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Review of THE BELLS OF ST. MARY’S (Olive Signature Blu-ray)

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Grade: B
Entire family: Yes
Drama
1945, 126 min., Black & White
Not rated (would be G)
Olive Films
Aspect ratio: 1.37:1
Featured audio: Digital Mono
Bonus features: B
Trailer (spoilers)
Amazon link

Bing Crosby played a priest in two gentle warm-hearted films, Going My Way (1944) and The Bells of St. Mary’s (1945)—the latter of special interest because it paired the crooner with the legendary Ingrid Bergman. She’s the no-nonsense Sister Superior of an urban Catholic school run by nuns and he’s the school’s new easy-going pastor-administrator with a totally different attitude about how to handle problems with children. They really play off each other nicely, and as old-fashioned as this film is, it should interest families who enjoy old black-and-white classics like Miracle on 34th Street. It’s as wholesome a slice of American life as a Norman Rockwell painting that, with age, seems just as quaint.

Like other films from the late ‘40s and early ‘50s, The Bells of St. Mary’s depicts an America that’s long gone, where everything seemed slower paced and children’s problems were limited to trouble with their parents, studies, or classmates. In this film two children’s problems are on the periphery, while the featured character “bout” is a gentle and very subtle rivalry between Father O’Malley and Sister Mary Benedict. The main plot thread involves Sister Benedict’s stubborn hope that a cranky business developer (Henry Travers, who played Clarence in It’s a Wonderful Life) will donate his new building so that it can serve as a new school. He, meanwhile, is angling for St. Mary’s to sell out so he can tear it down and turn it into a parking lot.

Though Father O’Malley arrives in the fall and the story spans the winter months, there is a long scene where students rehearse a Christmas play, and a few other scenes shot in front of decorated trees. So if Diehard is a Christmas movie, so is The Bells of St. Mary’s. More

Review of THE ANGRY BIRDS MOVIE 2 (Blu-ray combo)

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Grade: B
Entire family: Yes
Animation
2019, 97 min., Color
Sony / Columbia
Rated PG for rude humor and action
Aspect ratio: 1.85:1 widescreen
Featured audio: DTS-HDMA 5.1
Bonus features: B+/A-
Includes: Blu-ray, DVD, Digital
Trailer
Amazon link

The Angry Birds Movie 2 (which should have been simply “Angry Birds 2”) is a colorfully manic CGI animated feature that’s full of feathery little fluffballs and cutesy antics that are obviously aimed like a big giant slingshot at young children, rather than gamers.

At one point a bird is reading Crazy Rich Avians, and there are enough smartly written lines and movie allusions to make it fairly painless, even amusing for older siblings and parents to watch along with youngsters. And that includes the curmudgeons who say they’ll only watch such films “when pigs fly” . . . because in this movie, they do. This time around, it’s a classic tale of enemies—pigs and birds—who put their prank war on hold so they can work together when an outside force threatens their separate island paradises. The same cast returns from the 2016 original, and if your family liked that one they’ll like this sequel. It’s a stronger film, and the feather and effects animation is noticeably superior.

Jason Sudeikis once again gives voice to Red, the hero of the first film who has since developed a bit of an arrogant “only I can do this” attitude. So while the two sides learn to work together, Red is relearning how to be humble and realizing, as well, that it takes teamwork to succeed. An all-star cast features the additional voice talents of Rachel Bloom, Leslie Jones, Josh Gad, Bill Hader, Danny McBride, Awkwafina, Sterling K. Brown, Eugenio Derbez, Peter Dinklage, Nicki Minaj, Maya Rudolph, Tony Hale, and others.

The plot is set in motion when a large iceball falls out of the sky, swamping Piggy Island and leading the pigs to seek out a truce with their Bird Island counterparts. Pigs, birds, and viewers later learn that, like a James Bond villain, Zeta, the head of Eagle Island is launching iceballs from her volcano cannon in an all-out attack. Her plan? Tired of living on a frigid island, she wants to acquire warmer territory for herself and her army of Eagles. Meanwhile, in a cute-as-a-button side plot, three hatchling birds play with a mother’s eggs but end up watching them drift out to sea. How will they ever get them back? More

Review of TOY STORY 4 (Blu-ray combo)

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Grade: A-
Entire family: Yes
Animation
2019, 100 min., Color
Rated G
Pixar/Disney
Aspect ratio: 2.39:1
Featured audio: DTS-HDMA 7.1
Bonus features: B
Includes: Blu-ray, DVD, Digital
Trailer
Amazon link

The buzz (no Lightyear pun intended) on Toy Story 4 was that it’s the saddest (translation: most poignant) entry yet, and that Pixar really fumbled the ball by naming a new character Forky when it’s so clearly a spork.

