Home

Review of PADDINGTON 2 (Blu-ray combo)

Leave a comment

Grade: A-/B+
Entire family: Yes!
2017, 103 min., Color
Animation-Live Action Adventure Comedy
Warner Bros.
Rated PG for some action and mild rude humor
Aspect ratio: 2.40:1
Featured audio: Dolby Atmos TrueHD
Bonus features: B-
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

I did not see Paddington when it was released in 2014. I simply couldn’t bear it, since the track record for films featuring CGI animals in a world of accepting humans hasn’t exactly been the stuff of NASCAR.

Movies like these are always aimed at children rather than whole families, and even the ones that stretch their audiences—films like The Muppets 2011 reboot featuring Amy Adams and Jason Segel—still seem to suffer from an acute case of the cutsies. But the trailer for Paddington 2 intrigued me. Innocent little Peruvian bear Paddington, who lives in London with a human family, somehow runs afoul of the law and ends up wearing prison pinstripes and escaping with other cons? What’s cute about that?

Nothing, and that’s what interested me. I wondered, could this finally be the furry fish-out-of-water story that parents could also enjoy with their small children? Happily, the answer is an emphatic yes—which is no doubt why Paddington received a passing grade of 7.1 out of 10, while this clever, tongue-in-cheek sequel elicited an 8/10 at the Internet Movie Database with close to 25,000 moviegoers voting. It’s better than any of the Alvin and the Chipmunks, Stuart Little, or newer Muppet movies.

What makes it work is that writer-director Paul King and his co-writers plant their tongues in cheek and include lines and details that will make anyone over three feet tall smile—even laugh out loud in spots. The filmmakers tap into the long tradition of the Hollywood naïves thrust into situations that are emphatically beyond their understanding or capabilities, whether we’re talking about Charlie Chaplin, The Three Stooges, The Little Rascals, Ma and Pa Kettle, or such later unlikely explorers in strange lands as Forrest Gump and the perpetually clueless Jack Sparrow. Paddington isn’t cute. He’s Austin Powers without the randiness, the straight man in a comic duo, but a ball of fur so innocent that children will still see him as adorable.

In this film at least, Paddington comes to us the latest in a long tradition of benevolent helpers whose very presence changes the lives of those around them in very positive ways. Like Mary Poppins or Pollyanna, his cheerful can-do optimism lifts people up and yields only momentarily enough to Eeyore-like depression for the plot to take a second-act nosedive before flying high again in the third act—quite literally, actually. More

Advertisements

Review of COCO (Blu-ray combo)

Leave a comment

Grade: A-/B+
Entire family:  Yes
2017, 105 min., Color
Animation
Disney-Pixar
Rated PG for thematic elements
Aspect ratio: 2.39:1
Featured audio: DTS-HDMA 7.1
Bonus features: B+/A-
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

It’s almost as if the Pixar gang took inspiration out of failure and gave themselves a challenge: to make a successful animated feature about the Mexican celebration of the Day of the Dead, even though Fox tried in 2014 with The Book of Life and failed to connect with audiences or earn an Oscar nomination. But Pixar pulled it off, doing what Disney-Pixar does best: infusing the film with a strong story and characters, catchy music, comic relief, and most importantly, emotion.

You also get the feeling that Coco was a bounceback film for Pixar, if there is such a thing. Although Pixar’s last three features were ignored by the Oscar nominating committee, Coco not only got the nod, but after winning the Golden Globe for Best Animated Feature it’s also favored to win that category at the Oscars tomorrow night.

Coco is a bit of a trailblazer, too, as it’s the first film with a nine-figure budget to feature an all-Latin cast—if you don’t count Pixar good-luck charm John Ratzenberger, who also makes an appearance. Well received south of the border, it’s become the all-time highest grossing film in Mexico and has earned a worldwide box office approximately three times its budget. Critics have hailed its animation, its original music, and its emotional storyline about the importance of family and never forgetting deceased relatives.

