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Review of WONDER WOMAN (Blu-ray combo)

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Grade: B+/A-
Entire family: No
2017, 141 min., Color
Action-Adventure Fantasy
Warner Bros.
Rated PG-13 for sequences of violence and action and some suggestive content
Aspect ratio: 2.40:1
Featured audio: Dolby Atmos TrueHD
Bonus features: B+
Included: Blu-ray, DVD, Digital HD
Trailer
Amazon link

In a way, Wonder Woman is DC’s version of Marvel’s Thor. Both are ancient gods with one foot in the mythological sphere and one foot in the saving-the-planet contemporary world. Thor has his hammer, but Wonder Woman tops that with her indestructible bracelets and Lasso of Hestia (and Truth, and Butt-Kicking). Like Captain America, this Amazonian goddess has to train to learn how to fight, and one super-accessory that she shares in common with Steve Rogers is a powerful shield. She also carries a special sword, making her one formidable superhero.

The brainchild of psychologist-writer William Mouton Marston and artist Harry G. Peter, Princess Diana of Themyscira, Daughter of Hippolyta made her appearance in DC’s All Star Comics #8 (October 1941) and was enough of a feminist icon that she made the cover of Ms. magazine 30 years later and in 2016 was named “U.N. Honorary Ambassador for the Empowerment of Women and Girls” by the United Nations. Marston explained that he wanted “to create a feminine character with all the strength of Superman plus all the allure of a good and beautiful woman,” and that character has resonated with people. In this 2017 film, she can leap high as tall buildings, she can deflect speeding bullets, and she can cause a devastating shock wave both on-screen and off. Wonder Woman earned more than $819 million at the box office, making it the highest grossing film directed by a woman (Patty Jenkins, Monster).

The biggest change the film makes from the comics and 1970s TV series starring Lynda Carter is that Wonder Woman enters the world of humans during WWI rather than WWII. It’s the Kaiser, not Hitler, that leads the enemy, and the plot revolves around mustard gas, trench warfare, and biplanes. There’s no shortage of villains, but the standouts are David Thewlis as Ares, Diana’s distant half-brother and son of Zeus, and Elena Anaya as the demented Dr. Maru, a.k.a. “Dr. Poison.”

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Review of BRING IT ON: WORLDWIDE #CHEERSMACK (Blu-ray)

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Grade: C-/?
Entire family: No
2017, 95 min., Color
Sports-comedy
Rated PG-13 for crude sexual material
Universal Pictures
Aspect ratio: 1.78:1
Featured audio: DTS-HDMI 5.1
Bonus features: C
Includes: Blu-ray, Digital HD
Trailer
Amazon link

#KindaDumb

I get it. We live in a digital world, where everyone who walks from here to there is on their cell phone checking email, posting or replying to social media, or doing everything but watching where they’re going. Cyberbullying can be more devastating than in-person bullying, and bodyshaming and trolling are more common than “your mom” insults used to be. So it #KindaMakesSense that the sixth installment in the Bring It On franchise would tap into that. And the potential was certainly there.

But Bring It On: Worldwide #Cheersmack really is kind of dumb. The acting is bad, the cheerleading acrobatics take a backseat to online insults, and the characters are so cardboard you could knock them over with a little finger or hearty belch.

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Review of FLIPPER (1964): SEASON 1 (Blu-ray)

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Grade: B/B+
Entire family: Yes
1964-65, 780 min. (31 episodes), Color
Family adventure
Not rated (would be TV-G)
Olive Films
Aspect ratio: 1.33:1
Featured audio: DTS Mono
Bonus features: n/a
Opening/Closing Theme with snippet
Amazon link

When Flipper debuted in the fall of 1964, it became an immediate hit with boys and animal lovers—which are often the same thing. It was every boy’s fantasy: 15-year-old Sandy (Luke Halpin) and 10-year-old Bud (Tommy Norden) lived with their widowed father, Porter Ricks (Brian Kelly), in a cottage right on a lagoon that was part of the Coral Key Park and Marine Preserve in the Florida Keys that their dad patrolled. As the park’s lone ranger he was responsible for protecting the environment, looking after the welfare of the sea creatures, and also monitoring any scuba divers, snorkelers, or boat enthusiasts that visited the park.

