Home

Review of FATHER GOOSE (Olive Signature Blu-ray)

Leave a comment

Grade: A-
Entire family: Yes
1964, 118 min., Color
Romantic comedy/Adventure
Olive Films
Not rated (would be PG for some peril and adult drinking)
Aspect ratio: anamorphic widescreen (16×9)
Featured audio: DTS-HDMA Mono
Bonus features: C+
Clip
Amazon link

As I wrote when Olive released a no-frills Blu-ray of this title in 2014, Father Goose is one of those rare films that appeals not only to lovers of the genre—in this case, romantic comedy—but others as well. There’s humor and WWII adventure in this amiable 1964 film, which will make it appealing to boys in the family. The girls, meanwhile, will be won over by the seven schoolgirls of varying ages that are rescued by a reluctant (and still very funny and attractive in his second-to-last film) Cary Grant. Much of the humor is based on the contrast between Grant’s scruffy character and “proper” behavior, with the girls as engaging as any child actors I’ve seen.

Grant plays teacher-turned-beachcomber Walter Eckland, who dropped out of the world and in return just wants the world to leave him alone. Though war in the Pacific is raging all around him, he’s determined to be neutral and uninvolved. We first meet him when he turns up at British-Australian naval base that’s under fire, and, bothered more by a pelican that keeps hitching a ride on the boat he recently bought than by shells exploding all around him, he proceeds to try to “borrow” cans of gasoline and rations.

That plays right into the hands of the dockmaster, an old friend named Houghton (Trevor Howard) who’s been ordered to evacuate and set up shop coordinating more than 30 coast watchers spread across the Pacific islands. He needs one more coast watcher and Walter needs supplies, so they strike a deal . . . which Walter had no intention of abiding by, until Houghton “accidentally” rams his boat and forces him to make for the island. Then, to get Walter to actually report Japanese airplane and ship movements, Houghton hides bottles of scotch whiskey and gives Walter the directions to a bottle for every confirmed sighting.

Walter never gets drunk, and his drinking is played for laughs, so most parents won’t find it objectionable. After all, there is a war on, and when Walter ends up rescuing a pretty young teacher (Leslie Caron) and her charges, she immediately sets about trying to reform him. He may be gruff, but he’s still a likable fellow that the girls find as appealing as their teacher does. Sparks eventually fly, and the action intensifies, and in no time at all you’re rooting for this pair of opposites to come together in spite of all that’s happening in the world around them.

More

Advertisements

Review of PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES (Blu-ray combo)

Leave a comment

Grade: B+
Entire family: No
2017, 129 min., Color
Action-Adventure Fantasy
Disney
Rated PG-13 for sequences of adventure violence and some suggestive content
Aspect ratio: 2.40:1
Featured audio: DTS-HDMI 7.1
Bonus features: B+
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

Our family loved Pirates of the Caribbean when it was only a theme park ride. So when Pirates of the Caribbean: Curse of the Black Pearl appeared in 2003, we happily climbed aboard. It turned out to be a fantastically original and fun film that felt like a ride, with Johnny Depp creating a pirate captain like we’ve never seen before: a rum-loving, slightly swishy ne’er-do-well who is simultaneously the worst and best pirate anyone has ever seen. Captain Jack Sparrow.

But success in Hollywood is a curse in itself, dooming actors in highly successful blockbusters to repeat their roles over and over. Pirates of the Caribbean: Dead Men Tell No Tales is the fifth in the franchise, and I will say this: our family liked it better than the fourth (Pirates of the Caribbean: On Stranger Tides, 2011). Though some of the fantasy elements are still as confusing as they’ve been in other sequels, Dead Men Tell No Tales at least has some fun action scenes, some great special effects (like undead sharks attacking) and two very likable young leads that inject new blood into the franchise.

That’s a double-edged cutlass, though, because as filmgoers your gut tells you that this series ought to have stopped after the first trilogy. Now, with two new characters to drive the action, the series probably won’t end with #5—though it will never catch the all-time sequels leader, Godzilla, which has spawned 29 movie offspring.

But back to what makes the film work. Newcomers Brenton Thwaites and Kaya Scodelario are as refreshing as Felicity Jones and Diego Luna were in Rogue One—just the kind of jolt that a storied franchise needs. As an astrologer accused of witchcraft and the son of pirate Will Turner, both of them looking for fathers, they have good chemistry together and capture the light tone of the first film.

More

Review of PILGRIMAGE (2017) (Blu-ray combo)

Leave a comment

Grade: C/C+
Entire family: No
2017, 96 min., Color
Adventure-Drama
RLJ Entertainment
Not rated (Would be R for violence)
Aspect ratio: 2.35:1
Featured audio: DTS-HDMA 5.1
Bonus features: C+
Includes: Blu-ray, DVD
Trailer
Amazon link

Pilgrimage is an average movie with above-average atmosphere and cinematography, thanks largely to the Irish landscapes where it was mostly filmed. It’s also a movie that plods along into eye-rolling territory until, suddenly, there’s a burst of violent (some would call it ultra-violent) action. Though it’s billed as a medieval thriller, this Jekyll-Hyde movie lurches between tedium and frenetic action, while viewers may well wish that the filmmakers had opted for some sort of happy medium.

