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Review of OCEAN’S 8 (Blu-ray combo)

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Grade: B/B+
Entire family: No
Crime Comedy/Drama
Warner Bros.
Rated PG-13 for language, drug use, and some suggestive content
Aspect ratio: 2.40:1 widescreen
Featured audio: Dolby Atmos-TrueHD
Bonus features: C+
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

It’s hard to say whether Frank Sinatra would be amused or annoyed that Ocean’s 11—his 1960 buddy heist film with fellow rat-packers Dean Martin, Sammy Davis Jr., Peter Lawford, and Joey Bishop—has inspired a series of profitable remakes and sequels. But it might temper whatever he’s feeling to know that the latest of these, Ocean’s 8, also has a lot in common with another sixties’ heist film, Topkapi, which targeted jewels in a museum.

Ocean’s 8 is a caper film through and through. Director Gary Ross, who wrote the screenplays for Pleasantville and The Hunger Games, takes the genre in a warm embrace and has fun with this ensemble flick starring Sandra Bullock, Cate Blanchett, Anne Hathaway, Mindy Kaling, Sarah Paulson, Awkwafina, Rihanna, and Helena Bonham Carter. What could possibly go wrong?

There’s a Reds and Blues Brothers vibe early in the film as Bullock’s character gets out of prison and instantly gets the “band” back together, picking up a few others along the way. The plan? To not just steal the most expensive piece of jewelry on the planet, but also frame the guy who framed her. Instead of hitting three Vegas casinos simultaneously, as the original and first remake buddies did, this group sets their sights on a museum gala and one particular necklace that a star will be wearing. And part of the plan is making sure that this star does indeed wear that heavily guarded and heavily insured necklace.

If you’re not familiar with the caper genre, it’s a little different from the typical Hollywood screenplay in that there’s really no traditional dramatic arc where there’s a peaking movement toward a crisis and then a falling action. It’s more about coming together, planning the heist, and then executing the heist and dealing with whatever unexpected challenges pop up. That can give the film a somewhat even-keeled feel, but a slick upbeat collection of soundtrack songs—a blend of vintage and new that includes The Notorious B.I.G., Eamon, Kelis, Sammy Davis Jr., Herb Alpert, and Nancy Sinatra—provides plenty of energy to make it feel as if even the slow spots are moving a little faster. Ocean’s 8 is a slick film that doesn’t feel forced, and it looks really slick on high-def Blu-ray, which is the way to go with this title.

Everyone will have their favorites, but for me the standouts were Bullock and Hathaway, who really commanded your attention every scene they were in. They also got the glam-scam tone of the film: a combination of tongue-in-cheek humor and slick sophistication.

Debbie Ocean (Bullock) is the younger sister of the late Danny Ocean, and upon her release she decides to steel a $150 million Cartier necklace from the Met Gala. The world of this scam puts them in contact with stylists, art dealers, jewelers, and New York high society. Blanchett plays Debbie’s partner in crime, while Kaling is a jewelry maker extraordinaire, Paulson is a suburban mom looking to work outside the home, Rihanna is a hacker, Awkwafina is a pickpocket, Carter is an airheaded fashion designer, and Hathaway is the celebrity they manipulate into wearing the necklace.

The women really click together and, most important for a caper flick, actually seem to have a good time and embrace the genre—enough to where even Ol’ Blue Eyes might have given it a “ring-a-ding-ding.”

Language: Aside from one f-bomb there are about a dozen or so milder swearwords

Sex: Who has time for sex when you’re stealing $150 million? Only a few suggestive scenes and one piece of art with a bare-breasted woman

Violence: Nothing, really—just a “shiv” pressed to a guys gut and throat

Adult situations: Group drinking, and the hacker smokes pot

Takeaway: I’m not a fan of remakes that force all-female casts onto previous all-male films (Ghostbusters comes to mind), but this one was such a natural that I hope there are more coming

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Review of JURASSIC WORLD: FALLEN KINGDOM (Blu-ray combo)

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Grade: B-
Entire family: No (Age 10 and older?)
Sci-fi/Adventure
Universal
Rated PG-13 for intense sequences of science fiction violence and peril
Aspect ratio: 2.39:1 widescreen
Featured audio: DTS-X, Dolby Atmos
Bonus features:  B-
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

As the Jurassic World: Fallen Kingdom box notes remind us, it’s been three years since Jurassic World, the theme park and luxury resort, was destroyed by dinosaurs who had gotten loose, and though all humans evacuated the island the dinosaurs remained, living now as nature may have intended 150 million years ago.

