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PORCO ROSSO (Blu-ray combo)

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PorcoRossocoverGrade: B+/A-
Entire family: No
1992, 93 min., Color
Rated PG for violence and some mild language
Disney/Studio Ghibli
Aspect ratio: 1.85:1
Featured audio: Japanese and English 2.0 DTS-HDMA
Includes: Blu-ray, DVD
Bonus features: C
Trailer

Disney is high on Studio Ghibli—otherwise they wouldn’t have contracted to release all of the Japanese animation studio’s titles on Blu-ray for U.S. audiences. While anime won’t appeal to everyone because of the distinctive-but-strange style and storylines that meander a bit more than American audiences are used to, Porco Rocco might be the exception to win over families . . . at least those with older children.

When I say “older,” I mean teenagers who have some sense of history and can appreciate the film’s basic premise.

The title of this feature alludes to The Red Baron, and Porco Rosso (1992) is as heavily atmospheric as it is quirky. It plays out like a post-WWI movie about fighter pilots or an ill-fated love story like Casablanca, and there are tropes here that we recognize—like the jaded, 1920’s hero who carries the weight of being the only pilot to survive the biggest dogfight of all during WWI, and who resembles a trenchcoat-wearing Sam Spade or any other tough-talking, drinking and smoking private eye.

Aside from a knock-down, drag-out fistfight, there’s not nearly as much violence (or drinking or smoking or swearing) as you’d expect for a film of this sort. That’s because director Hayao Miyazaki loves magic almost as much as he loves airplanes and realism, and Porco Rosso has elements that would qualify it as a magical realist work of art.

If you cross Casablanca with The Sun Also Rises, The Dawn Patrol, and Beauty and the Beast,” you’ll get something close to Porco Rosso, which means “Crimson Pig” in English.   More

THE PIRATES (2014) (Blu-ray)

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PiratescoverGrade: B
Entire family: No
2014, 130 min., Color
Not rated (would be PG-13 for some violence and language)
Well Go USA
Aspect ratio: 16×9 widescreen
Featured audio: Korean 5.1 HD Surround/DTS-HD
Bonus features: None
Trailer

The real test of a movie in our household is whether one or all of us want to add that film to our collection so we can watch it again. And 15 minutes into The Pirates, my teenage son was cracking up and saying, “This is a keeper.” I second the notion.

But I’ll tell you right now, your children have to be good and confident readers to enjoy this South Korean comedy-adventure, because it’s presented in Korean with English subtitles, and there’s plenty of fast-talking action.

Director Lee Seok-hoon pays obvious homage to the Pirates of the Caribbean franchise with a slick comedy-adventure that features a Johnny Depp-like bandit leader known as Crazy Tiger (Jang Sa-jung) and a female pirate chief-turned-captain (Son Ye-jin). There are funnily harrowing escapes and even a giant water wheel that rolls through a marketplace, all of which will remind you of Captain Jack Sparrow and Elizabeth Swan.

There’s a thin line between “homage” and “rip-off,” but The Pirates also features plenty of quirky originality. How else to describe a plot that turns on a whale that happens to swallow the royal seal and gold that was en route to validate a new dynasty? Though the film is set in 1388 and on the surface seems to tell the epic tale behind the founding of the Joseon Dynasty, there’s more comedy and magical realism in The Pirates than there is actual history. If it were an American film we’d be calling it a blockbuster or a popcorn movie, because it’s all about big special effects, a high-concept Hollywood formula, and plenty of action and laughs.   More

THE MAZE RUNNER (Blu-ray combo)

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MazeRunnercoverGrade: B+
Entire family: No
2014, 113 min., Color
Rated PG-13 for thematic elements and intense sequences of sci-fi violence
20th Century Fox
Aspect ratio: 2.35:1
Featured audio: DTS-HD MA 5.1
Includes: Blu-ray, DVD, Digital HD
Bonus features: B+
Trailer

The Maze Runner is the latest young adult post-apocalyptic sci-fi novel series to make it to the big screen. Directed by relative newcomer Wes Ball (Beginners), the film follows the journey of 16-year-old Thomas (Dylan O’Brien), who awakens in an elevator shaft that dumps him in the middle of a grassy field, surrounded by a gigantic stone maze. He’s not the only one, because other teenage boys have been deposited here, and none of them have any memory of who they were before the Maze—they only remember their names.

