The Beginners Bible” is trademarked and has probably gone through many transmutations. This DVD, a rerelease of a Sony Wonder production, will be available on March 3, 2015.

The Beginners (no apostrophe) Bible DVD contains three 25-30 minute stories that are clearly designed for pre-school age children, because all the angst and negativity of the stories are omitted. Some parents will argue that it’s wrong to sanitize the stories and gloss over the crucifixion or Herod’s killing of babies, while others will be perfectly happy to introduce their wee ones to the basic stories of The Nativity (Jesus’ Christmas birth), The Story of Easter (Jesus’ resurrection), and The Story of Moses (the Exodus from Egypt). You’d be hard pressed to find three cheerier versions of those Bible stories than the ones children encounter here.

BeginnersBiblescreenColors tend toward the sunny, and the characters do a lot of smiling with warm, smiley eyes. The language is contemporary as well. When Moses tells Pharaoh to “Let my people go,” Pharaoh responds, “Don’t try and tell me what to do. I’m the Pharaoh.” Later, when the Nile turns to blood, that gruesome fact is deemphasized by a fish that flops onto Pharaoh’s lap. And when the Israelites are given manna from heaven, it’s quite literally depicted as bread flakes falling from the sky like snow. But while the story ends with the Ten Commandments, there’s no Golden Calf or pagan behavior to muddy the waters. It’s a pretty simple trajectory from Moses following God’s command to “And this is how Moses led the people back to the promised land.”

I wondered what a series like this would do with the crucifixion, but it’s minimized by having three crosses in silhouette, no human shapes immediately recognizable, and a voiceover that tells us “Jesus died on the cross with a thief on either side of him.” The emphasis in this episode is on the positive, as it is with the other two. Peter doesn’t deny Christ, Judas doesn’t hang himself, and Jesus isn’t flogged or have his side pierced as he’s hanging from the cross. Roman soldiers don’t gamble for his cloak. The focus is on Jesus’ teachings, his acceptance of his lot, his prayers to God, and his resurrection—with Peter diving into the water to swim to him when he first reappears. It’s a joyous celebration of the Bible stories that, however sanitized, are certainly likely to be more entertaining to young children and less traumatizing or confusing.

Will it meet with parents’ approval? That depends on how traditional they are or how much of a stickler they are for details and tone. The Bible keeps evolving, and these stories are rendered in a style that could only be described as “cute.” Some may want more austerity or “seriousness,” but in the past, if such stories hadn’t come from the Bible, I’m guessing that more than a few parents and educator groups would have deemed them not age-appropriate. The Bible actually has a lot of violence and “begatting.” These three episodes are more age-appropriate, and they do seem like a good way to introduce youngsters to three big stories from the Bible. The kids may even want to watch them over and over, like other cartoons.

BIG HERO 6 (Blu-ray combo)

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BigHero6coverGrade: A
Entire family: Yes
2014, 102 min., Color
Rated PG for action and peril, some rude humor, and thematic elements
Aspect ratio: 2.39:1 widescreen
Featured audio: DTS-HD MA 7.1
Includes: Blu-ray, DVD, Digital HD
Bonus features: B

“Different, but as good as Frozen,” my wife pronounced it. “Four stars,” both teens said. And Big Hero 6 was easily my pick for Best Animated Feature of 2014. We all loved it, though I have to admit the poster didn’t sell me, nor did my hearing that the story was about a main character named Hiro (Hero?) and his brother Tadashi. How in the world would Disney be able to deliver a robotics story involving Japanese-named characters without being locked into an anime style?

Well, if you’re Disney, you confidently (and I might add, audaciously) create a future city named San Fransokyo, which, we learn in one of the bonus features, combines a geological mapping of San Francisco with the visual and cultural look of Tokyo—a hybrid that allows them to do pretty much anything, visually. That invented city, which was rendered using a new method called “Hyperion,” is so infused with vibrancy that you’re almost blown away by some of the cityscape scenes.

That’s not surprising, given the fact that it’s Disney and they’re all about originality and heart. Both of those traits drive Big Hero 6, which takes its name and spirit (and a few characters) from an obscure Marvel comic book.

