Grade: B-
Entire family: Yes
2019, 104 min., Color
Animation-Live Action-Adventure
Rated PG for action/peril, some rude and suggestive humor, and thematic elements
Warner Bros.
Aspect ratio: 2.40:1 widescreen
Featured audio: Dolby Atmos TrueHD
Bonus features: B
Trailer
Amazon link
My son was into Pokémon when he was younger; my daughter, not at all. From talking with other parents that seems to be fairly common. There are video games and collectors’ cards that can be used to play games and battles and powers and all manner of things that my son could rattle off as if it were all quite elementary. He told me it was like chess: as complicated or as simple as you wanted to make it.
Detective Pikachu, the first live-action film based on the Pokémon franchise, seems to have been made to work on multiple levels as well. There are allusions and references to Pokémon powers and battles that those unfamiliar with the Pokémon universe will choose to ignore, while others will have their heads spinning with recognition. On it’s simplest level, Pokémon are creatures with various powers, and those creatures are pursued by humans that call each other “Pokémon trainers,” because they then battle their Pokémon against those of other trainers for sport.
Tim Goodman (Justice Smith) gave up Pokémon training after his mother died and his father remained absent in his life. Instead, the 21 year old joined the work world. One day he’s told that his father, a detective, was apparently killed in a car crash, and Tim travels to Ryme City—a utopian city where Pokémon and humans live in harmony and equality—in order to meet with the police officer in charge and collect his father’s personal effects.
While he’s in his father’s apartment looking around, he meets a Pokémon called Pikachu (voiced by Ryan Reynolds), who’s wearing a Sherlock Holmes-style hat. When the creature speaks, Tim can actually understand him, and that’s something special. Before they can talk much, Tim releases an R-labeled purple gas from a test tube he picks up, and suddenly they’re attacked by a group of Aipom who are under the influence of that gas. They flee, and when they stop and finally get to talk, Tim learns that Pikachu was his father’s detective partner, and that they were on a case together when Harry was reported as being killed. But Pikachu is convinced that Tim’s father, Harry, is still alive, and the basic plot follows the pair as they try to track down clues to locate Harry. Along the way they meet Ryme City’s wealthiest man, Howard Clifford, who confirms that Harry is indeed alive but warns them about his ambitious son, Roger.
Who Framed Roger Clifford? Not exactly. While the investigative plot, the fantastic creatures, and the blend of animation and live action will have some viewers flashing back to Who Framed Roger Rabbit, tonally the two films are worlds apart. Rather than a manic caper comedy with a clever intellectual core, Detective Pikachu has a warm-hearted core and a structure than comes closer to the classic fantasy quest. As racy and raunchy as Who Framed Roger Rabbit could be, Detective Pikachu is so wholesome it almost borders on the bland. Or maybe the blandness or “meh” factor comes from the familiarity of the plot. It’s a standard missing person story, but one we’ve seen before in so many different forms. Don’t get me wrong: this isn’t a bad film at all. It’s just that given the accomplished animation, the cool creatures, and the heart that this film has, it’s surprising to walk away without thinking, Wow. What Detective Pikachu lacks is that ever-so-hard-to-define wow factor.
Language: Pretty wholesome, with a single “damn,” a few “hells,” and one instance when a character begins to say “sh—t” but stops at “sh—“
Sex: Uh, nope
Violence: There are chases and explosions, but for the most part it’s all pretty tame; each main character has a brief moment when we think they may have died, but it’s clear that everything will be okay
Adult situations: Probably the scariest creatures in the film are the Charizard, a dragon-like species that can spout fire at both ends
Takeaway: I think you’d have to say that this first foray into animation/live-action filmmaking was a success, and that we’re probably going to see a lot more of them