Like the boys in William Golding’s Lord of the Flies, they establish a society in which some people have authority and the rest function according to jobs that need to be done. They call their society the Glade, and what sets this film apart from others based on young adult sci-fi novels is that there isn’t a romantic interest. It’s all about the boys trying to explore and map The Maze with designated “runners” without jeopardizing their existence by angering whoever or whatever controls the ever-shifting, ever-changing maze.   More

GUARDIANS OF THE GALAXY (Blu-ray)

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GuardianscoverGrade: A-
Entire family: No, but . . .
2014, 121 min., Color
Rated PG-13 for intense sequences of sci-fi violence and action and for some language
Disney-Marvel
Aspect ratio: 2.40:1
Featured audio: DTS-HD MA 7.1
Bonus features: C
Trailer

Who could have predicted that a Han Solo type, a talking raccoon, a walking tree, an ill-tempered green-skinned woman, and a shirtless tattooed convict would make such an entertaining group to watch? Almost as surprising—at least for the parents who thought they were turning their kids on to another Star Wars—is that Disney-Marvel’s Guardians of the Galaxy is about a group of intergalactic escaped convicts who band together despite great differences and decide to do something unselfish for a change. And it’s a doozy: they try to save the universe, starting with a planet that the villain intends to destroy.

The main characters are different from the group that appeared in the 1969 Marvel comic book, but credit Disney for finding a way to assemble them from other Marvel comics and insert them into a cohesive, slam-bang sci-fi/fantasy adventure that takes the original Guardians concept and runs with it, while also generating a comic-book vibe built on non-stop action. And the best part? Humor rides along in a sidecar.

The film’s gags and jokes will make all that sci-fi violence palatable for parents who worry about their children being exposed to such things. Guardians feels like a visual comic book, and tone is largely responsible. It’s fun, it’s funny, it features a strangely likable group of characters and terrific action sequences and special effects, and the screenplay and direction keep things moving along—another surprise, really, if you consider that the film is directed by James Gunn, the fellow who gave us the clunky live-action Scooby-Doo movie.

GuardiansscreenChris Pratt really anchors the cast. He’s infectiously likable as Peter Quill, an Earthling who’s snatched as a boy by a blue-skinned interplanetary rogue (played rather menacingly in Woody Harrelson Natural Born Killers fashion by Michael Rooker). Like Jim Hawkins and Oliver before him, he’s adopted and taught the ways of thievery, thuggery, and skullduggery. But a brief stint in prison puts him in contact with Rocket Raccoon (voiced by Bradley Cooper), a mutation that’s intelligent enough to know he’s the product of wild experimentation, and Rocket’s sidekick, the talking, walking tree named Groot (Vin Diesel). There he also meets Gamora (Zoe Saldana), the green-skinned woman who, like him, was adopted and trained for a life that goes against her nature, and Drax (WWE star Dave Bautista), a tattooed shirtless hulk who’s bent on avenging his family’s death. Together they figure out how to break out of prison, and when responsibility for saving the universe falls their way, they all stand tall. Well, except for that little raccoon.   More

ARROW: SEASON 2 (Blu-ray)

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Arrow2coverGrade: B+/A-
Entire family: No
2013, 1014 min. (23 episodes), Color
Unrated (would be PG-13 for violence)
Warner Bros.
Aspect ratio: 1.78:1
Featured audio: DTS-HD MA 5.1
Bonus features: C
Includes: Blu-ray, DVD, UV Copy
Trailer

As I wrote about Arrow: Season 1, if your family consists of parents and teenage boys and you’re looking to bond, this show will grab their attention. Loosely based on the DC Comics vigilante Green Arrow, the popular action series spotlights a hero who fights crime but isn’t appreciated by either the police or the media, largely because of his above-the-law methods and the collateral damage that seems to follow him. In Season 1, we saw the origin of Arrow and the madness behind his method: rich people built their fortunes by abusing and taking advantage of others, and he followed a list his father had given him in order to exact what some would call “revenge” and others “justice.”