Big Hero 6 tells the story of a 14-year-old robotics prodigy named Hiro (Ryan Potter) who’s already graduated from high school and hopes to be accepted into the nerdy robotics school his older brother Tadashi (Daniel Henney) attends. He visits the school and meets some of the other students, a quirky group that includes a tough bicycle-loving woman named GoGo (Jamie Chung), the neurotic and overly self-protective Wasabi (Damon Wayans, Jr.), and a fast-talking hyperexuberant chemistry wiz named Honey Lemon (Génesis Rodríguez).

It’s an origin story, really, about how this group of brainy misfits comes together to form a superhero group called Big Hero 6, but it’s also every bit as much of a relationship story between a boy and robot as a film like The Iron Giant. The plot is set in motion when Hiro’s project on microrobotics blows away the competition at a big school science fair, and Professor Robert Callaghan (James Cromwell) hands Hiro a letter of acceptance after warning him not to sell his idea to billionaire businessman Alistair Krei (Alan Tudyk).

BigHero6screen1As one of the animators says in a bonus feature, Disney has never shied away from the issue of loss, having traumatized one generation with Bambi and Old Yeller and another with The Lion King. A new generation will vicariously learn to deal with loss through this film, which begins with two already orphaned boys living with their aunt (Maya Rudolph) and introduces three situations where a loved one may have been killed. That’s as much as I can say without getting into spoiler territory, except to add that Big Hero 6 is full of emotion. It’s also full of humor, with the soft vinyl robot Baymax (voiced by Scott Adsit) sharing the comedic duties with all the nerdy characters and a rich wannabe superhero friend named Fred (T. J. Miller).



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WonderYears2coverGrade: A-
Entire family: No. Age 10 and older.
1988-89, 520 min., Color
Time Life/StarVista Entertainment
Not rated (would be PG because of mild language, content)
Aspect ratio: 1.37:1
Featured audio: Dolby Digital 2.0
Bonus features: B

As I wrote in my review of The Wonder Years: Complete Series, this coming-of-age TV comedy-drama gets it right. Lots of things can shape a person, and just as WWII defined a generation, so did the Sixties—which historians date from John F. Kennedy’s 1963 assassination to Richard M. Nixon’s 1972 resignation. The Wonder Years managed to capture the perfect storm of events that were always in a family’s consciousness—even as the father tried to put food on the table, siblings fought and sought to find their place in the world, and the mother tried to hold them all together.

Like Leave It to Beaver, the series’ episodes were seen from the point of view of an adolescent, and you knew you were in for an interesting ride when this 1988-93 series shunned a laugh track and introduced the kind of voiceover narrator that we got in A Christmas Story—an adult version of the main character. And you knew that the series would meet the ‘60s head-on when the pilot called for the girl-next-door’s older brother to be killed in Vietnam, and for our hero to comfort her in a scene that would culminate in a first kiss for each of them—both as characters, and as actors.

Kids Kevin Arnold’s age were too young to worry about a draft number, but too old to ignore the events that were shaping history and the lives of Americans—things like the Martin Luther King, Jr. and Robert F. Kennedy assassinations, the moon landing, Woodstock, the Apollo 13 crisis, and events that were an outgrowth of Civil Rights, women’s liberation, and the increasingly violent anti-war protests. The result is a series that combines the innocence of childhood—of who likes whom, and passing notes—with a world that’s pushing them to grow up more quickly.   More


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DowntonAbbey5coverGrade: B+/A-
Entire family: No
2014-15, 525 min. (9 episodes), Color
Not rated (would be PG for adult situations)
Aspect ratio: 16×9 Widescreen
Featured audio: Dolby Digital 2.0 Stereo
Bonus features: C-

Downton Abbey is the most watched British costume drama series since 1981’s Brideshead Revisited and the second most-watched PBS series ever—behind Sesame Street and in front of The Magic School Bus. I’ve talked to a number of parents who watch the highbrow soap opera with their children and noticed this pattern: it’s easy to get hooked, but teenage girls like the show best, and teenage boys will watch if the whole family is doing so or if they’re trying to impress a girl. That’s no surprise, since there’s more intrigue in Downton Abbey than action, and much of the intrigue revolves around matters of the heart. Though nothing overly graphic is shown, there are scandals and affairs and secrets that people desperately try to protect.

