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Review of FROZEN II (Blu-ray combo)

February 26, 2020

James Plath, Family Home Theater Animation, Entire Family, Family, PG rated , , Leave a comment

Grade: A-/B+
Rated: PG
Animation

Has there been a more anticipated Disney sequel than Frozen II?

Frozen was an instant classic, winning Oscars for Best Animated Feature Film and Best Original Song. Within the first few weeks of its debut, children young enough to have barely mastered sentences could be heard belting out “Let It Go” with the same intensity as Idina Menzel, the Broadway talent who sang it in the film.

Frozen was a tough act to follow, but Frozen II gives the 2013 original a run for its money.

For me, the differences can be summarized with a few simple observations. I thought Frozen was marred only by two songs that stood out because they were less successful than the rest: a goofy snowman song that seemed to run counter to the mood of the film, even for comic relief, and a troll song that could have been cut and no one would have cared. But overall, the film brought Broadway style to the fairytale format (a Disney specialty) and also embraced the “meet cute” formula of romantic comedies, with fun characters and interesting side plots and plot twists that were simple enough for even those budding young sopranos and tenors to understand.

Frozen II, meanwhile, comes closer to the operetta in its use of music, where songs are sometimes employed instead of dialogue to move the story forward, and those songs (as a result) seem to come at more frequent intervals. That’s not bad, mind you, just different. Still, it’s been three months since the film premiered, and I have yet to observe any youngster singing a song from the sequel. I also couldn’t pick out a favorite song the way I instantly could with Frozen—though “Into the Unknown” was nominated for an Academy Award and the Frozen II soundtrack reached #1 on the Billboard 200 Album chart. So it might take a second listen for those songs to kick in.  I also thought that Frozen II, a darker film in tone and subject matter, had a plot that was both more richly imagined and a little more contrived, and therefore a little harder for younger children to comprehend. Maybe that’s because Frozen steered fairly close to the shoreline of fairytale land, while Frozen II comes closer to fantasy. There are ghosts and spirits and people living in a netherworld. More

Review of ADVENTURES OF DALLY AND SPANKY (DVD)

September 18, 2019

James Plath, Family Home Theater Drama, Entire Family, Family, PG rated Leave a comment

Grade: C+/B-
Entire family: Yes
Family drama
2019, 94 min., Color
Rated PG for brief language
Sony
1.78:1 anamorphic widescreen
Featured audio: Dolby Digital 5.1
Bonus features: n/a
Trailer (contains spoilers)
Amazon link

Jack Russell terriers have been popular with Hollywood. Most famously there was Uggie, who starred in the 2011 Academy Award-winning picture The Artist. Before him, we saw Eddie on the sitcom Frazier, Skip in the film My Dog Skip, and a CGI-enhanced Milo in The Mask. And now there’s Dally, who, unlike previous Jack Russells, isn’t a solo act. She’s partnered with a miniature horse named Spanky (here’s a link to their 2018 performance at the Del Mar National Horse Show just north of San Diego).

Though Dally and Spanky aren’t listed in the credits and the animals may or may not be the actual Dally and Spanky, this family movie was inspired by their dog-and-pony show. And while too often “family” has meant sappily unwatchable, Adventures of Dally & Spanky isn’t half bad. For all its flaws (and there are many) you still end up liking it because, corny as they seem, as one announcer at a talent show remarks, you can’t not like an animal act, can you? And that’s what this is: an 84-minute animal act that begins like Air Bud and quickly turns into Sing.