But the volcano on Isla Nubar is erupting and threatening to destroy all dinosaurs on the island while the world watches, helpless. Former Jurassic World employee Claire Dearing (Bryce Dallas Harper) has launched a campaign to save the dinosaurs, and before long Owen Grady (Chris Pratt) is recruited to help with the dinosaur extraction. Of particular interest is Blue, the most intelligent dinosaur on the island, who moviegoers may remember was a Velociraptor raised and trained by Owen.

The main company is ostensibly committed to rescuing the dinosaurs—to save them from going extinct a second time—but when Claire and Owen get there and find that mercenaries are involved, it’s never a good sign. Neither is a sneaky CEO who seems to be giving orders contrary to what the remaining co-founder of Jurassic World would want. The save-the-dino folks and the mercenaries are at cross-purposes, as they were in Disney’s animated feature Atlantis: The Lost Empire. It’s a familiar concept, whether it’s saving lost civilization or an island full of dinosaurs: business versus science. We saw that theme play out in the King Kong films, just as we’re seeing it play out now in America as environmentalists and national park employees try to resist a business-driven administration that’s determined to open up more sanctuary land to development. So yes, the plot is very familiar, and when you see flashbacks showing Owen with baby Blue you realize that there are fewer tender moments here as well. More

Review of TAG (Blu-ray combo)

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Grade: B
Entire family: No
2018, 100 min., Color
Comedy
Warner Bros.
Rated R for language throughout, crude sexual content, drug use and brief nudity
Aspect ratio: 2.40:1 widescreen
Featured audio: DTS-HDMA 5.1
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

Though Tag is rated R—mostly for language (lots of f-bombs)—teens have been flocking to see it with their parents. After all, it is a movie about a kid’s game, and who hasn’t chased after someone on the playground or in the neighborhood in order to tap them and shout, “You’re it”? And how fun is it to see a children’s game elevated to the same, crazy, go-for-broke level of prom invitations?

Tag is a relatively plotless comedy that relies on the game and hijinks to sustain viewers’ interest for the entire 100 minutes. It stars Ed Helms, Jake Johnson, Annabelle Wallis, Hannibal Buress, Isla Fisher, Rashida Jones, Leslie Bibb, Jon Hamm, and Jeremy Renner. Renner plays the never-been-tagged super player that suddenly all the others want to join together to bring down—even though (or especially since?) he’s getting married during “tag month.” As you probably heard, Renner broke both of his arms on the second day of filming while trying to climb a stack of 20+ chairs. The rigging broke and he went down hard, but in the film it looks as fun as the rest of the elaborate stunts that these childhood friends have been pulling in order to tag each other for nearly 30 years.

The game, no doubt, keeps their minds sharp and their bodies fit. But mostly it gives them a chance to keep in touch—literally. Credit The Wall Street Journal for bringing these guys to the public’s attention with a January 2013 front-page feature that led to notoriety and eventually this film from Warner Bros. and TV series/movie director Jeff Tomsic.

And it is laugh-out-loud funny in spots. It’s a bit like watching Impractical Jokers go at each other, with side plots that don’t seem to matter. You really are just itching to see the next tag attempt . . . and the next . . . and the next. More

Review of AVENGERS: INFINITY WAR (Blu-ray)

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Grade: A-
Entire family: Age 10 and older?
2018, 149 min., Color
Sci-fi/Fantasy Action-Adventure
Marvel/Disney
Rated PG-13 for intense sci-fi violence and action throughout, language and some crude references
Aspect ratio: 2.39:1
Featured audio: DTS-HDMA 7.1
Bonus features: B+
Includes: Blu-ray, Digital Code
Trailer
Best Buy link

The Marvel Universe has grown so large and complicated that it sometimes takes a fanboy to keep it all straight. But thankfully, Avengers: Infinity War isn’t all that hard to follow. For the casual film fan, that’s a big plus. Another is that Marvel-Disney has figured out that if you add enough cleverly written dialog and humor to an action film, it can compensate for any lack of character development and keep the action from seeming repetitive or mindless. And for a doom-and-gloom ending to The Avengers’ saga, a little bit of humor can go a long way. There’s something here to keep you on the edge of your seat, and something to make you smile.

And let’s be clear: the action is pretty spectacular. My son, who’s the Marvel devotee of the family, said he liked Avengers: Infinity War every bit as much as one of his favorites, Captain America: Civil War—maybe even more. It is, we thought, possibly the strongest Avengers film to date, despite a downer ending that everyone seems to know about before even watching the film.

