Review of ROAD TO MOROCCO (Blu-ray)

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Grade: A-/B+
Entire family: Yes!
1942, 82 min., Black & White
Kino Lorber
Not rated (would be PG for drinking, smoking, innuendo, and some peril)
Aspect ratio: 1.37:1
Featured audio: DTS Mono
Bonus features: B-
Amazon link

Of all the “Road” pictures, Road to Morocco is tops for family viewing—especially those families with older children who can appreciate the chemistry that Bob Hope and Bing Crosby bring to the screen as drifters and small-time grifters. Hope and Crosby brought their A game to this picture, and their banter with each other may well have inspired all of the buddy cop pictures that would come decades later, and their on-screen love interest, Dorothy Lamour, said that the guys ad-libbed so much that she had a hard time figuring out when she was supposed to say a line.

Turkey (Hope, seeing the desert for the first time): This must be the place where they empty all the old hourglasses.

Jeff (Crosby): We must storm the place!
Turkey: You storm. I’ll stay here and drizzle.

Turkey: The dead have a way of coming back you know.
Jeff: Get out. When they’re dead, they’re dead.
Turkey: Not Aunt Lucy. She was a Republican.

Road to Morocco was released in 1942 following Road to Singapore and Road to Zanzibar, and the third time was the charm. Audiences wanted pleasant diversions from the war, but Morocco was even more fun than usual. It also holds up the best for contemporary audiences—starting with the music. More

Review of AQUAMAN (2018) (Blu-ray combo)

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Grade: A-
Entire family: Yes (parental judgment required)
2018, 143 min., Color
Warner Bros.
Rated PG-13 for sequences of sci-fi violence and action and for some language
Aspect ratio: 2.41:1 and 1.78:1
Featured audio: Dolby Atmos TrueHD
Bonus features: A-/B+
Includes: Blu-ray, DVD, Digital Code
Amazon link

Critics at Rotten Tomatoes only gave Aquaman a 65 percent “fresh” rating, but I think maybe they’ve got a trident stuck somewhere. What do they want from a superhero movie? It can’t possibly be the same things my family wants, because this 2018 action-adventure starring Jason Momoa checked all our boxes.

Epic story? Check. At 143 minutes it might be around 10 minutes too long, but we get a wide sweeping origin story that begins when the Queen of Atlantis washes ashore and is taken in by a lighthouse keeper (Temuera Morrison), with whom she eventually falls in love and has a son—a little demigod they name Arthur. The Queen (Nicole Kidman) had been fleeing an arranged marriage with the King of Atlantis, and there’s no running from a guy like that. She sacrifices herself so her son and earthbound husband can live—but not before instructing her trusted advisor, Vulko (Willem Dafoe), to secretly teach her son how to become a powerful warrior well schooled in the ways of the ocean and its people. There are plenty of complications, but not so many that they get tangled up with each other and end up tripping the narrative. At some point this turns into a quest story, with Arthur searching to find the powerful Trident of Atlan that would allow him to triumph over his half-brother and take the throne he’s destined to occupy because as half-man and half-Atlantean he’s in a position to unite the two worlds—or at least stop an Atlantean-led invasion of the “surface” people. More


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Grade: B-
Entire family: Yes
2018, 134 min., Color
Warner Bros.
Rated PG-13 for some sequences of fantasy action
Aspect ratio: 2.40:1 widescreen
Featured audio: Dolby Atmos TrueHD
Bonus features: B+ (includes extended cut)
Includes: Blu-ray, DVD, Digital (extended cut included)
Amazon link

Our whole family loved Fantastic Beasts and Where to Find Them. But we were split on Fantastic Beasts: The Crimes of Grindelwald.

My wife, who had read the screenplay and all the Harry Potter books and has a good memory, thought it was a really good movie, somewhere in the B+ range. The only thing she didn’t like was a plot point that’s already been so widely discussed on the Internet that it’s not much of a spoiler: Voldemort’s snake, Nagini, turns out to be an enchanted woman.

Meanwhile, my son, who didn’t read the screenplay but still has a good memory and grasp of characters in complicated plots, thought it was a B- at best. And my daughter and I, who found ourselves confused throughout much of the movie, gave it a B-/C+. In other words, I agreed with critics who slammed J.K. Rowling for creating an unnecessarily complicated but relatively low-stakes plot.

Naturally, I assumed that the more you know going into the film, the more you’ll like it—until I read how überfans criticized Rowling for confusing even herself by violating her own timeline. I didn’t notice. I was too confused.

For me, it was like watching an action movie with terrific special effects in a foreign language with no subtitles. It was like listening to an opera sung in German where you kind of know what’s going on, but not really. More