If your little ones are creeped out by skeletons, you should know that most of the film’s 105-minute runtime is spent in the Land of the Dead, where everyone but one little boy and his dog is a walking, talking bundle of bones. But Pixar does a nice job of giving those skeletons personality and making them non-menacing and not all that creepy. They’re also humanized because the land of the dead is portrayed as a futuristic city, only one coincidentally inhabited by skeletons. More

Review of THE STAR (Blu-ray combo)

Leave a comment

Grade: B
2017, 86 min., Color
Animation
Columbia/Sony
Rated PG for some thematic elements
Aspect ratio: 1.85:1 widescreen
Featured audio: DTS-HDMA 5.1
Bonus features: B-
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

Though there have been exceptions, big studios have mainly steered clear of Bible stories in recent years, leaving it to the low-budget indie filmmakers to tackle projects that were consistent with their beliefs. In their hands, however, the films were too often overly preachy or poorly written and acted.

So imagine my delight when our family watched this Dove-approved PG-rated animated film and actually saw wonderfully colorful and accomplished animation and backgrounds, as well as an all-star cast of voice talents having fun with their roles in  a biblical tale that was fully reimagined to fit today’s modes of creative storytelling. The Star wasn’t preachy, it wasn’t austere, it wasn’t boring, and it didn’t feel like a sit-still-and-listen Bible lesson. But it also wasn’t your typical Bible story. It’s structured more like any number of popular animated features, with an entertaining blend of music, comedy, talking animals, action (yes, action) and inspirational drama.

Mary looked and acted a bit like the younger sister from Frozen, while Joseph had his own “Wait, what?” moments facing off against a donkey that Mary decided to adopt and name Boaz—Bo, for short.

As we read in the end credits that probably should have been inserted as a pre-title sequence head’s up, “While having fun and taking some adventurous artistic license to tell this story, the filmmakers strived to remain true to the values and essence of the greatest story ever told.”

That’s a good way to describe this film, which is not nearly close enough to The Bible to be considered an adaptation, or even earn a “based on” label. The Star is so “adventurous” in its liberties that it can only be said to have been “loosely inspired by” the nativity story. More

Review of DUCKTALES: WOO-OO! (DVD)

Leave a comment

Grade: B
2017, 21 min., Color
Children’s, Animation
Disney
Rated TV-G
Aspect ratio: 1.78:1
Featured audio: Dolby Digital 5.1
Bonus features: C-
Trailer
Amazon link

It would be tempting to say that the 2017 reincarnation of the popular ‘80s animated TV series DuckTales pales by comparison, but that would be like trying to tell people who grew up with Roger Moore that Sean Connery is the better Bond.

A whole new generation is being introduced to the new DuckTales, and they have never seen the more traditionally animated ‘80s version. As a result, they also have no idea that the earlier TV series had more color and fuller animation, with characters rendered to reflect what viewers had seen in the last remnants of Disney comic books and voices that still matched what families saw on Disney’s Sunday television programs. Watching the new DuckTales, this new group of viewers has no idea that Donald Duck’s nephews—Huey, Dewey, and Louie—are drawn more with more rounded heads and barely formed beaks to distinguish them from Donald and his trillionaire uncle, Scrooge McDuck, or that their voices are more contemporary.

Just as they’re too young to know the difference, they’re also too young to think it matters. All they care about is if it’s fun to watch, and DuckTales: Woo-oo! is probably as good as any non-educational cartoons currently being produced for children.

More

Review of THE LEGO NINJAGO MOVIE (Blu-ray combo)

Leave a comment

Grade: B-
2017, 101 min., Color
Animation
Warner Bros.
Rated PG for some mild action and rude humor
Aspect ratio: 2.4:1
Featured audio: DTS-HDMA 5.1
Bonus features: B-/C+
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

Lego my Ninjago?