The boys helped their father some of the time, but mostly struck out on their own. It was like a permanent summer vacation, where Sandy and Bud could take the skiff out any time they wanted and go diving or snorkeling to their heart’s content. Often they were accompanied by Flipper, a wild dolphin that took a shine to Bud (who can communicate with it) and hangs around the boys of his own volition. Good thing, because he’s needed to come to the rescue in just about every episode. In a way, Flipper is a marine version of that earlier iconic ‘50s show Lassie. What’s that, Lassie? Timmy’s trapped in the well?

Only here, Flipper tries to communicate that Bud is trapped inside a sea cave, or Sandy and another boy are trapped inside a sunken wreck, or one of them is being held captive in a boat by a poacher or treasure hunter or other nogoodnik. But while Flipper is just as wholesome as Lassie and seems to have one foot in those innocent ‘50s, it’s a whole lot more entertaining.

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Review of THE WEDDING BANQUET (Blu-ray)

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Grade: B+/A-
Entire Family: No, older teens and up
1993, 106 min., Color
Comedy-drama
Rated R
Olive Films
Aspect ratio: 1.85:1
Featured audio: DTS Mono
Bonus features: C-
Trailer
Amazon link

Though Ang Lee’s The Wedding Banquet is rated R for language and brief frontal nudity, it’s included here because the 1993 comedy-drama deals with issues faced by people on the fringe of society. Suitable for families with older teens, it’s the kind of film that can put a humanizing face on the LGBT and immigration headlines, the kind of film that in the process will have you both laughing and tearing up.

It’s almost hard to believe that The Wedding Banquet is more than 25 years old, because it’s still so topical and relevant. It’s about a gay Chinese man who has yet to come out to his family, and a Chinese artist who needs a green card or must marry an American citizen to stay in the country. Lee (The Life of Pi) does a fine job of exploring the anxieties faced by people in their situations, while also managing to create a thoroughly entertaining and absorbing film. An added bonus is the insight we get into another culture, as the wedding customs themselves will fascinate family audiences.

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Review of GUARDIANS OF THE GALAXY VOL. 2 (Blu-ray combo)

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Grade: A-/A
Entire family: Age 8 and older?
2017, 136 min., Color
Sci-fi action-adventure
Rated PG-13 for sequences of sci-fi action and violence, language, and brief suggestive content
Marvel Studios
Aspect ratio: 2.40:1
Featured audio: English DTS-HDMA 7.1
Bonus features: B+
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

It’s rare when a sequel matches the original for sheer energy and brilliance, but James Gunn has done it again, writing and directing a follow-up that’s every bit as good as the first Guardians of the Galaxy he wrote and directed. The dialogue is just as crisp, the visual look of the film and CGI effects are just as eye-popping, and the characters’ personalities may shine even more brightly in Guardians of the Galaxy Vol. 2, since they no longer labor under the yoke of an origin story.

This time it’s all about family, or rather, the family this group has become and the family some are still searching for. If you’ll recall, the original Guardians ended with Groot making the ultimate sacrifice but being saved as a tiny start to a new tree. Guardians of the Galaxy 2 takes full advantage of the reborn little guy’s cuteness—Baby Groot is like a more innocent, bark-covered version of Bart Simpson—and his character is a fun flipside to the acerbic raccoon Rocket (and by the way, you’ll never convince me that the name isn’t an allusion to The Beatles’ “Rocky Raccoon”).

