Entire family: No
2015-16, 566 min. (13 episodes), Color
Not rated (would be TV-14 for violence, adult situations, sexual innuendo, and language)
Aspect ratio: Letterboxed widescreen “enhanced” for 16×9 monitors
Featured audio: Dolby Digital 5.1
Bonus features: C-
In the ‘60s, novelty sitcoms like I Dream of Jeannie and Bewitched proved that shows with positively ridiculous supernatural premises could still be popular if the situations were interesting enough, the cast likeable enough, and the writing clever enough.
That lesson was not lost on the creators of Lucifer: Season 1, a series that’s based on a character from the DC Sandman comics by Neil Gaiman and Sam Kieth. Could there be a crazier premise for a male-female police procedural than to pair the real Lucifer (aka Satan, who’s taking a vacation from hell by running a nightclub in L.A.) with a detective who was a former actress known primarily for posing topless in Hot Tub High School?
Tom Ellis stars as the suave ladies man Lucifer Morningstar, who runs a trendy nightclub called Lux. He had grown bored and restless in hell and often did a deliberately poor job of punishing the people who were sent there because his Father assigned him to that as a punishment for his rebellion. All these millennia later he wanted out, so much so that his L.A. vacation turns into a permanent abdication. When he witnesses a murder outside his club, he finds himself becoming curiously involved and decides to help Det. Chloe Decker (Lauren German) by using some of his powers. In Touched by an Angel Michael Landon gave people warm fuzzies; Lucifer has the power to get people to speak the truth about their deepest, most secret desires, and to admit their sinful urges—including, in an opening scene, a cop who decides to take the bribe after Lucifer exposes his loose relationship with the law. He’s like truth serum, and in extreme situations he shows his real satanic form to those he wants to shock.
Now, why would a good, dedicated cop pair up with Satan? Good question, since one would guess the LAPD would have certain rules about a non-force partnership. Though Lucifer Morningstar comes right out and tells her who he is, she thinks he’s speaking metaphorically, until his character and his immortality is gradually revealed to her. His fascination with her is more believable: she’s the only human who is impervious to his powers—which, by mid-season, like Samantha’s nose-twitch and Jeannie’s head-blink, start to get a little old. But the situations and clever writing are enough to compensate.
This first season Chloe and Lucifer investigate the slaying of a movie star’s son, a girl that turns up dead in a football star’s pool, a woman who’s killed at a fashion show, a biker gang that’s into nasty stuff, a murdered therapist, an underground drug ring, the murder of a prominent restauranteur, a philanthropist that was found dead, and a girl who may have been murdered by a group of Satanists.
Rounding out the cast are Scarlett Estevez as Chloe’s precocious daughter, Trixie (“You do know that’s a hooker’s name, don’t you?” Lucifer says upon first meeting her); Lesley-Ann Brandt as Mazikeen (aka Maze), an assistant of sorts who accompanied Lucifer to L.A.; DB Woodside as Amenadiel, Lucifer’s “brother” who is intent on getting him to return to hell; and Rachael Harris as Dr. Linda Martin, whose sessions and relationship with Lucifer will remind viewers of Tony Soprano and his therapist, especially since both men run clubs that are highly sexualized.
Fans of forensic shows won’t be impressed that no attention is paid to that aspect of criminal investigations. Even when we see a body with bruises we just get a coroner’s pronouncement of “strangulation,” and it’s left to Chloe and Lucifer to find out whether the attacker was male or female, how tall or heavy, etc. And though the writers try to make sense of why and how Chloe is working on her own, it’s not totally clear why, after she clashed with the LAPD over a cop shooting, she’s still able to work on her own while ostracized by her homicide detective ex-husband Dan Espinoza (Kevin Alejandro) and the rest of the detectives. But the show’s writing is clever enough, with laugh-out-loud moments, where you tend to shrug and overlook such things.
Any positive messages that the show might offer (Lucifer’s gradual enlightenment, for example, or anti-bullying, or the always available possibility of reinventing oneself) get lost among the Satanic elements that the writers clearly favored. It’s like a Satanic version of Touched by an Angel meets Remington Steele, with a little Dexter and The Sopranos thrown in for good measure. No wonder the website One Million Moms launched a petition drive to keep the show from airing—though far short of a million signed it by the time the show first aired (165,643). The irony? The show airs on Fox, the network most identified with the GOP and their emphasis on “family values.” Lucifer is a stylish and entertaining show, but it won’t be for many church-going families. It’s also every bit a TV-14 series. Given the soundtrack and special effects, you might want to pick this up on Blu-ray instead. The 5.1 Surround and standard definition, while strong, do have their limitations—especially, with the visuals, in low-light situations.
Language: A bunch of it, mostly male-female slurs like “bitch” or “dick”
Sex: Lots of innuendo, some scantily clad females, implied sexual coupling
Violence: Jerry Bruckheimer produced this, so you’ll see a bunch of crashes and explosions and high-concept stylized violence, some of it bloody
Adult situations: Drug-use, smoking, drinking
Takeaway: Despite the ridiculous premise, Lucifer is surprisingly entertaining