Maybe it’s the law of diminishing returns, or maybe the charm of seeing the Lego world come to life is starting to wear off. Whatever the case, though The Lego Ninjago Movie is entertaining enough, it really didn’t delight my son or me as much as The Lego Movie (2014) and The Lego Batman Movie (2017). It wasn’t as original, as sharp, or as sophisticated.

Maybe it’s because a large number of gags and verbal jokes seemed to be aimed at a high-school age audience—viewers who have outgrown Legos but whose fond memories of playing with them are still vivid and fresh—as well as those who still put Legos on their Christmas lists.

The Lego Batman Movie was far more successfully satirical in its takeoff on the Batman saga and movies, with a heck of a lot more sophisticated wink-wink jokes and more sight gags going on in the background—all of which added to its broader appeal.

Maybe The Lego Ninjago Movie ended up being something that mostly children and younger teens will appreciate because if riffs not on adult live-action films but on the Danish TV series Lego Ninjago: Masters of Spinjitzu and related Lego toys. Or maybe it’s because three talents (Charlie Bean, Paul Fisher, Bob Logan) new to directing animated features teamed up on this one, or that the story and screenplay were the result of a fairly large committee of 13 writers—often a red flag.

Even headliner Jackie Chan, who gives voice to Master Wu/Mr. Liu, doesn’t have the same crackling energy as he has had in previous films. But mostly I suspect the film isn’t as crisp and fresh as the first two because we’ve seen too many aspects of this plot before: the young teen (Dave Franco as Lloyd Garmadon) who is a social pariah because he’s the son of a villain—in this case, Lord Garmadon, who looks a bit like Zurg and regularly attacks the Lego city of Ninjago. At some point Garmadon starts to feel like Gargamel—just another cartoon nemesis for another group of cartoon people.

More

Review of DESPICABLE ME 3 (Blu-ray)

Leave a comment

Grade:  B
2017, 90 min., Color
Animation
Universal
Rated PG for action and rude humor
Aspect ratio:  2.40:1
Featured audio:  DTS-HDMA 7.1
Bonus features:  B-/C+
Includes:  Blu-ray, DVD, Digital Copy
Trailer
Amazon link

Although Readers at IMDB.com and the critics at Rotten Tomatoes thought otherwise, Despicable Me 3 is just as entertaining as the first sequel to Despicable Me (2010)—the animated feature from Universal that introduced us to the carrot-nosed Gru (voiced by Steve Carell), a villain who was softened up by three orphaned girls.

By the third installment, Gru has gone straight and has been working for the Anti-Villain League with his partner/wife Lucy (Kristen Wiig). Because they failed to capture or eliminate Balthazar Bratt (Trey Parker), a maligned child actor who, as a resentful adult, is driven to become the world’s biggest villain, Gru and Lucy find themselves kicked out of the League. But of course that doesn’t stop them from tangling with Bratt (aka Bad Boy Bod) again and somehow managing to save the day. That’s no spoiler: it’s what superheroes and crimefighters do.

How much you enjoy Despicable Me 3 may depend on how much you like Gru’s “minions”—those capsule-shaped little yellow guys in blue overalls that speak in their own gibberish language. This outing the minions aren’t integral to the plot and only seem deployed in several overly cute (and overly long) sequences designed to satisfy those who do love the little guys, and, of course, to keep those Minion toys and product tie-ins flying off the shelves. They mattered much more in the first two films. Here, they’re as gratuitous as nudity in a teen slasher movie. Also marginalized this film are the three orphaned girls that Gru adopted in the first film, so if you thought Mr. Despicable’s interaction with those girls a strength, you’ll be disappointed to find them underused in Despicable Me 3.

