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Review of SMALLFOOT (Blu-ray combo)

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Grade: B
Entire family: Yes
2018, 96 min., Color
Animation
Warner Bros.
Rated PG for some action, rude humor, and thematic elements
Aspect ratio: 2.40:1 widescreen
Featured audio: DTS-HDMA 5.1
Bonus features: C-
Includes: Blu-ray, DVD, Digital Code
Trailer
Amazon link

You’d think that with Expedition Everest in play, Disney would have been the ones to create a movie about Yetis. But this 2018 animated feature comes from Warner Bros.

Smallfoot may have been inspired by the children’s book Yeti Tracks, by Sergio Pablos—creator of the Despicable Me stories—but writer-director Karey Kirkpatrick also owes a debt to the original Planet of the Apes movie.

Just as the leaders of the ape society preached that men were dumb animals that had not evolved yet, hiding the truth that man had been a highly advanced creature that had destroyed their society and were a threat to ape existence, the Stonekeeper of a Yeti village high above the clouds in the Himalayas preaches that humans (or “smallfeet”) are legendary, not factual creatures. All of the Yeti laws are written on small stone tablets that are worn by the Stonekeeper, who hides the fact that humans, thinking the Yetis monsters, had tried to kill and destroy them, driving them high up in the mountains where they found refuge. And the cloud layer that hides the top of the mountain where the Yetis live? It’s generated by a giant machine that is Yeti-powered, allowing the Stonekeeper to preach that there is nothing underneath those clouds.

Ignorance is bliss and curiosity is the enemy, the Stonekeeper of this religion-based society maintains—all in a patriarchal effort to protect the Yetis from the outside world. His own daughter, though, cannot stifle her curiosity, and Meechee (Zendaya) starts the secretive Smallfoot Evidentiary Society.

Smallfoot’s message will sail right over the heads of young viewers, who will be swept away by the music and visuals. There are some pretty catchy tunes here, and this Blu-ray comes with a “Yeti Set Go Sing-Along” way to watch the film. Musically, Smallfoot gets an A-, and it’s pretty hard to find fault with the animation as well. It’s when we get into the concept and story that a few negatives seep in. Then again, your age will determine whether you see those as negatives or positives.

The quirkiest element is that our hero, Migo (voiced by Channing Tatum), is a law-abiding Yeti who is training to do what his father has done for many many years: shooting himself out of a giant slingshot to hit a gong on a mountain peak . . . with his head. Just as the rooster of folklore believed that the sun would not rise unless he crowed, Dorgle (Danny DeVito) is convinced that his daring launch is responsible for the sun coming up each day.

The plot is set in motion when Migo, on a practice launch, misses his target and lands outside the village. There he sees a plane crash and returns to tell the other Yetis. But without proof, he’s banished from the village. Later, Meechee and her other Smallfoot Evidentiary Society members find Migo. With their encouragement (and because he has a crush on her), he agrees to be lowered below the clouds to look for proof.

Enter wildlife documentary filmmaker Percy Patterson (James Corden), who is trying to reclaim his fame with a big score. But finding no Yetis, he resorts to convincing his assistant to put on a Yeti suit. Through a series of misunderstandings and cases of mistaken identity, Migo ends up running off with Percy and brings him back as proof. You’d think that would be the end of things, but that’s when the Stonekeeper (Common) takes Migo into his confidence and shows him the cave drawings that tell the real story of the “smallfeet.” Will Migo help spread lies to save his fellow Yetis from humans, or will truth win out? That’s the dramatic question that children will focus on, rather than the implied religious and governmental conspiracies. And yeah, there are those catchy songs and a clever flipping of the script where Bigfoot isn’t the legendary creature . . . Smallfoot is.

In an age when people would rather believe fake news than accept hard truths, Smallfoot is both a product of its time and a voice of reason crying in the Himalayan wilderness. It’s absolutely suitable for family viewing, and might even prompt some discussion.

Language: Clean as a whistle, gosh darn it—even the rap explanation that Common as the Stonekeeper sings

Sex: Nothing here

Violence: There’s a bit of blood specks shown when a character gets caught in a bear trap and released, and there’s some damage to buildings and tranquilizer darts shot during the film’s climax

Adult situations: Nothing here either

Takeaway: Some far-fetched plot elements and a facile third act are the only things that detract from this colorful, animated musical adventure-comedy

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Review of PIXAR SHORT FILMS COLLECTION: VOL. 3 (Blu-ray combo)

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Grade: A-
Entire family: Yes
2012-18, 76 min. (13 shorts), Color
Animation
Disney-Pixar
Not rated (would be G)
Aspect ratio: 1.78:1 to 2.39:1
Featured audio: DTS-HDMA 7.1
Bonus features: C (introductions, mostly)
Includes: Blu-ray, DVD, Digital Code
Trailer
Amazon link

Although many of the Pixar short films appear as bonus features on various Disney-Pixar releases, it’s still nice to have them all on one disc, and the Pixar Short Films Collection: Volume 3 is as varied and high quality as the previous volumes.