The plot is simple: an emissary from Rome shows up at an Irish monastery in remote Western Ireland with instructions to take a holy relic back to the Pope, who believes it has enough power to end the Crusades. An opening scene showed just how that relic came to become “holy”: it was the large rock that ended the life of a Christian martyr who was being stoned for his beliefs. Fast-forward to 1202 A.D. and Brother Geraldus (Stanley Weber) shows up in a white robe asking for the relic.

More

Review of WONDER WOMAN (Blu-ray combo)

Leave a comment

Grade: B+/A-
Entire family: No
2017, 141 min., Color
Action-Adventure Fantasy
Warner Bros.
Rated PG-13 for sequences of violence and action and some suggestive content
Aspect ratio: 2.40:1
Featured audio: Dolby Atmos TrueHD
Bonus features: B+
Includes: Blu-ray, DVD, Digital HD
Trailer
Amazon link

In a way, Wonder Woman is DC’s version of Marvel’s Thor. Both are ancient gods with one foot in the mythological sphere and one foot in the saving-the-planet contemporary world. Thor has his hammer, but Wonder Woman tops that with her indestructible bracelets and Lasso of Hestia (and Truth, and Butt-Kicking). Like Captain America, this Amazonian goddess has to train to learn how to fight, and one super-accessory that she shares in common with Steve Rogers is a powerful shield. She also carries a special sword, making her one formidable superhero.

The brainchild of psychologist-writer William Mouton Marston and artist Harry G. Peter, Princess Diana of Themyscira, Daughter of Hippolyta made her appearance in DC’s All Star Comics #8 (October 1941) and was enough of a feminist icon that she made the cover of Ms. magazine 30 years later and in 2016 was named “U.N. Honorary Ambassador for the Empowerment of Women and Girls” by the United Nations. Marston explained that he wanted “to create a feminine character with all the strength of Superman plus all the allure of a good and beautiful woman,” and that character has resonated with people. In this 2017 film, she can leap high as tall buildings, she can deflect speeding bullets, and she can cause a devastating shock wave both on-screen and off. Wonder Woman earned more than $819 million at the box office, making it the highest grossing film directed by a woman (Patty Jenkins, Monster).

The biggest change the film makes from the comics and 1970s TV series starring Lynda Carter is that Wonder Woman enters the world of humans during WWI rather than WWII. It’s the Kaiser, not Hitler, that leads the enemy, and the plot revolves around mustard gas, trench warfare, and biplanes. There’s no shortage of villains, but the standouts are David Thewlis as Ares, Diana’s distant half-brother and son of Zeus, and Elena Anaya as the demented Dr. Maru, a.k.a. “Dr. Poison.”

More

Review of GUARDIANS OF THE GALAXY VOL. 2 (Blu-ray combo)

1 Comment

Grade: A-/A
Entire family: Age 8 and older?
2017, 136 min., Color
Sci-fi action-adventure
Rated PG-13 for sequences of sci-fi action and violence, language, and brief suggestive content
Marvel Studios
Aspect ratio: 2.40:1
Featured audio: English DTS-HDMA 7.1
Bonus features: B+
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

It’s rare when a sequel matches the original for sheer energy and brilliance, but James Gunn has done it again, writing and directing a follow-up that’s every bit as good as the first Guardians of the Galaxy he wrote and directed. The dialogue is just as crisp, the visual look of the film and CGI effects are just as eye-popping, and the characters’ personalities may shine even more brightly in Guardians of the Galaxy Vol. 2, since they no longer labor under the yoke of an origin story.

This time it’s all about family, or rather, the family this group has become and the family some are still searching for. If you’ll recall, the original Guardians ended with Groot making the ultimate sacrifice but being saved as a tiny start to a new tree. Guardians of the Galaxy 2 takes full advantage of the reborn little guy’s cuteness—Baby Groot is like a more innocent, bark-covered version of Bart Simpson—and his character is a fun flipside to the acerbic raccoon Rocket (and by the way, you’ll never convince me that the name isn’t an allusion to The Beatles’ “Rocky Raccoon”).

When we meet them, the Guardians of the Galaxy are renowned keepers of peace. The group is composed of Peter Quill (Chris Pratt), who was abducted from Earth as a child by aliens and raised by Yondu (Michael Rooker), the leader of a bunch of thieves and pirates who call themselves the Ravagers. In the sequel, Yondu’s character is explored in more depth, and so is Peter’s. When the Guardians make an emergency landing on another planet they run into a being named Ego (Kurt Russell), who says he’s Peter’s father. While Rocket (voiced by Bradley Cooper) and Groot (voiced by Vin Diesel) stay behind to fix the spacecraft, Peter goes to Ego’s home planet with the former assassin and now-Guardian Gamora (Zoe Saldana) and the large, crude, and very funny dude Drax the Destroyer (Dave Bautista).