There’s not much in the way of plotting, and what there is we’ve seen before. Seventeen-year-old Addy (Brenna D’Amico) is grappling with the loss of someone close to her, and it’s affecting her relationship with her mother, stepfather, and half-sister Ella (Reylynn Caster). When she inherits a miniature horse, though, it ends up being therapeutic. And when her half-sister’s dog takes a shine to her horse, it brings the half-sisters closer together as they train the animals side by side and prepare for competitions to help the family raise money to pay the bills and cover the added expenses of boarding a horse. More

Review of DUMBO (2019) (Blu-ray combo)

August 24, 2019

James Plath, Family Home Theater Comedy, Drama, Entire Family, Family, PG rated Leave a comment

Grade: B-
Entire family: Yes
Live-action dramedy
2019, 112 min., Color
Disney / Buena Vista
Rated PG for peril/action, some thematic elements, and brief mild language
Aspect ratio: 1.85:1
Featured audio: DTS-HDMA 7.1
Bonus features: D
Includes: Blu-ray, DVD, Digital
Trailer
Amazon link

I’ll be honest. My family wanted to watch a live-action remake of Dumbo about as much as they’re hoping for an animated version of Old Yeller. Some people just can’t get past the sad parts, so I watched this on my own.

I could be wrong, but it seems to me that Disney downplayed the sad moments in this live-action dramedy by quickly moving past them, rather than lingering as they did with the 1941 animated classic. And the focus is less on poor Dumbo and his odyssey than it is on the two children (Nico Parker and Finley Hobbins) and their father that try to help him. Tonally, Tim Burton’s live-action remake comes closer to Disney’s Escape to Witch Mountain than it does the original cartoon . . . or anything else that Burton has done, for that matter. You hear “Burton” and you think “weird,” but that’s not the case here.

Set in 1919, with Colin Farrell playing a widowed WWI veteran who returns to his children decorated but without his left arm, Dumbo feels like a throwback homage to the wholesome small-town America that Walt Disney idealized in his early live action films. But with one important difference: Burton also celebrates Disney’s visionary creation of theme parks. More

Review of EMMET OTTER’S JUG-BAND CHRISTMAS (40th Anniversary DVD)

October 21, 2017

James Plath, Family Home Theater Entire Family, Family, G rated Leave a comment

Grade: B+/B
Entire family: Yes
1977, 53 min., Color
Family
Sony Pictures
Not rated (would be G)
Aspect ratio: 1.78:1
Featured audio: Dolby Digital 5.1
Bonus features: B+
Trailer
Amazon link

You know the old expression, “They don’t make them like they used to?”

With Emmet Otter’s Jug-Band Christmas that’s absolutely true. Jim Henson and his Muppeteers used traditional hand-operated puppets, string-manipulated marionettes, and remote controlled Muppetry to make this 1977 TV Christmas special. It’s hard not to have some reaction when you watch Emmet rowing his mother across real water while Ma sings about the good old days. But it could seem so totally new to today’s youngsters that they may not even be sure how to react. What they’re watching is a lost art, with such detailed sets and models and characters that you have to feel charmed by the whole process. And that rowing scene? It’s the equivalent of watching a ventriloquist work his dummy while drinking a glass of water. Such technical wizardry abounds in Emmet Otter’s Jug-Band Christmas.

Henson enlisted composer Paul Williams to create the songs for this 48-minute film, which he told Williams was a “trial run” before he went all-out to make a full-length feature film. That means fans of The Muppet Show and The Muppet Movie will find this especially fascinating. You can see what Henson thought worked and what he thought needed to be juiced up a bit in order to be effective in the theaters.

Emmet Otter looks a bit like an Ewok, and he’s cute as the Dickens. He and his Ma are both good singers, but, like everyone else in their watery corner of the world, poor as can be. When they see signs for a talent show featuring a $50 prize, they both decide to enter because, shades of O. Henry’s “Gift of the Magi,” each wants to buy a Christmas present for the other. While Ma practices her solo, Emmet gets his musical friends together to form a jug band. But while they all are performing old-time music, that prize money starts to look like a pipe dream when a bunch of kids with electric guitars are cranking out tough-to-beat rock music.