Dominating this entry are Gru’s interactions with the villain and a twin brother he never knew he had until recently. Carell also gives voice to Dru, the seemingly perfect (and fabulously wealthy and successful) twin from whom he was separated at birth. Reminiscent of the 1988 comedy Twins, in which the genetically perfect Arnold Schwarzenegger and Danny DeVito, the twin made from DNA leftovers, discover each other, Despicable Me 3 features one twin who is predominantly evil and the other predominantly good. The complication, we learn, is that the successful twin was as much of a disappointment to the villainous-at-heart father who raised him as Gru was to his goody-goody mother. How the brothers learn to cope with who they are and how they were raised, and how they learn to deal with their “Other” gets the lion’s share of narrative attention. And frankly, the twin brother angle probably rescues the third installment from a familiarity that can make sequels seem tedious.

More

Review of CARS 3 (Blu-ray combo)

Leave a comment

Grade: B/B+
Entire family: Yes
2017, 103 min., Color
Animation
Disney
Rated G
Aspect ratio: 2.39:1
Featured audio: DTS-HDMA 7.1
Bonus features: B+
Includes: Blu-ray, DVD, Digital HD
Trailer
Amazon link

It’s not all about the movies these days. Somebody at Disney must have calculated that a Cars film released roughly every five years should be enough to keep the characters alive for the public and maintain healthy sales of Cars-related merchandise. And for the first 15 minutes or so Cars 3 seems like a dash-for-the-cash affair. Then Disney does what they do best: they get viewers emotionally involved with the characters.

The animation, of course, is wonderful—even more impressive than what we saw in the first two films, with backgrounds rendered so realistically they could pass for photos. But in the early going this 2017 follow-up to Cars (2006) and Cars 2 (2011) feels like just another version of what we’ve seen before. In the first Cars, audiences were introduced to Lightning McQueen (voiced by Owen Wilson), a hot-shot race car who found himself stranded in podunk Radiator Springs, where his attitude got a major adjustment and he learned that family and friends are just as important as wins. The second film was a love-it or hate-it affair—a spoof of spy films that found Lightning McQueen and his sidekick Mater (Larry the Cable Guy) going to Europe to compete in a World Grand Prix and getting involved in assassinations and international espionage. Cars dying? That’s not exactly what families signed up for.

With Cars 3 the franchise circles back to what appealed to viewers in the first place—only this time it’s like Rocky, with McQueen training for a comeback and aiming to beat a new young hot-shot named Jackson Storm (Armie Hammer), who hit the circuit just as McQueen hit a wall so hard that everyone in racing pronounced him down for the count.

McQueen finds himself being “virtually” trained by Cruz Ramirez (Cristela Alonzo), whose own dream of becoming a race car was shattered by a glass ceiling in the business, where she was put down by the male racers. Her methods are unconventional and somehow smack of tofu-and-Birkenstocks aerobics, which provides a good deal of the comedy. But writers Brian Fee (who was a storyboard artist for Wall-E, Ratatouille, and Cars) and Ben Queen (Cars 2, TV’s Powerless) wisely chose to take the characters on the road, where they can learn about themselves and each other and viewers can start to care more than if everyone just kept driving in circles or staying in a Gold’s Gym for cars.

This is Fee’s directorial debut, and it’s a solid one. Take away those first overly familiar 20 minutes and you’ve got Rocky for cars, a formula that he both follows and puts in his rear-view mirror. In the process, families get the kind of Cars they seem to prefer.

One highlight this outing is Disney’s spot-on rendition of a demolition derby and the raucous atmosphere and mud-spinning chaos of the figure-eight race. Here’s where we meet the movie’s most memorable character: Miss Fritter (Lea DeLaria), a converted school bus that now spouts fire and lays waste to every car in her path, and does so with jovial menace. One of the bonus features on this Blu-ray combo pack is a mini-movie featuring Miss Fritter, but there’s also a nifty primer on demolition derby and the rules of figure-eight, and “how Pixar puts the crazy in the Thunder Hollow Crazy 8 race.” There’s a nice bundle of bonus features here, but of course it’s the film that families care most about. And if you liked this original Cars, you’ll like this as well.

Older Entries