That first season grew a little tedious because every episode seemed a dead ringer for the previous one. It was like watching My Name Is Earl without the humor. But Season Two had a bigger budget to work with and the production values are noticeably slicker, while more money was obviously paid to writers. The scripts are a huge improvement, and the special effects and action are cranked up a notch to where they’re right up there with big-screen FX.  More

CAPTAIN AMERICA: THE WINTER SOLDIER (Blu-ray)

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TheWinterSoldiercoverGrade: B+
Entire family: No
2014, 136 min., Color
Marvel Entertainment
Rated PG-13 for intense sequences of violence, gunplay, and action throughout
Aspect ratio: 2.40:1
Featured audio: English DTS-HD MA 7.1
Bonus features: C+
Trailer

Superhero films are the exception to many parents’ rules against too much violence, because even without the “BAM” or “SOCK” graphics we got from TV’s campy Batman episodes, it’s understood that superheroes aren’t real and so neither, by extension, is the violence. It’s why younger children climb onboard to watch a film that, were it a straight action flick, might have been taboo.

But Captain America: The Winter Soldier does something no superhero movie has even attempted: it picks up the superhero and plunks him down right in the middle of a ‘70s conspiracy thriller. That makes sense, actually, because Captain America is probably the most human and normal of all the Marvel superheroes. He’s a regular guy who was made stronger and faster through medical experimentation, the U.S.’s attempt to counter Hitler’s “Master Race.” His only weapon is a shield that he throws like a Frisbee.

Screenwriters Christopher Markus and Stephen McFeely were heavily influenced by espionage thrillers such as Sydney Pollack’s Three Days of the Condor, while directors Anthony and Joe Russo wanted to push the superhero movie beyond the simple nemesis-driven plots we typically see. How unusual is it for a superhero NOT to appear in just about every scene of a superhero movie? But of course it isn’t unusual for that to happen in more complex thrillers.

The Winter Soldier takes its title from a Soviet agent that Captain America (Chris Evans) goes up against, but that assassin (Sebastian Stan) is only one piece of the puzzle in a complex plot that twists and turns like Steve Rogers own souped-up DNA.   More

TOY STORY OF TERROR (Blu-ray)

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ToyStoryofTerrorcoverGrade: A-
Entire family: Yes
2013, 21 min., Color
Disney-Pixar
Rated G
Aspect ratio: 1.78:1
Featured audio: English DTS-HD MA 7.1
Includes: Blu-ray, Digital HD Copy
Bonus features: B+
Trailer

Pixar takes the same kind of pride and care with their Toy Story characters as Walt Disney did with his beloved Mickey Mouse. Whether it’s a major motion picture, a half-hour TV special, or one of the short Toy Story Toons to come out of Pixar Canada, the quality of animation and the level of creativity is consistently superior to the competition. I know. What competition, right?

Toy Story of Terror is a perfect example. This 21-minute Halloween special debuted on ABC-TV on October 16, 2013, but it stars all of the original voice talents and features the same energy, inventiveness and attention to detail as we got in the three big Toy Story movies. What’s more, with this release the Pixar bunch continues with their playful brand of self-reflexive filmmaking.

This time we pick up the action as Woody (Tom Hanks), Buzz Lightyear (Tim Allen), Jessie (Joan Cusack), Rex (Wallace Shawn), Mr. Pricklepants (Timothy Dalton), Mr. Potato Head (Don Rickles), and Trixie (Kristen Schaal) are using a portable DVD player to watch a horror film in the trunk of young Bonnie’s car. Her mother is taking her on a road trip, and as the toys watch horror in horror, Mr. Pricklepants narrates, anticipating the action by exposing all of the conventions of the genre in a sardonic running commentary.

