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Review of OCEAN’S 8 (Blu-ray combo)

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Grade: B/B+
Entire family: No
Crime Comedy/Drama
Warner Bros.
Rated PG-13 for language, drug use, and some suggestive content
Aspect ratio: 2.40:1 widescreen
Featured audio: Dolby Atmos-TrueHD
Bonus features: C+
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

It’s hard to say whether Frank Sinatra would be amused or annoyed that Ocean’s 11—his 1960 buddy heist film with fellow rat-packers Dean Martin, Sammy Davis Jr., Peter Lawford, and Joey Bishop—has inspired a series of profitable remakes and sequels. But it might temper whatever he’s feeling to know that the latest of these, Ocean’s 8, also has a lot in common with another sixties’ heist film, Topkapi, which targeted jewels in a museum.

Ocean’s 8 is a caper film through and through. Director Gary Ross, who wrote the screenplays for Pleasantville and The Hunger Games, takes the genre in a warm embrace and has fun with this ensemble flick starring Sandra Bullock, Cate Blanchett, Anne Hathaway, Mindy Kaling, Sarah Paulson, Awkwafina, Rihanna, and Helena Bonham Carter. What could possibly go wrong?

There’s a Reds and Blues Brothers vibe early in the film as Bullock’s character gets out of prison and instantly gets the “band” back together, picking up a few others along the way. The plan? To not just steal the most expensive piece of jewelry on the planet, but also frame the guy who framed her. Instead of hitting three Vegas casinos simultaneously, as the original and first remake buddies did, this group sets their sights on a museum gala and one particular necklace that a star will be wearing. And part of the plan is making sure that this star does indeed wear that heavily guarded and heavily insured necklace.

If you’re not familiar with the caper genre, it’s a little different from the typical Hollywood screenplay in that there’s really no traditional dramatic arc where there’s a peaking movement toward a crisis and then a falling action. It’s more about coming together, planning the heist, and then executing the heist and dealing with whatever unexpected challenges pop up. That can give the film a somewhat even-keeled feel, but a slick upbeat collection of soundtrack songs—a blend of vintage and new that includes The Notorious B.I.G., Eamon, Kelis, Sammy Davis Jr., Herb Alpert, and Nancy Sinatra—provides plenty of energy to make it feel as if even the slow spots are moving a little faster. Ocean’s 8 is a slick film that doesn’t feel forced, and it looks really slick on high-def Blu-ray, which is the way to go with this title.

Everyone will have their favorites, but for me the standouts were Bullock and Hathaway, who really commanded your attention every scene they were in. They also got the glam-scam tone of the film: a combination of tongue-in-cheek humor and slick sophistication. More

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Review of EVERY DAY (Blu-ray)

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Grade: B-
Entire family: No
2018, 97 min., Color
Teen drama-fantasy-romance
Warner Bros.
Rated PG-13 for thematic content, language, teen drinking, and suggestive material
Aspect ratio: 2.40:1
Featured audio: DTS-HDMA 5.1
Bonus features: B+
Trailer
Amazon link

Every Day is a strange film. Angourie Rice (who was Ryan Gosling’s daughter in The Nice Guys) plays an average teenager in the Greater Baltimore area whose life is upended when she meets and becomes attracted to another teen whose looks change on a daily basis. And we’re not just talking about capricious makeovers.

That other teen somehow (why is never fully explained) wakes up in a different teen body every single day. “A,” as she comes to know them, can be a 16-year-old girl one day and a 16-year-old boy the next—black, white, Asian, gay or straight. A has no control over what body they awake in, but for the day that A is inside that body and inhabits that person’s life, A has tried to abide by one rule: do nothing that would alter that person’s life for good or for bad. That’s something A finds harder to do once they meet and fall for Rhiannon (Rice). A’s brain, A’s emotions, A’s memory bank, A’s spirit enters a person’s body and then lives that person’s life for a day. Throughout the film we see A do this with 15 different individuals who have zero to some vague memory of that day (whatever memory A decides to leave behind, though his standard M.O. has been to leave no memories). And both Rhiannon’s and A’s lives become more complicated when they develop feelings for one another.

