Grade: B+
Entire family: Yes
1945, 90 min., Black & White
Adventure-Comedy
Not rated (would be PG for adult elements)
Kino Lorber
Aspect ratio: 1.37:1
Featured audio: DTS Mono
Bonus features: B-
Trailer
Amazon link
Like Road to Morocco, Bob Hope, Bing Crosby, and Dorothy Lamour’s fourth “road” picture, Road to Utopia, received an Oscar nomination for best screenplay—one reason why both of the musical comedies are considered the best of the bunch. There’s more plotting, more clever lines, and a more ambitious narrative arc in each of them.
The action takes place in Seattle and Alaska shortly after the Klondike Gold Rush around the turn of the century, making Road to Utopia (1945) the only road picture
with a historical backdrop. It’s also the only road picture to use a frame device that takes full advantage of the audience’s familiarity with other road pics. This time it’s made clear that Hope, not Crosby, got the “girl,” as the film opens with a made-to-look-old Hope and Lamour as a married couple who get a surprise visit from their old friend, Duke, and they reminisce about the adventure that led to their separation.
In Utopia, Hope and Crosby play two vaudeville performers (what else?) who are working a scam called “Ghosto,” in which audience members are urged to wager money by placing it in a box to see if the “spirit” (Hope, as Chester, curled up underneath) will take the money and replace it with a larger bill. Duke (Crosby) wears the swami getup and solicits the cash, and all goes well enough until two murderers evading police chase through the theater. When the Ghosto table is overturned and the crowd sees it’s a scam, they take after Chester and Duke (Crosby), who scram with the money. After Duke swipes all of it and Chester follows him aboard the boat to get it back, the steamer horn sounds and they find themselves bound for Alaska. More




