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Review of ROAD TO ZANZIBAR (Blu-ray)

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Grade: B
Entire family: Yes
1941, 91 min., Black & White
Comedy
Kino Lorber
Not rated (would be PG)
Aspect ratio: 1.37:1
Featured audio: DTS mono
Bonus features: C+
Trailer
Amazon link

Road to Zanzibar was the second of seven Crosby-Hope-Lamour musical comedy adventures, released in 1941 at a time when Tarzan, Jungle Jim, and safari pictures were popular. There wasn’t even supposed to be a second “Road” picture, but Paramount had bought the rights to a story that was so similar to Darryl f. Zanuck’s 1939 safari pic Stanley and Livingstone that the project was dead in the water . . . until someone decided that maybe they could do a parody of safari movies instead. In no time, Bing Crosby, Bob Hope, and Dorothy Lamour were on the road again.

The Road pictures were always innocuous fun, spotlighting Crosby’s crooning, Lamour’s singing (and sometimes dancing), and Hope’s second-banana one-liners. This outing, writers Frank Butler and Don Hartman upped the quips between Hope and Crosby, and with the pair ad libbing as well there emerged a crackling comic energy.

The plot is a little more complex than Road to Singapore (1940), and that’s also a good thing for contemporary audiences. Along with Road to Bali (the only color film of the bunch), this is one of the recommended “starter” Road pictures for families with small children. Kids immediately pick up on the fact that Hubert “Fearless Frazier” (Hope) is constantly getting the short end of the stick as the one who has to do the dirty or dangerous work in their rotating carnival acts. The film begins with Frazier as the “Human Cannonball.” But instead of himself being shot through a flaming hoop, he hides in a secret compartment and substitutes a dummy. When that dummy sets the tent and half the town on fire and all the animals are released, they skedaddle, trying different carnival scams in different towns. Next up: Frazier wrestling a live octopus in a tank, except that plan never happens because they meet a man at a restaurant who’s a diamond baron. He buys them expensive champagne and even bails them out the next day after the night gets out of hand. So naturally Chuck Reardon (Crosby) falls for the diamond mine version of magic beans. Instead of buying two tickets back to America on a steamer, he buys a “lost” diamond mine map from a rich baron who turns out to be so crazy that his children won’t let him make decisions anymore. More

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Review of Creed II (Blu-ray combo)

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Grade: B+
Entire family: No
2018, 130 min., Color
Drama
MGM/Warner Bros.
Rated PG-13 for sports action violence, language, and a scene of sensuality
Aspect ratio: 2.40:1 widescreen
Featured audio: Dolby Atmos TrueHD
Bonus features: B+
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

If there were an Energizer Bunny Award for movie franchises, I’d nominate the Rocky series. How many times can you go with a familiar formula and still crank out some pretty effective films? Well, Elvis Presley films not withstanding. As the aggregate fan/critic site IMDb.com attests, there’s really only one stinker in the original bunch:

Rocky (1976)—8.1 out of 10

Rocky II (1979)—7.2 out of 10

Rocky III (1982)—6.8 out of 10

Rocky IV (1985)—6.8 out of 10

Rocky V (1990)—5.2 out of 10

After that last disappointment, sixteen years later the franchise picked itself up off the mat and scored another TKO, though it would seem the producers weren’t comfortable counting higher than five in Roman numerals. Rocky Balboa also marked a change in direction for the franchise and star Sylvester Stallone, who was coaxed out of retirement for one last fight before turning to managing fighters—specifically, the son of his old friend and foe, Apollo Creed (Carl Weathers)—in the two films to follow:

Rocky Balboa (2006)—7.2 out of 10

Creed (2015)—7.6 out of 10

Creed II (2018)—7.4 out of 5

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Review of ROAD TO SINGAPORE (1940) (Blu-ray)

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Grade: B
Entire family: Yes, but….
1940, 85 min., Black & White
Comedy
Kino Lorber
Not rated (would be PG for drinking, smoking, and innuendo)
Aspect ratio: 1.37:1
Featured audio: DTS Mono
Bonus features: B-
Trailer
Amazon link

Today’s parents may have grown up watching some of the old Bob Hope, Bing Crosby, and Dorothy Lamour “Road” pictures on television. If so, there’s a good chance they might want to share them with their children.

