Entire family: No
2012, 972 min. (23 episodes), Color
Unrated (would be TV-14 for violence)
Aspect ratio: 1.78:1
Featured audio: DTS-HD MA 5.1
Bonus features: B
Includes: Blu-ray, Digital HD
Arrow is by far the most popular DC Comics series on television. It’s also the darkest, the most complex, and the most violent—which means it’s strictly for families with teenage children.
The creators were clearly fans of Lost, as they incorporate the same kind of flashback structure over an arc that spans a number of seasons, with each season offering new flashbacks and new revelations. The problem with Season 4 is that those flashbacks seem a little more disconnected from the main narrative and often are so brief that they also feel annoyingly interruptive. That’s one thing that sets this season apart from the rest. Another is that a villain called Anarchy wasn’t terribly popular with friends, though I found him to be just as interesting as the others, all of whom take a backseat this season to Damien Darhk. I can’t imagine this season without Darhk, who has all the fascinating charisma and on-screen presence of a James Bond villain. The last things that distinguish Season 4 from the first three is that Arrow becomes Green Arrow and magic and supernatural elements take center stage.
Unlike a few other DC series—Supergirl or Flash come instantly to mind—you can’t just pick up a later season of Arrow and start watching. Too much is predicated on your knowledge of revelations from the previous seasons, and you’ll sit there in confusion without an Arrow fan nearby to tell you plot points you may have missed.
The show’s premise is this: In Season 1 billionaire Oliver Queen (Stephen Amell) went out on his father’s boat with his girlfriend’s sister (whom this spoiled rich boy was also “dating”) when a storm hit. She was sucked out to sea, but the men survived (yeah, this is why the series appeals mostly to males). The father makes a huge sacrifice so his son can live and atone for his mistakes, which are all chronicled in a book of former business partners and “like” minds. Queen was marooned on an island for five years, and he wasn’t alone. There were people there who wanted to (and DID) hurt him badly, and others who were tough on him because they wanted him to survive. Other things happened, and flashbacks tease viewers the way Lost did with its disjointed narrative. One thing is certain: he’s no longer the irresponsible bad boy he once was. Like Bruce Wayne/Batman, Queen assumes a dual identity as himself and The Vigilante (as the media first calls him), with plenty of tension on the work and home fronts. That dualism gradually breaks down over the course of several seasons.
In Season 4, Green Arrow and his crew fight against Damien Darhk (Neal McDonough), who has decided humanity needs a “reset” and is determined to wipe everyone out, starting with Star City. This season Oliver as Oliver runs for mayor and Oliver as Arrow comes up against a villain who pulls playing cards off his skin and flings them like lethal weapons in very cool sequences. Those are the easy plot lines. More complicated twists involve the League of Assassins and a Pit that can bring people back to life, an old enemy of Arrow’s named Ra’s al Ghul (Matthew Nable) who coaches his daughter in her “bloodlust,” Arrow’s bodyguard-turned-helper-turned-Arrow-turned-helper-again John Diggle (David Ramsey) and Diggle’s concern over a brother who might be involved with Darhk, Arrow’s complicated relationship with Felicity Smoak (Emily Bett Rickards), and a revelation of paternity for Oliver.
If all of that sounds a bit sudsy, Arrow does feel like a stylish, action-filled, dark, and violent soap opera at times—but with better acting and production values, great special effects, and a pleasing superhero-fantasy structure. Season 4 may have a few weak spots, but it’s still superior to most of the dramas on television. If you’re interested, though, do start with Season 1!
Language: Lots of minor swearwords, but no f-bombs
Sex: Nothing here, surprisingly
Violence: Lots, and bloody as well; shooting, stabbing, hand-to-hand
Adult situations: Beloved characters die; characters are tortured; characters smoke, drink, and do drugs
Takeaway: If Neal McDonough isn’t cast as a future Bond villain, I’d be flabbergasted