In a way, there’s nothing more to the plot than sci-fi fans haven’t already seen in the old Star Trek, Battlestar Galactica, or Lost in Space TV episodes: they visit a planet, discover all is not as it first seemed, and somehow escape or resolve the situation. And yet, in Gunn’s hands, this simple and frequently used formula expands so naturally and effortlessly that it holds our attention for 136 minutes—a run-time that’s long by today’s standards.

More

Review of SUPERGIRL: SEASON 2 (Blu-ray)

1 Comment

Grade: B+
Entire family: Yes
2016, 931 min. (22 episodes), Color
Sci-fi action-drama

Warner Bros.
Not rated: would be PG for fantasy violence
Aspect ratio: 1.78:1
Featured audio: DTS-HDMA 5.1
Bonus features: C+/B-
Includes Blu-ray, Digital Copy
Trailer
Amazon link

As I said when I reviewed Season 1, there are two DC Universes, and Melissa Benoist really brightens up the television one. She has the kind of charisma that propelled Lynda Carter (who appears as the President this season) to stardom as TV’s Wonder Woman during the seventies and the kind of girl-next-door likeability and warmth that inspired the writers of Supergirl: Season 2 to emphasize her “humanity” after otherwise drawing a distinction between humans and aliens.

In this winning 2016 CW series she’s the “girl” you want to be friends with, to confide in, to rely on, to have fun with, and, if you’re a guy, to date. Though Supergirl comes from the planet Krypton, with Benoist wearing the costume she embodies everything that’s good in humanity. She may be a badass, but she’s as amazed by her powers and the fun of being a hero as any teenage Earthling would be. And teens can identify with her because she’s also awkward in social situations, still trying to find her way in the work world, just a little geeky, and a little too wide-eyed for a typical adult her age. In other words, the character was deliberately crafted with a teen and young adult audience in mind, though the show is entertaining enough for all ages.

Supergirl offers a less dark DC Universe in which characters have down time, bond, laugh, share food and drink, and grapple with problems that audience members face—like questions about identity, body image, relationships, glass ceilings, and juggling career and personal life. The series’ first-season feminism and “stronger together” theme was reflected in the Hillary Clinton campaign, and this season remarks exchanges like this one tip viewers off that the left-leaning politics continue:

Supergirl (as Kira, defending a young woman in the office): “She went to Yale.”
Cat Grant: “So did George Bush.”

More

Review of KING ARTHUR: LEGEND OF THE SWORD (Blu-ray combo)

Leave a comment

Grade: C+
Entire family: No
2017, 126 min., Color
Fantasy-Adventure
Rated PG-13 for sequences of violence and action, some suggestive content, and brief strong language
Warner Bros.
Aspect ratio: 2.40:1
Featured audio: Dolby Atmos TrueHD
Bonus features: B-
Trailer
Amazon link

Guy Ritchie and the King Arthur legend? Sounds like a match made in heaven, doesn’t it? After all, the director who gave us Lock, Stock, and Two Smoking Barrels and The Man from U.N.C.L.E. sure breathed new life into another legendary but staid franchise, Sherlock Holmes, reinvigorated and reinvented in partnership with star Robert Downey Jr.

For King Arthur: Legend of the Sword he had hunky and charismatic Sons of Anarchy alum Charlie Hunnam to work with, and Jude Law playing the bad guy on the throne. So what could possibly go wrong?

Well, when a film begins with giant elephants with pyramids on their backs filled with soldiers and all of them attacking a castle, it certainly gets your attention—kind of like those rock monsters did in the otherwise believably biblical epic of Noah. Then there’s more action, and people talking quickly about things you’re not grasping, and more outrageous things happening, and scenes quickly changing, and before you know it you’re feeling like some of those soldiers in the opening battle, falling hundreds of feet into a moat below and drowning in confusion.

There are some absolutely marvelous sequences in King Arthur: Legend of the Sword, but because confusion reigns with an even tighter fist than King Vortigern (Law), you don’t have enough context to really appreciate what’s happening. It probably doesn’t help that Ritchie employs some of the self-conscious techniques he used in his smart crime dramas: like guys telling a story and we see it in narrative flashback as they speak, then someone will ask a question and the story will change or something will happen that’s even more visually outrageous, like the flashback reversing when one of the listeners says, “Whoa, back up.” It’s clever and postmodern and fun and all, but it also adds to the confusion rather than helping to resolve it. Ritchie’s technique often involves throwing a lot at viewers and then later explaining what they saw, but even the explanations fall short when you watch this film for the first time. I suspect it will take two or three viewings to make complete sense of the film.

More

Older Entries