A showcase for Crosby’s crooning, Lamour’s singing and dancing, and Hope’s second-banana wisecracking, the Road pictures were pure escapism for an America that was weighed down by WWII. Hope and Crosby, two vaudevillians who rose to become popular stars of their own radio shows, had made the leap to film, and the genius who paired them deserves a medal. The first of the Road pictures, The Road to Singapore, became the highest grossing film of 1940. Though it’s not the best—that honor goes to Road to Morocco (1942) and Road to Utopia (1945)—it lays the foundation for the films to come, though it was originally only intended as a one-and-done film. But the public wanted more, and Road to Zanzibar followed in 1941, and Road to Rio (1947), Road to Bali (1952, the only color release), and the Cold War entry The Road to Hong Kong (1962). All of the films were made during a time when Hollywood (and the rest of the world, really) was not terribly educated about or sensitive to issues of race and gender. So you’re going to have to overlook some period-typical dialogue and characterizations, as well as “natives” that seem a blend of big Hollywood musical dancers and a bag full of different cultures. Thankfully, Hope and Crosby make that easy to do.

In all of the Road pictures, they play a couple of ne’er-do-wells who are either petty con men and womanizers seeking to stay one step ahead of the law or world-traveling vaudeville-style entertainers . . . and womanizers seeking to stay one step ahead of the law. That might not sound like family entertainment, but the pictures truly are escapist fare with an emphasis on the one-liners, ridiculous plots, and the inevitable romantic tussle over Lamour (with Crosby always getting “the girl”).

For families with younger children, a good place to start might be the only color release, Road to Bali, which is slightly faster paced than The Road to Singapore and features a squid-wrestling sequence. Despite some racist elements, The Road to Zanzibar, with its safari-centered plot, is another good option if the kids are smaller. The two best are best because of the one-liners, so they’re recommended as good starting points for families with older children. More

Review of A STAR IS BORN (2018) (Blu-ray combo)

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Grade: B+/A-
Entire family: No
2018, 136 min., Color
Drama
Warner Bros.
Rated R for language throughout, some sexuality/nudity and substance abuse
Aspect ratio: 2.40:1
Featured audio: Dolby Atmos TrueHD
Bonus features: B
Includes: Blu-ray, DVD, Digital Code
Trailer
Amazon link

Here’s another R-rated movie that families with teens are going to want to watch, because Lady Gaga is the female lead. And A Star Is Born is a good one, earning an Oscar nomination for Best Picture—though Bradley Cooper reportedly said he was “embarrassed” not to get a Best Director nomination.

Well Brad, you’re not the only one. The directors of Green Book, Bohemian Rhapsody, and Black Panther share your pain. But hey, Lady Gaga got the nom for Best Actress, and you for Best Actor, Sam Elliott for Best Supporting Actor, Lady Gaga et alia for Best Original Song (“Shallow”), plus nominations for Best Sound Mixing, Best Adapted Screenplay, and Best Cinematography? Come on, Brad. Eight Oscar nominations for your first directed feature isn’t anything to be embarrassed about.

Plus, you coaxed a whole new generation into watching the story of two people meeting and loving, one whose career is on the way up, and the other whose career is on the way down . . . because of drink and drugs. In 1937 it was Janet Gaynor and Fredric March who paired up in a story about actors in Hollywood, then in 1954 it was Judy Garland and James Mason in what was less a romance than a mentoring tale of an aging alcoholic film star helping a young actress find fame. The switch to music came in 1976, when Barbra Streisand and Kris Kristofferson paired off. And last year young people went to see what, at it’s core, is still a thirties’ melodrama just because Lady Gaga and you were in it! More