There’s a nice blend, too, of high-profile shorts that are related to Disney-Pixar films and more distinctive (and quirky/artsy) personal projects that were labors of love for the directors and animators. Of the 13 short films, seven are connected to fan-favorite films.

From the Toy Story films there’s “Partysaurus Rex,” a fun, thumping disco bath story where (T-)Rex goes from party pooper to a partysaurus who helps bath toys get their groove on. It’s an upbeat frolic that fans of the Toy Story films especially will enjoy.

From Inside Out there’s a sequel of sorts where Riley is a teenager and we see “Riley’s First Date” from the inside-out emotional control rooms of her trying-to-be-cool mother, her scowling and disapproving father, and even the young man who dares to date their daughter. A twist ending provides a nice payoff. More

Review of INCREDIBLES 2 (Blu-ray combo)

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Grade: A-/B+
Entire family: Yes
2018, 118 min., Color
Animation
Disney-Pixar
Rated PG for action sequences and some brief mild language
Aspect ratio: 2.39:1 widescreen
Featured audio: DTS-HDMA 7.1
Bonus features: B+/A-
Includes: Blu-ray, DVD, Digital Code
Trailer
Amazon link

Our family was split over Incredibles 2—but it was more like splitting hairs. My wife and children thought it was every bit as good as the The Incredibles (2004), if not better; I thought it was almost as good. Curiously, that split matched the numbers at Rotten Tomatoes, where critics rated the original 97 percent “fresh” and the sequel 94 percent “fresh”; audiences, meanwhile, gave the original a 75 percent “fresh” rating and the sequel an 87 percent “fresh” rating.

As I said, curious, isn’t it? Could it be because critics place more weight on originality?

Whatever the reason, the big takeaway here is that if you liked The Incredibles you won’t be disappointed by the sequel.

In the original film, “Supers” had been sued so much for collateral damage caused by their heroics that the government developed a Superhero Relocation Program to set them up with mundane new lives and identities. But Bob (aka Mr. Incredible) gets an anonymous tip about an invasive robot, and he secretly breaks the rules by battling it on a remote island. That exhilarates him, but when he goes to a superhero costumer to get his suit, the costumer makes suits for the whole family. As the plot unfolds, his wife Helen (Elastigirl) gets in on the action and they eventually battle the villain Syndrome—a former fan Mr. Incredible had refused to make his sidekick. More

Review of THE STEAM ENGINES OF OZ (Blu-ray combo)

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Grade: C-/?
Entire family: No
2018, 75 min., Color
Animation
Not rated (would be PG for violence)
Cinedigm
Aspect ratio: 16×9 widescreen
Featured audio: DTS-HDMA 5.1
Bonus features: n/a
Trailer
Amazon link

The Steam Engines of Oz is billed as a “steampunk” version of the L. Frank Baum classic, making it one of the more interesting revisionist updates to come out since The Wiz. But what is “steampunk,” and how does it play out in an adaptation of a beloved film classic?

As a subgenre of science fiction, “steampunk” is a blend of technology and Victorian images that fuses a cyberpunk sensibility with a celebration of vintage Industrial Age images and plots. After that, it’s anybody’s guess, as the term has morphed into a confusing number of mutations. But the bottom line is that it’s all about gears and goggles.

The bigger question is, Who is the audience for a steampunk version of The Wizard of Oz?

Since Oz is run by a sinister Tin Man, the lions are anything but cowardly, the munchkins look like Uzi-toting bikers, and at least one of the main characters from the children’s book has limbs cut off, it’s not exactly for small children.

Yet, small children would be the most forgiving of an animated style that’s inconsistently disappointing. Sometimes the animation flattens out into 2D, other times it has the same 3D CGI look of the Barbie franchise films, and still other times the action looks like a phone app version of a video game. The latter is the style that’s predominant throughout this wacky 79-minute animated adventure, which seems longer than that—never a good sign. More

Review of PADDINGTON 2 (Blu-ray combo)

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Grade: A-/B+
Entire family: Yes!
2017, 103 min., Color
Animation-Live Action Adventure Comedy
Warner Bros.
Rated PG for some action and mild rude humor
Aspect ratio: 2.40:1
Featured audio: Dolby Atmos TrueHD
Bonus features: B-
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

I did not see Paddington when it was released in 2014. I simply couldn’t bear it, since the track record for films featuring CGI animals in a world of accepting humans hasn’t exactly been the stuff of NASCAR.

Movies like these are always aimed at children rather than whole families, and even the ones that stretch their audiences—films like The Muppets 2011 reboot featuring Amy Adams and Jason Segel—still seem to suffer from an acute case of the cutsies. But the trailer for Paddington 2 intrigued me. Innocent little Peruvian bear Paddington, who lives in London with a human family, somehow runs afoul of the law and ends up wearing prison pinstripes and escaping with other cons? What’s cute about that?