But if that’s your biggest complaint, you know Pixar/Disney has created another hit. In fact, if there’s a more critically successful film franchise, it’s not coming to mind. The first two Toy Story animated features earned a remarkable 100 percent “fresh” rating at Rotten Tomatoes with audience ratings of 92 and 86 percent, respectively, while the third entry received a 98 from critics and 89 from the audience. Their latest exercise in animated wizardry merited a 97 from critics and a 94 from audiences. That’s amazingly consistent, given that there’s only so much you can do, plot-wise, with a family’s toys that come to life when no humans are looking.

This time western sheriff doll Woody (voiced by Tom Hanks) is having an existential crisis. He’s spent three play days in a row left in the closet, wondering what his purpose is if it’s no longer to be played with by his special human. And in case you’re thinking, “Wait a minute, his special human Andy went off to college,” in Toy Story 4 Woody’s a hand-me-down that’s now in the possession of Andy’s little sister, Bonnie.

When Woody stows away in Bonnie’s backpack to make sure she has the comfort of a toy her first day of kindergarten orientation, he watches her make a new toy doll out of a spork, pipe cleaners, and popsicle sticks. But Forky, as she calls him, is a kind of cheerful fatalist who keeps jumping into wastebaskets and trash receptacles and such because, well, that’s where plastic forks end up.

Pixar/Disney keeps the series fresh by rotating characters who get the spotlight, and this time Woody, Bo Peep (Annie Potts), Forky (Tony Hale), Buzz Lightyear (Tim Allen), and a fun new character, motorcycle stuntman Duke Caboom (Keanu Reeves), take center stage. The animators also moved up the ladder of progressive possibilities for toys that are no longer wanted. Having already explored the Goodwill option, the rabid collector option, and the donated-to-preschool option, they set this entry in an antique store where Bo ended up. More

Review of ALADDIN (2019) (Blu-ray combo)

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Grade: A-
Entire family: Yes
Adventure-Fantasy
2019, 128 min., Color
Rated PG for some action/peril
Disney
Aspect ratio: 2.39:1 widescreen
Featured audio: DTS-HDMA 7.1
Bonus features: B+
Includes: Blu-ray, DVD, Digital
Trailer
Amazon link

While Disney’s live-action adaptations of their animated classics have been hit or (near) miss, the 2019 remake of Aladdin is a hit—and don’t let any of the Will-Smith-shouldn’t-have-been-the-Genie complainers tell you differently. Smith is just fine as the genie whose many moods and mannerisms help pace the film. And if you don’t believe me, go to Rotten Tomatoes, where you’ll see that Aladdin received the highest audience rating of any of the live-action remakes.

Smith said that he loved Robin Williams’ manic performance in the 1992 animated classic, but he had no intention of trying to duplicate it—partly because it was the right thing to do out of respect for Williams, but partly because it was the sane thing to do. You can’t beat Williams at manic improvisation, so you might as well carve out your own niche. Smith manages to entertain as the bright blue genie, who fast-talks, sass-talks, back-talks, and even throws in some improvisations of his own—all while managing to carve out his own version of the character.

Meanwhile, Disney struck casting gold with Egyptian actor Mena Massoud as Aladdin and Anglo-Indian singer-songwriter Naomi Scott as Jasmine. Today’s teens and tweens are into Hollywood’s beautiful twentysomethings, but don’t look for Massoud to be bare-chested throughout the film, as the animated Aladdin was. Director Guy Ritchie thought it would be too distracting on a human, and he’s probably right. Massoud and Scott have great chemistry together and individually they’re charismatic, warm, and talented. Young viewers might also recognize Scott from the Disney channel movie Lemonade Mouth and the TV series Life Bites. More

Review of ADVENTURES OF DALLY AND SPANKY (DVD)

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Grade: C+/B-
Entire family: Yes
Family drama
2019, 94 min., Color
Rated PG for brief language
Sony
1.78:1 anamorphic widescreen
Featured audio: Dolby Digital 5.1
Bonus features: n/a
Trailer (contains spoilers)
Amazon link

Jack Russell terriers have been popular with Hollywood. Most famously there was Uggie, who starred in the 2011 Academy Award-winning picture The Artist. Before him, we saw Eddie on the sitcom Frazier, Skip in the film My Dog Skip, and a CGI-enhanced Milo in The Mask. And now there’s Dally, who, unlike previous Jack Russells, isn’t a solo act. She’s partnered with a miniature horse named Spanky (here’s a link to their 2018 performance at the Del Mar National Horse Show just north of San Diego).