When we meet them, the Guardians of the Galaxy are renowned keepers of peace. The group is composed of Peter Quill (Chris Pratt), who was abducted from Earth as a child by aliens and raised by Yondu (Michael Rooker), the leader of a bunch of thieves and pirates who call themselves the Ravagers. In the sequel, Yondu’s character is explored in more depth, and so is Peter’s. When the Guardians make an emergency landing on another planet they run into a being named Ego (Kurt Russell), who says he’s Peter’s father. While Rocket (voiced by Bradley Cooper) and Groot (voiced by Vin Diesel) stay behind to fix the spacecraft, Peter goes to Ego’s home planet with the former assassin and now-Guardian Gamora (Zoe Saldana) and the large, crude, and very funny dude Drax the Destroyer (Dave Bautista).

In a way, there’s nothing more to the plot than sci-fi fans haven’t already seen in the old Star Trek, Battlestar Galactica, or Lost in Space TV episodes: they visit a planet, discover all is not as it first seemed, and somehow escape or resolve the situation. And yet, in Gunn’s hands, this simple and frequently used formula expands so naturally and effortlessly that it holds our attention for 136 minutes—a run-time that’s long by today’s standards.

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Review of SUPERGIRL: SEASON 2 (Blu-ray)

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Grade: B+
Entire family: Yes
2016, 931 min. (22 episodes), Color
Sci-fi action-drama

Warner Bros.
Not rated: would be PG for fantasy violence
Aspect ratio: 1.78:1
Featured audio: DTS-HDMA 5.1
Bonus features: C+/B-
Includes Blu-ray, Digital Copy
Trailer
Amazon link

As I said when I reviewed Season 1, there are two DC Universes, and Melissa Benoist really brightens up the television one. She has the kind of charisma that propelled Lynda Carter (who appears as the President this season) to stardom as TV’s Wonder Woman during the seventies and the kind of girl-next-door likeability and warmth that inspired the writers of Supergirl: Season 2 to emphasize her “humanity” after otherwise drawing a distinction between humans and aliens.

In this winning 2016 CW series she’s the “girl” you want to be friends with, to confide in, to rely on, to have fun with, and, if you’re a guy, to date. Though Supergirl comes from the planet Krypton, with Benoist wearing the costume she embodies everything that’s good in humanity. She may be a badass, but she’s as amazed by her powers and the fun of being a hero as any teenage Earthling would be. And teens can identify with her because she’s also awkward in social situations, still trying to find her way in the work world, just a little geeky, and a little too wide-eyed for a typical adult her age. In other words, the character was deliberately crafted with a teen and young adult audience in mind, though the show is entertaining enough for all ages.

Supergirl offers a less dark DC Universe in which characters have down time, bond, laugh, share food and drink, and grapple with problems that audience members face—like questions about identity, body image, relationships, glass ceilings, and juggling career and personal life. The series’ first-season feminism and “stronger together” theme was reflected in the Hillary Clinton campaign, and this season remarks exchanges like this one tip viewers off that the left-leaning politics continue:

Supergirl (as Kira, defending a young woman in the office): “She went to Yale.”
Cat Grant: “So did George Bush.”

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Review of WHALE RIDER (15th Anniversary) (Blu-ray)

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Grade: A-
Entire family: No
2002, 101 min., Color
Drama
Rated PG-13 for brief language and a momentary drug reference
Shout! Factory
Aspect ratio: 2.35:1
Featured audio: DTS-HDMA 5.1
Bonus features: B
Includes: Blu-ray, Digital Copy
Trailer
Amazon link

This word-of-mouth hit about a 12-year-old Maori girl captured audience-favorite awards at the Toronto, Rotterdam, and Sundance international film festivals. It’s a feel-good movie that makes you feel a little bad along the way, a “girl power” coming of age story that also involves the girl’s patriarchal-minded grandfather who comes to understand that the best way to preserve the past is to embrace a gender-equal future.

Like Hoosiers, where you know a ragtag bunch of basketball losers are going to somehow win, the plot in Whale Rider is somewhat formulaic. But as with that Indiana roundball saga, the ride itself is really something, and not just because of the fantastic performances or the beautiful cinematography and New Zealand landscape. Just when you begin to think the outcome is predictable, writer-director Niki Caro manipulates a change in current or plumbs the emotional depths to take the performances to another level.

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