Nothing, and that’s what interested me. I wondered, could this finally be the furry fish-out-of-water story that parents could also enjoy with their small children? Happily, the answer is an emphatic yes—which is no doubt why Paddington received a passing grade of 7.1 out of 10, while this clever, tongue-in-cheek sequel elicited an 8/10 at the Internet Movie Database with close to 25,000 moviegoers voting. It’s better than any of the Alvin and the Chipmunks, Stuart Little, or newer Muppet movies.

What makes it work is that writer-director Paul King and his co-writers plant their tongues in cheek and include lines and details that will make anyone over three feet tall smile—even laugh out loud in spots. The filmmakers tap into the long tradition of the Hollywood naïves thrust into situations that are emphatically beyond their understanding or capabilities, whether we’re talking about Charlie Chaplin, The Three Stooges, The Little Rascals, Ma and Pa Kettle, or such later unlikely explorers in strange lands as Forrest Gump and the perpetually clueless Jack Sparrow. Paddington isn’t cute. He’s Austin Powers without the randiness, the straight man in a comic duo, but a ball of fur so innocent that children will still see him as adorable.

In this film at least, Paddington comes to us the latest in a long tradition of benevolent helpers whose very presence changes the lives of those around them in very positive ways. Like Mary Poppins or Pollyanna, his cheerful can-do optimism lifts people up and yields only momentarily enough to Eeyore-like depression for the plot to take a second-act nosedive before flying high again in the third act—quite literally, actually. More

Review of COCO (Blu-ray combo)

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Grade: A-/B+
Entire family:  Yes
2017, 105 min., Color
Animation
Disney-Pixar
Rated PG for thematic elements
Aspect ratio: 2.39:1
Featured audio: DTS-HDMA 7.1
Bonus features: B+/A-
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

It’s almost as if the Pixar gang took inspiration out of failure and gave themselves a challenge: to make a successful animated feature about the Mexican celebration of the Day of the Dead, even though Fox tried in 2014 with The Book of Life and failed to connect with audiences or earn an Oscar nomination. But Pixar pulled it off, doing what Disney-Pixar does best: infusing the film with a strong story and characters, catchy music, comic relief, and most importantly, emotion.

You also get the feeling that Coco was a bounceback film for Pixar, if there is such a thing. Although Pixar’s last three features were ignored by the Oscar nominating committee, Coco not only got the nod, but after winning the Golden Globe for Best Animated Feature it’s also favored to win that category at the Oscars tomorrow night.

Coco is a bit of a trailblazer, too, as it’s the first film with a nine-figure budget to feature an all-Latin cast—if you don’t count Pixar good-luck charm John Ratzenberger, who also makes an appearance. Well received south of the border, it’s become the all-time highest grossing film in Mexico and has earned a worldwide box office approximately three times its budget. Critics have hailed its animation, its original music, and its emotional storyline about the importance of family and never forgetting deceased relatives.

If your little ones are creeped out by skeletons, you should know that most of the film’s 105-minute runtime is spent in the Land of the Dead, where everyone but one little boy and his dog is a walking, talking bundle of bones. But Pixar does a nice job of giving those skeletons personality and making them non-menacing and not all that creepy. They’re also humanized because the land of the dead is portrayed as a futuristic city, only one coincidentally inhabited by skeletons. More

Review of THE STAR (Blu-ray combo)

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Grade: B
2017, 86 min., Color
Animation
Columbia/Sony
Rated PG for some thematic elements
Aspect ratio: 1.85:1 widescreen
Featured audio: DTS-HDMA 5.1
Bonus features: B-
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

Though there have been exceptions, big studios have mainly steered clear of Bible stories in recent years, leaving it to the low-budget indie filmmakers to tackle projects that were consistent with their beliefs. In their hands, however, the films were too often overly preachy or poorly written and acted.

So imagine my delight when our family watched this Dove-approved PG-rated animated film and actually saw wonderfully colorful and accomplished animation and backgrounds, as well as an all-star cast of voice talents having fun with their roles in  a biblical tale that was fully reimagined to fit today’s modes of creative storytelling. The Star wasn’t preachy, it wasn’t austere, it wasn’t boring, and it didn’t feel like a sit-still-and-listen Bible lesson. But it also wasn’t your typical Bible story. It’s structured more like any number of popular animated features, with an entertaining blend of music, comedy, talking animals, action (yes, action) and inspirational drama.

Mary looked and acted a bit like the younger sister from Frozen, while Joseph had his own “Wait, what?” moments facing off against a donkey that Mary decided to adopt and name Boaz—Bo, for short.

As we read in the end credits that probably should have been inserted as a pre-title sequence head’s up, “While having fun and taking some adventurous artistic license to tell this story, the filmmakers strived to remain true to the values and essence of the greatest story ever told.”

That’s a good way to describe this film, which is not nearly close enough to The Bible to be considered an adaptation, or even earn a “based on” label. The Star is so “adventurous” in its liberties that it can only be said to have been “loosely inspired by” the nativity story. More

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