Though Dally and Spanky aren’t listed in the credits and the animals may or may not be the actual Dally and Spanky, this family movie was inspired by their dog-and-pony show. And while too often “family” has meant sappily unwatchable, Adventures of Dally & Spanky isn’t half bad. For all its flaws (and there are many) you still end up liking it because, corny as they seem, as one announcer at a talent show remarks, you can’t not like an animal act, can you? And that’s what this is: an 84-minute animal act that begins like Air Bud and quickly turns into Sing.

There’s not much in the way of plotting, and what there is we’ve seen before. Seventeen-year-old Addy (Brenna D’Amico) is grappling with the loss of someone close to her, and it’s affecting her relationship with her mother, stepfather, and half-sister Ella (Reylynn Caster). When she inherits a miniature horse, though, it ends up being therapeutic. And when her half-sister’s dog takes a shine to her horse, it brings the half-sisters closer together as they train the animals side by side and prepare for competitions to help the family raise money to pay the bills and cover the added expenses of boarding a horse. More

Review of CURIOUS GEORGE: ROYAL MONKEY (DVD)

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Grade: B+/A-
Entire Family: Yes, but…
2019, 87 min., Color
Children’s, Animation
Rated G
Universal
Aspect ratio: 1.78:1 anamorphic widescreen
Featured audio: Dolby Digital 5.1
Bonus features: n/a
Includes: Sheet of 15 stickers
Clip
Amazon link

Raise your hand if the Curious George picture books by Hans Agusto Rey, Margret Rey, and illustrator Alan J. Shalleck helped you learn how to read. If so, you’re not alone.

Since the little monkey first appeared in 1941 with his friend, The Man in the Yellow Hat, all seven original titles penned and inked by this trio have remained in print. They’re that popular. And 2006 was a big year for the tailless monkey. That year, an animated TV show was launched that would run for nine more years, and Universal bankrolled a big-screen feature starring big-name talent and costing $50 million to make.

Producer Ron Howard was involved with both projects. “A lot of animated films throw in adult jokes meant to go over the heads of kids. Curious George doesn’t,” Howard told an interviewer. George doesn’t speak in the books, and Howard said that giving him a voice was never an option. “But you know, there have been a lot of very funny characters going back to Harpo Marx that didn’t have much to say,” he said.

The big-screen version didn’t make as much at the box office as the studio had hoped, and since then the movies have been feature-length direct-to-home-videos. Usually that’s a bad thing, but not in this case. The smaller expectations have allowed Howard and co-producing partner Brian Glazer to focus on the audience that the books were intended to reach.

Though two 2009 films, Curious George 2: Follow That Monkey and Curious George: A Very Monkey Christmas, were disappointments, the filmmakers found their groove with Curious George: A Halloween Boo Fest (2013) and Curious George 3: Back to the Jungle (2015). And I’m happy to report that Curious George: Royal Monkey keeps the winning streak alive. More

Review of DUMBO (2019) (Blu-ray combo)

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Grade: B-
Entire family: Yes
Live-action dramedy
2019, 112 min., Color
Disney / Buena Vista
Rated PG for peril/action, some thematic elements, and brief mild language
Aspect ratio: 1.85:1
Featured audio: DTS-HDMA 7.1
Bonus features: D
Includes: Blu-ray, DVD, Digital
Trailer
Amazon link

I’ll be honest. My family wanted to watch a live-action remake of Dumbo about as much as they’re hoping for an animated version of Old Yeller. Some people just can’t get past the sad parts, so I watched this on my own.

I could be wrong, but it seems to me that Disney downplayed the sad moments in this live-action dramedy by quickly moving past them, rather than lingering as they did with the 1941 animated classic. And the focus is less on poor Dumbo and his odyssey than it is on the two children (Nico Parker and Finley Hobbins) and their father that try to help him. Tonally, Tim Burton’s live-action remake comes closer to Disney’s Escape to Witch Mountain than it does the original cartoon . . . or anything else that Burton has done, for that matter. You hear “Burton” and you think “weird,” but that’s not the case here.

Set in 1919, with Colin Farrell playing a widowed WWI veteran who returns to his children decorated but without his left arm, Dumbo feels like a throwback homage to the wholesome small-town America that Walt Disney idealized in his early live action films. But with one important difference: Burton also celebrates Disney’s visionary creation of theme parks. More

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