Like Upstairs, Downstairs, this Emmy- and Golden Globe-winning series focuses on both levels of society at a British manor—in this case, the aristocratic Crawley family and the servants who work mostly in the subterranean level of the grand Yorkshire country house known as Downton Abbey. The show’s hallmarks are intelligent writing, multiple plotlines, soap-opera situations, and a cast of characters that includes ones we love and ones we love to hate. Because the characters are sufficiently complex, that’s often a matter of opinion.  More


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AlexandercoverGrade: B-/B
Entire family:  Yes
2014, 81 min., Color
Rated PG for rude humor, including some reckless behavior and language
Aspect ratio: 2.39:1
Featured audio: DTS-HD MA 5.1
Includes: Blu-ray, Digital HD Copy
Bonus features: C

Ever have the feeling that when your day starts off on the wrong foot, it’s going to be one stumble after the next, until you can go to bed and get a fresh start the following morning?

That’s what happens to 11-year-old Alexander, a doom-and-gloom youngster who tries to warn his family that anything they attempt is bound to turn out badly—all because his own day begins with a wad of gum stuck in his hair and then slides quickly into a vat of bubbling disasters, both small and large. What’s worse, it’s the day before his 12th birthday.

The rule of thumb for most movies told from the point of view of a child is that they tend to appeal to audiences who are the same age or younger than the star. That would make Alexander and the Terrible, Horrible, No Good, Very Bad Day aimed at elementary schoolers. But because Walt Disney Studios tried to broaden the appeal by bringing in more extreme situations and having the bad luck extend to every single family member, my guess is that it may also appeal to families with pre-teen children. It features an unlikely Date Night sequence of events and a motor vehicle that ultimately, as with the family from Little Miss Sunshine, brings them closer together.   More

101 DALMATIANS (Blu-ray combo)

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101DalmatianscoverGrade:  A-
Entire family:  Yes
1961, 79 min., Color
Rated G
Aspect ratio: 1.33:1 (with a border option)
Featured audio: DTS-HD MA 7.1
Includes: Blu-ray, DVD, Digital Copy
Bonus features: B+

Kids who love Frozen owe a big thank-you to the Disney staffers who made 101 Dalmatians. Animation had grown to be such an expensive proposition that it took 600 people to bring the previous film, Sleeping Beauty, to the big screen in 1959. And so the folks who worked on 101 Dalmatians were told that they had to find a way to make an animated picture that didn’t cost so much, or Walt Disney would reluctantly pull the plug on all future animated projects. The animation staff had already been trimmed to 300, but that still wasn’t enough. What saved animation for Disney was the discovery that you could eliminate the step of “inking” the drawings by Xeroxing them directly onto acetate sheets and save one tedious and expensive step in the animation process.

That’s the backstory, but what everyone knew in 1961 was that Disney had come up with another winning animated feature that included one of the most memorable Disney villains to date: Cruella De Vil, a devil of a woman who even had her own catchy theme song. She couldn’t change herself into a dragon, like Maleficent, but her driving was frightful and her obsession—to turn cute little Dalmatian puppies into a fur coat—was as evil and monstrous as any scheme that young viewers could comprehend. Even her henchmen were memorable because they combined comic relief and true menace.

101 Dalmatians turned out to be the ninth highest grossing film of 1961, and while it didn’t do as well as two Disney live-action features (The Absent-Minded Professor and The Parent Trap), it kept Disney animation alive for future projects and future generations of viewers.

101Dalmatiansscreen1The late Roger Ebert called it “an uneven film, with moments of inspiration in a fairly conventional tale of kidnapping and rescue,” and it’s hard to dispute that. But I do take exception with Ebert’s assessment that it’s only “passable fun.” 101 Dalmatians is more than that, especially for dog lovers and families with pets—and according to the Humane Society, that’s 47 percent of all American households. The puppies are cute as the Dickens and drawn, in typical Disney fashion, from live models so that they’re incredibly realistic in their movement.   More

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