I told you it was strange. But it’s also unique and oddly compelling. You want to see how this star-crossed romance could possibly end. More

Review of JERMAL (DVD)

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Grade: B
Entire family: No
2008, 88 min., Color
Drama
IndiePix
Not rated (would be R for brief nudity and language, alcohol use, and smoking)
Aspect ratio: 1.78:1
Featured audio: Indonesian Dolby Digital 2.0 Stereo with English subtitles
Bonus features: C-
Trailer
Amazon link

You haven’t seen another film in the world like Jermal, a 2008 Indonesian production with English subtitles about a group of young teenage boys who live and work on an isolated fishing platform in the middle of the Malacca Straits off North Sumatra. It’s an absolutely unique, vicarious experience that almost dwarfs the coming-of-age / father-son themes that shape the plot—or rather, situation, since this is a character- and situation-driven film.

Fishing platforms or “jermals” may be common in Indonesia and Malaysia, but no one before directors Ravi L. Bharwani and Rayya Makarim has ever thought to shoot a drama on one of them.

What we see in the beautifully filmed Jermal is a high level of realism that extends to the actors—or rather, non-actors. The directors said that many of the nine boys that appear in the film were actually working already on the jermal that the filmmakers inhabited for 30 days.

Though work on a fishing platform is tough and the conditions primitive, no experience is necessary. Because of their isolation they’re often a refuge for people on society’s fringes. If the movie is any indication, authorities don’t seem to mind that children under 18 are working on them, and the directors said that they knew of several other jermals in the area—one of them occupied by convicts, one by runaway children, and another by children sent by their parents to work (one less mouth to feed).

Jermal isn’t rated, but if it were it would probably merit an R for one scene of young male posterior nudity, one f-bomb, a few lesser swearwords, constant bullying, mild violence, and smoking and alcohol use. More

Review of THE FENCER (DVD)

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Grade: B+
Entire family: No (subtitles to read)
2015, 99 min., Color
Drama
Music Box Films
Not rated (would be PG for adult themes)
Aspect ratio: 1.85:1 widescreen
Featured audio: Estonian 5.1 Dolby Digital w/English subtitles
Bonus features: C+
Trailer
Amazon link

If the children in the household are 10 and older (or good readers), The Fencer is a really nice change-of-pace film for family movie night. This Finnish-Estonian film with subtitles is a high-stakes Hoosiers with foils instead of basketballs, set in Soviet-occupied Estonia in the early 1950s.

Like Hoosiers, it’s the story of a coach with a secret who comes to a small school in a small town and tries to make a difference. With the coach in that Indiana roundball saga, audiences gradually learn about his past; in this film, subtitles in the first sequence explain the man’s dilemma: Estonia was first occupied by the Nazis and all the young Estonian men were drafted into the German army; then the Soviets occupied Estonia and the Russian Secret Police hunted down all of those young “traitors” who had served in the German army, executing them or sending them to work camps in Siberia.

So it’s not just a haunted past that follows fencing champion Endel Nelis (Märt Avandi), who, after the Secret Police become alerted to his identity, is advised by his coach to leave Leningrad and go far far away. Despite the threat of death or banishment, he seeks a normal life in the small Estonian town of Haapsalu, where most of the children are fatherless because of the war and feeling that no one cares about them or their town.

Enter Nelis, who begins teaching at the school and tries to start a ski club. But all the skis that he painstakingly repairs and waxes are “shared” with the nearby Soviet military base. How can I start a ski club on Saturdays if we have no equipment, he asks, and when the school’s “Comrade Principal” shrugs, circumstances lead him back to what he knows best: fencing, which the principal (in his Soviet survivalist mode) has deemed a sport not suitable for “the proletariat.” More

Review of THE GREATEST SHOWMAN (Blu-ray combo)

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Grade: A/A-
Entire family: Yes
2017, 105 min., Color
Musical drama
20th Century Fox
Rated PG for thematic elements including a brawl
Aspect ratio: 2.40:1
Featured audio: DTS-HDMA 7.1
Bonus features: B
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

Like Moulin Rouge! (2001) and La La Land (2016), The Greatest Showman is a musical that was written and produced especially for the big screen. It wasn’t adapted from a Broadway show nor based on a book. The lone inspiration was the curious life of P.T. Barnum, who is most famous for having founded the Barnum & Bailey Circus in 1871 and, through deft promotion, raising the status and popularity of the circus in America.