Review of THE NUTCRACKER AND THE FOUR REALMS (Blu-ray combo)

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Grade: C+/B-
Entire family: Yes
2018, 99 min., Color
Fantasy-adventure
Rated PG for some mild peril
Aspect ratio: 1.85:1
Featured audio: DTS-HDMA 7.1
Bonus features: B
Includes: Blu-ray, DVD, Digital Code
Trailer
Amazon link

This is one time when Disney should have stuck to the original story. People familiar with the beloved Tchaikovsky ballet, based on an 1816 tale of “The Nutcracker and the Mouse King” by E.T.A. Hoffman, won’t see much they recognize in this 2018 film.

In the ballet, a wealthy European family celebrates Christmas with a party at their mansion, to which other families have been invited. The children’s godfather Drosselmeyer, a toymaker, brings a Nutcracker doll for young Clara, which brother Fritz breaks. It’s that broken Nutcracker, tucked under her arm, that leads Clara to dream of battles between a Mouse King and soldiers led by the Nutcracker, and of exotic delights and doll dances in The Land of the Sweets—all colorfully rendered onstage in a production that’s become a beloved holiday classic.

But why in the world would a film company known for injecting music into its films skimp on the music for this one? Though the ballet is magical and Disney has a reputation for creating magic, Tchaikovsy’s music and the magic get lost in the second act, which bogs down in exposition and familiarity.

Oh, the magic returns at the end and it’s there for the opening, where viewers get caught up in the excitement and grandeur of a 19th-century ball on Christmas Eve, backed by strains (albeit songs out of order) of Tchaikovsky’s Nutcracker Ballet. But Disney being Disney, they couldn’t keep themselves from killing off Clara’s mother, so the film begins on bit of a downer as their morose father tries to get through his first Christmas without his beloved wife. Disney also felt compelled to make Clara a princess—how else could they market her?—and because the latest trend in princesses is to empower them, Disney decided to make her a science whiz and inventor. More

Review of THE ROAD TO EL DORADO (Blu-ray)

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Grade: B+
Entire family: Yes
2000, 89 min., Color
Animation adventure-comedy
DreamWorks
Rated PG for mild thematic material and language
Aspect ratio: 1.85:1 widescreen
Featured audio: DTS-HDMA 5.1
Bonus features: B
Includes: Blu-ray, Digital Code
Trailer
Amazon link

It’s hard to believe that it took almost 19 years for The Road to El Dorado to be released on Blu-ray, because it’s one of the best non-Disney animated films made during that period. With original songs by Elton John and solid direction from Bibo Bergeron (Shark Tale) and Don Paul (visual effects supervisor on Disney’s Who Framed Roger Rabbit, The Little Mermaid, Aladdin, and Pocohontas), it’s a sure-footed adventure comedy that sure should have made more money at the box office than it did.

Kids will be taken in by the colors, the music, the action, and the humor, yet there’s enough here that will go over their heads and straight to the adults who are familiar with the classic Bing Crosby, Bob Hope, and Dorothy Lamour “road” pictures. The Road to El Dorado is as wonderful a homage to those classic comedies as Ishtar (with Warren Beatty and Dustin Hoffman as the adventurers) was an insult.

Set in 1519 Spain, The Road to El Dorado begins as many of the old road pictures did: showing the two men (in this case, Kevin Kline as Tulio and Kenneth Branagh as Miguel) doing what they do best, and that’s trying to work a con but narrowly escaping an angry mob. If the banter and the guarded closeness isn’t a tip-off that we’ve entered Hope and Crosby land, then the gambit they use (a pretend fight, ending with both of them punching out the man who’s threatening them) ought to jog a few memories.

After they’re caught cheating at dice and end up hiding in barrels that get hoisted into the cargo hold of Cortes’ ship, they escape in a rowboat with a little help from Cortes’ horse, Altivo. Armed with a treasure map that they “won” in the dice game, they realize that they’ve landed at the starting point leading to El Dorado, the fabled city of gold that Cortes also seeks. More