Whether Emmet and his Ma win or lose is almost irrelevant. There’s a lesson to be learned here, and models of behavior and life attitudes that have almost become as “old timey” as some of the early songs in this musical family film. The tone of the film is like a story told around a pot-belly stove, a warm-your-hands (and heart) affair that’s played pretty straight. Missing is the irreverence of The Muppet Show and the Muppet movies, no doubt because Henson and Co. were aiming for a wholesome family Christmas show that evokes the “good old days.”

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Review of FLIPPER (1964): SEASON 1 (Blu-ray)

September 9, 2017

James Plath, Family Home Theater Family, TV Adventure Leave a comment

Grade: B/B+
Entire family: Yes
1964-65, 780 min. (31 episodes), Color
Family adventure
Not rated (would be TV-G)
Olive Films
Aspect ratio: 1.33:1
Featured audio: DTS Mono
Bonus features: n/a
Opening/Closing Theme with snippet
Amazon link

When Flipper debuted in the fall of 1964, it became an immediate hit with boys and animal lovers—which are often the same thing. It was every boy’s fantasy: 15-year-old Sandy (Luke Halpin) and 10-year-old Bud (Tommy Norden) lived with their widowed father, Porter Ricks (Brian Kelly), in a cottage right on a lagoon that was part of the Coral Key Park and Marine Preserve in the Florida Keys that their dad patrolled. As the park’s lone ranger he was responsible for protecting the environment, looking after the welfare of the sea creatures, and also monitoring any scuba divers, snorkelers, or boat enthusiasts that visited the park.

The boys helped their father some of the time, but mostly struck out on their own. It was like a permanent summer vacation, where Sandy and Bud could take the skiff out any time they wanted and go diving or snorkeling to their heart’s content. Often they were accompanied by Flipper, a wild dolphin that took a shine to Bud (who can communicate with it) and hangs around the boys of his own volition. Good thing, because he’s needed to come to the rescue in just about every episode. In a way, Flipper is a marine version of that earlier iconic ‘50s show Lassie. What’s that, Lassie? Timmy’s trapped in the well?

Only here, Flipper tries to communicate that Bud is trapped inside a sea cave, or Sandy and another boy are trapped inside a sunken wreck, or one of them is being held captive in a boat by a poacher or treasure hunter or other nogoodnik. But while Flipper is just as wholesome as Lassie and seems to have one foot in those innocent ‘50s, it’s a whole lot more entertaining.

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Review of BEAUTY AND THE BEAST (2017) (Blu-ray combo)

June 12, 2017

James Plath, Family Home Theater Entire Family, Family, Musical, PG rated Leave a comment

Grade: A/A-
Entire family: Yes
2017, 129 min., Color
Family musical fantasy
Disney
Rated PG for some action violence, peril and frightening images
Aspect ratio: 2.40:1
Featured audio: English DTS-HDMA 7.1
Bonus features: B-
Includes: Blu-ray, DVD, Digital HD
Trailer
Amazon link

We seem to have entered a new era of live-action Disney remakes of animated classics.

After a 2014 revisionist Sleeping Beauty story of Maleficent that divided critics, a trio of remakes—Cinderella (2015), The Jungle Book (2016), and Pete’s Dragon (2016)—fared nearly as well with reviewers as they did at the box office. More live-action remakes are in the works: The Sword and the Stone, Dumbo, Pinocchio, Alice and Maleficent sequels, Cruella (an attempt to improve on the 1996 101 Dalmatians flop), Winnie the Pooh, Mulan, Tink (a Peter Pan spinoff), Prince Charming (a Cinderella spinoff), Genies (an Aladdin prequel), and Night on Bald Mountain (a Fantasia adaptation). It other words, it’s getting real.

Predictably, not everyone is a fan. More audience members (83 percent) liked 2017’s Beauty and the Beast than critics (71 percent), but if you read between the lines you’ll see that the naysayers are mostly purists who think that nothing can compare to the 1991 film many consider to be the high point of Disney animation—one that, like The Lion King, inspired a Broadway version. Additional objections came from closet homophobes who took exception with the slightly flamboyant performance that Josh Gad (Olaf, in Frozen) gave of La Fou, sidekick to the film’s egotistical, intimidating villain. But hey, he’s a musical theater guy, this is musical theater, and children will see in his performance the same kind of second-fiddle comedy as his cartoon counterpart provided.