From my perspective, a film like this is a shoe-in for repeat play because of the quality script and actors who’ve grown so comfortable with their characters that they fit like latex gloves. You buy into it because they buy into it, and you have fun because you’re watching them have fun, even as they sacrifice everything to meet the challenge of defeating Thanos (Josh Brolin) before he can gather up all the powerful infinity stones (e.g., Power Stone, Time Stone, Mind Stone, Soul Stone) and get the collective power he needs to destroy enough of the universe to “prune it back,” to reverse overpopulation by killing massive amounts of peoples. More

Review of LIFE OF THE PARTY (Blu-ray combo)

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Grade: C/C+
Entire family: No
2018, 105 min., Color
Comedy
Warner Bros.
Rated PG-13 for sexual material, drug content and partying
Aspect ratio: 2.40:1
Featured audio: DTS-HDMA 5.1
Bonus features: C+
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

Of the last five movies that Melissa McCarthy starred in—Life of the Party, The Boss, Spy, Tammy, and The Heat—only two are funny. The Heat is a hilarious pairing of McCarthy and Sandra Bullock as cops, while the less riotous Spy has her playing a desk-bound CIA operative who has to hit the field to prevent global disaster. The other three are uninspired and reliant on bits and gags we’ve seen a thousand times before. And not coincidentally, the three disappointments were written by McCarthy and her husband, actor Ben Falcone.

So can I just say, on behalf of all the fans of McCarthy and her Robin Williams-like improvisational talent, would you please leave the writing to someone else?

Life of the Party feels like a female remake of Back to School, which starred Rodney Dangerfield as a parent who cramps his son’s style by going to the same college and hanging out with some of the same people, ultimately becoming the most popular “kid” in school. Except that Back to School is much funnier and also less raunchy and more believable. More

Review of EVERY DAY (Blu-ray)

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Grade: B-
Entire family: No
2018, 97 min., Color
Teen drama-fantasy-romance
Warner Bros.
Rated PG-13 for thematic content, language, teen drinking, and suggestive material
Aspect ratio: 2.40:1
Featured audio: DTS-HDMA 5.1
Bonus features: B+
Trailer
Amazon link

Every Day is a strange film. Angourie Rice (who was Ryan Gosling’s daughter in The Nice Guys) plays an average teenager in the Greater Baltimore area whose life is upended when she meets and becomes attracted to another teen whose looks change on a daily basis. And we’re not just talking about capricious makeovers.

That other teen somehow (why is never fully explained) wakes up in a different teen body every single day. “A,” as she comes to know them, can be a 16-year-old girl one day and a 16-year-old boy the next—black, white, Asian, gay or straight. A has no control over what body they awake in, but for the day that A is inside that body and inhabits that person’s life, A has tried to abide by one rule: do nothing that would alter that person’s life for good or for bad. That’s something A finds harder to do once they meet and fall for Rhiannon (Rice). A’s brain, A’s emotions, A’s memory bank, A’s spirit enters a person’s body and then lives that person’s life for a day. Throughout the film we see A do this with 15 different individuals who have zero to some vague memory of that day (whatever memory A decides to leave behind, though his standard M.O. has been to leave no memories). And both Rhiannon’s and A’s lives become more complicated when they develop feelings for one another.

I told you it was strange. But it’s also unique and oddly compelling. You want to see how this star-crossed romance could possibly end. More

Review of READY PLAYER ONE (Blu-ray combo)

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Grade: A-/A
Entire family: No (10 and older)
2018, 140 min., Color
Sci-fi Action-Adventure
Warner Bros.
Rated PG-13 for sequences of sci-fi action violence, bloody images, some suggestive material, partial nudity, and language
Aspect ratio: 2.40:1
Featured audio: Dolby Atmos TrueHd
Bonus features: A-/B+
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

What a fun ride this is—Jason and the Golden Fleece for the 21st century. Fantastic graphics and CGI special effects, plus a strong, suspenseful story and likable characters make Ready Player One a real winner for all ages.

Based on the young adult novel by Ernest Cline, Ready Player One requires knowledge of video gaming no more than another Steven Spielberg directed film, Close Encounters of the Third Kind, required viewers to have seen a UFO. Sure, audience members will reach another level of allusions if they’re gamers, but there are plenty of cultural markers here for non-players to enjoy.

Besides, the film’s overtly stated theme is that maybe, just maybe, people spend too much of their lives avoiding reality, so parents thinking that this is just another film that glorifies video and online gaming so much that it’s a virtual commercial can relax. Cline and Spielberg are on your side.

Ready Player One is set in 2044-45, when so many people live in slums or have mediocre lives that just about everyone dons virtual reality headgear in order to spend time in the OASIS, a virtual reality world where people go after work or school to relax, have adventures, and meet other people. They all have avatars and other names when they’re in the OASIS, and that’s when Spielberg and his effects team really gets going. But the opening slums known as the “stacks” are also pretty impressive—a trailer park of sorts for the future, with mobile homes stacked on ramshackle iron structures—an idea as unique as we’ve seen for future living prognostication. More

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