Barnum is erroneously credited with saying “There’s a sucker born every minute,” but a line that he was confirmed to have said as a member of the Connecticut House of Representatives in later life is more reflective of the positive direction that writers Jenny Bicks and Bill Condon took for this film: “A human soul, ‘that God has created and Christ died for,’ is not to be trifled with. It may tenant the body of a Chinaman, a Turk, an Arab, or a Hottentot—it is still an immortal spirit.”

Anyone who watched this year’s Oscar’s knows from watching the performance of Best Song nominee “This Is Me” (which earlier won the Golden Globe for Best Original Song) that one central message of The Greatest Showman is the unfair treatment of “freaks” and marginalized members of society.

As regular readers of Family Home Theater know, I am a Tomatometer Critic at RottenTomatoes.com, but I frankly don’t know what my fellow critics’ problems are with this rousing 2017 film. Only 113 out of 205 critics thought The Greatest Showman “fresh,” with the average rating just 6/10—a C+ or B- at best. Meanwhile, 88 percent of the 21,657 RottenTomatoes audience members who responded gave it an average score 4.4 out of 5—in the B+/A- range.

What more could these people want out of a musical?

No film is perfect, but The Greatest Showman grabs you from the beginning and holds you with high-energy choreography and singing, great cast performances, and a tent full of positive messages that stand in sharp contrast to what today’s children are reading in the newspapers. Our family loved it. More

Review of THE RAILWAY CHILDREN (2016) (DVD)

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Grade: C+/B-
Entire family: Yes, but…
2016, 108 min., Color
Drama, Theatrical Production
Film Movement
Not rated (would be G)
Aspect ratio: 1.78:1 widescreen
Featured audio: Dolby Digital 2.0 Stereo
Bonus features: n/a
Trailer
Amazon link

Adapted from a 1905 children’s novel by Edith Nesbit, The Railway Children is a joint York Theatre Royal and National Railway Museum production that was staged in a venue near Kings Cross Station in London. This is a filmed performance of the Mike Kenny and Damian Cruden production, which shut down in January 2017.

If you’re from the U.K. and grew up with the book or have walked the park where a monument pays tribute, you’ll feel more easily charmed by a production that half-depends on the warm feeling of shared cultural nostalgia.

Regardless, the stage set is unique, designed to resemble a train station with one set of tracks and a platform on either side, and a single walkway at one end that allows people to cross from one side to the other. Lining each platform are seats where audience members sit as close to each platform as possible without actually being onstage themselves. In this elongated version of theater-in-the-round, characters are in near-constant movement, and the staging is minimalist—with a real train appearing only briefly. For the most part, flat wooden squares the same height as the platforms are pushed into place to suggest the train and various rooms and buildings, and you marvel at how the actors are able to retain their balance as they walk across the square/squares that briefly connects the platforms. More

Review of JASPER JONES (DVD)

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Grade: B
Entire family: No
2017, 105 min., Color
Drama/Mystery
Film Movement
Not rated (would be PG-13 for some violence, language, and adult situations)
Aspect ratio: 2.40:1 widescreen
Featured audio: Dolby Digital 5.1 Surround
Bonus features: B (includes short film “Death for a Unicorn”)
Trailer
Amazon link

A reviewer for The Guardian called Jasper Jones “Australia’s Stand by Me,” but that doesn’t strike me as a very apt comparison. Yes, a dead body of a teen is central to the narrative, and a couple of young friends argue the merits of one superhero over another, but that’s the extent of the similarities.

Jasper Jones isn’t your typical coming-of-age story, either. There’s not much of a sexual awakening in 14-year-old Charlie Buctin (Levi Miller), and there’s less sleuthing in this dead-body mystery than one usually finds in a story of this type.

So what’s here? A pretty engaging tale set in conservative Western Australia that has plenty of small-town tropes that viewers who live in ultra-small-town America will recognize. Everybody knows everybody, and there are outcasts, bad reputations, rumors, all-community events, and a law officer who is more one of them than an authority figure far removed. There’s also a polite reluctance to shake up the community, though the Vietnam War is responsible for a racist backlash against the only Asians who live in this tiny town. But it all feels quite believable and engaging . . . once you get past an abrupt opening. More

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