Our family watched Beauty and the Beast separately—my son, on his college campus; my wife and daughter, at a local theater; and me, when it finally came out on Blu-ray this week—but we all had the same reaction: We loved it.

Disney excels in creating movie worlds, and to create this one they decided against straight live-action and incorporated 1700 visual effects using both old and new technology. Watch a bonus feature and you’ll see Dan Stevens, who plays the beast, decked out in a full-body motion-capture suit, and you’ll see Emma Watson as Belle sitting at a table full of objects—the only actor in the room, because all of the other characters were CGI. But you’ll also see green screen work and matte backgrounds, and the combination of old and new techniques fashion a world that’s live-action but still altered reality—timeless, fantastic.

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Review of A MERMAID’S TALE (DVD)

May 7, 2017

James Plath, Family Home Theater Entire Family, Family, G rated Leave a comment

Grade: C/C+
Entire family: Yes (technically)
2016, 92 min., Color
Family drama
Rated G
Lionsgate
Aspect ratio: 1.78:1 widescreen
Featured audio: Dolby Digital 5.1
Bonus features: C-
Trailer
Amazon link

You could argue that Daryl Hannah revived Hollywood’s fascination with mermaids in the live-action 1984 romantic comedy Splash, which contained so much adult female nudity that it’s now really only appropriate for adults. Then came the engaging Australian TV series H20: Just Add Water, featuring three young women in their late teens that find themselves transformed into mermaids. Now we get a 12 year old who has her own mermaid encounter in the live-action film A Mermaid’s Tale. And if you remember the rule of thumb for movies aimed at children, the heroes are always slightly older than the intended audience. That means the 6-10 age group finally gets a live-action mermaid film to feed their fantasy side.

From a critic’s perspective, A Mermaid’s Tale is a C- at best. But young Caitlin Carmichael is likable as the female lead and the playful relationship she has with her father (Jerry O’Connell, who was the fat kid in Stand by Me) is more like the one Miranda Cosgrove had with her TV brother (Jerry Trainor). Because of that, and because the production values are surprisingly good, I think young girls in the target age group will probably find this movie entertaining enough to grade a B or B-. Considering that the film was made with them in mind, I’m comfortable giving A Mermaid’s Tale a compromise grade of C/C+.

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Review of A COWGIRL’S STORY (DVD)

April 10, 2017

James Plath, Family Home Theater Entire Family, Family, PG rated 2 Comments

Grade:  C
Entire family:  Technically, yes
Family drama
Rated PG for thematic elements
Sony/Samuel Goldwyn
Aspect ratio: 1.85:1
Featured audio: Dolby Digital 5.1
Bonus features:  n/a
Trailer
Amazon link

I’ve asked this before but it bears repeating: why are wholesome religious family films so often sabotaged by a weak script and less-than-stellar acting? It’s happened again with A Cowgirl’s Story, a 2017 manipulate-you-to-feel-good movie starring Bailee Madison (Brothers, TV’s Good Witch).

Madison, who co-produced the film, is saddled with a script that’s by turns corny, wooden, and cliché-ridden. And on top of all that, this message film doesn’t trust the audience enough to attempt some measure of subtlety. Then again, the audience for the film—God-fearing, military-supporting, small-town America—might be forgiving enough to overlook the many flaws.

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Review of HEIDI (2015) (DVD)

April 1, 2017

James Plath, Family Home Theater Entire Family, Family, Foreign (subtitles), G rated Leave a comment

Grade: B+
Entire family: Yes
2015, 111 min., Color
Family
Not rated (would be G)
StudioCanal
Aspect ratio: 2.40:1
Featured audio: Dolby Digital 5.1 Surround (German), Dolby Digital 2.0 (English)
Bonus features: n/a
Trailer
Walmart exclusive

Victorian-age literature is full of orphans. Dickens’ gave us David Copperfield, Pip, and Oliver Twist; Twain created Tom Sawyer and Huck Finn; L. Frank Baum introduced readers to Dorothy in his Oz books; and Rudyard Kipling wrote about Kim and Mowgli. But the literary orphan who lived the most satisfying life was probably Swiss writer Johanna Spyri’s character, Heidi.

Since 1937, when Shirley Temple played the little Swiss orphan who bounces from place to place in picturesque Switzerland and Germany, there have been more than 20 different film and TV adaptations. But no one captures the spirit of the original 1881 children’s novel better than director Alain Gsponer and his team of German and Swiss filmmakers.

Shot on location in Germany and the Swiss Alps, this most recent and faithful adaptation—available exclusively at Walmart—does the most spectacular job of exploiting the scenery and Heidi’s natural capacity for unbridled joy. With a feel-good default that tends to rub off on most of the people around her, Heidi is a bit like a later American orphan made famous because of the Disney film by the same name: Pollyanna. But instead of playing a “glad game,” it’s Heidi’s positive attitude, helpful nature, and ever-present smile that win her friends. Then again, when your journey goes from living a rather idyllic existence in the Alps with your goatherd grandfather, then boarding with a rich German family in Frankfurt in order to keep their invalid daughter company, and finally back again to be reunited with Grandpa, it’s easier to stay positive than if you’re Dickens’ heroes slogging it out in the dirty and dangerous disease-filled streets of London.

The Alpine scenes in this StudioCanal film are a feast for the eyes, and Heidi is family-friendly with just one disclaimer: the film was made in German with English subtitles, so you have to do a bit of reading or else watch in dubbed English. That might not prove to be too big of a negative, since younger children accustomed to partially animated cartoons probably won’t be bothered by words and lips slightly out-of-synch, and children old enough to read well may find this version of Heidi the perfect first subtitled movie to tackle. It’s an easy-paced film with mostly short exchanges rather than long monologues, and none of the characters talks very rapidly.

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THE BFG (Blu-ray combo)

December 5, 2016

James Plath, Family Home Theater Family, PG rated Leave a comment

bfgcoverGrade: C+/B-
Entire family: Yes (with a caveat)
2016, 117 min., Color
Disney
Rated PG for action, peril, some scary moments, and brief rude humor
Aspect ratio: 2.39:1
Featured audio: DTS-HDMA 7.1
Bonus features: B+
Includes: Blu-ray, DVD, Digital HD
Trailer
Amazon link

Decades from now, film historians may refer to 2016 as a milestone year for Disney—the year the studio entered a new age in producing live-action/animated fantasy adventures, with The Jungle Book coming out in April, The BFG premiering in July, and Pete’s Dragon debuting in August. All three films are impressive for kicking it up a notch in creating convincingly realistic CGI creatures that seamlessly interact with actors in real-life settings.

But the films aren’t equally successful. The runaway leader of the pack was the remake of the 1967 Kipling adaptation of Mowgli’s adventures, with the remake of the 1977 live-action/animation musical-comedy featuring Elliot the dragon close behind. Less bfgscreen1successful is The BFG, which producer-director Steven Spielberg adapted from the Roald Dahl book. Spielberg and screenwriter Melissa Mathison (E.T.) chose to stay reasonably close to the structure of the original book, trusting that the special effects and the magical world described by Dahl and rendered by them would be enough to sustain audiences. And it is . . . until a talky first act with a giant dose of giant gibberish starts to get a little old. Interest picks up mid-way when the giant and child companion offer to help the Queen solve Britain’s disappearing children problem, but a third act pushes toward a tidy fabulist ending that almost feels anticlimactic. In other words, E.T. it’s not.

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