Even as Bonnie and her mother check into a softened Pixar version of the Bates Motel, Mr. Pricklepants continues to undercut everyone’s fears by poking fun of all the clichés—that is, until the toys start disappearing in darkness one by one after they’ve left the suitcase. Is it too scary for young children? Not really, because of that humorous undercutting, and also because the “big reveal” comes fairly early in the film.   More

THE AMAZING SPIDER-MAN 2 (Blu-ray combo)

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AmazingSpiderman2coverGrade: B+
Entire family: Maybe; use your discretion
2014, 141 min., Color
Sony Pictures
Rated PG-13 for sequences of sci-fi action violence
Aspect ratio: 2.40:1
Featured audio: English DTS-HD MA 5.1
Includes: Blu-ray, DVD, Digital HD
Bonus features: B
Trailer

If the previous Spider-Man trilogy and the new Amazing Spider-Man trilogy-in-progress (yes, a third installment has been announced for 2018 release) were tucked inside a time capsule with instructions for researchers to divide a test audience into two groups and show the trilogies one after the other, would their favorite depend on which one they see first? Maybe. Both trilogies are comparable blockbusters with slick special effects, charismatic casts, and airtight screenplays that follow the Marvel handbook pretty closely.

But there are some differences. In Sam Raimi’s 2002, 2004, and 2007 films, Tobey Maguire was a bit of a nerd as Peter Parker, and his superhero adventure played like a coming-of-age story. The series was campy, too, deliberately going for a playful tone to bring it in line with the comic book world.

That world has grown darker, though, and in the 2012 reboot from director Marc Webb, Andrew Garfield was a little edgier than the doe-eyed Maguire, more skate punk with attitude than an innocent teen, and in this new series Gwen’s father’s objections to him are more intense (and justifiably so). It’s the same in The Amazing Spider-Man 2.

AmazingSpiderman2screen2But darker or edgier doesn’t mean more less family-friendly. Both series are rated PG-13 and are similar in terms of appropriate content, and in this film there’s no nudity or sexual situations, very little in the way of language, and violence that’s mostly tied to spectacular effects or to the fantastic.   More

BEDKNOBS AND BROOMSTICKS (Blu-ray combo)

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BedknobscoverGrade: B-/C+
Entire family: Yes
1971, 117 min., Color
Disney
Rated G
Aspect ratio: 1.66:1
Featured audio: English DTS-HD MA 5.1
Includes: Blu-ray, DVD, Digital HD Copy
Bonus features: C+
“Portobello Road” clip

It’s Disney, it has magic in it, but for me it would be a stretch to call Bedknobs and Broomsticks magical. Hollywood has a name for when studios try to capture lightning in a bottle twice. It’s called a “sequel,” and at times this 1971 blend of live action and animation feels like one, or a throwback to Disney features like The Love Bug. That said, this film has a dedicated bunch of fans that will be tickled to get it on Blu-ray, finally, and nostalgia is a powerful draw.

Still, how you respond to this film most likely will depend upon your age and whether you’re a fan of Mary Poppins. Why? Because critics and audiences have compared the two from the beginning, and not without cause.

Mary Poppins, which played in theaters seven years earlier and was as big of an event as Hollywood had seen, received 13 Oscar nominations and won for Best Actress, Best Editing, Best Song, Best Score, and Best Special Visual Effects. Meanwhile, Bedknobs and Broomsticks earned five nominations and only won for Best Special Visual Effects.

There’s no solace to be taken in the source materials, either, because P.L. Travers published the first of eight Mary Poppins books in 1934, while Mary Norton’s The Magic Bed Knob; or, How to Become a Witch in Ten Easy Lessons and Bonfires and Broomsticks followed in 1943 and 1945. Then there’s the box office. Bedknobs reportedly cost $20 million to make and only returned $17.9 on the investment; Mary Poppins cost $6 million to make and grossed $102.3 million.   More

TARZAN (1999) (Blu-ray combo)

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TarzancoverGrade: A-/B+
Entire family: Yes
1999, 88 min., Color
Disney
Rated G
Aspect ratio: 1.78:1
Featured audio: English DTS-HD MA 5.1
Includes: Blu-ray, DVD, Digital HD Copy
Bonus features: B+
Trailer

I’ve seen just about every Tarzan movie made, and have to confess that I still have a soft spot for the Johnny Weismueller films. But Disney’s animated Tarzan represents one of the strongest narratives to tackle the legend of an orphaned baby raised by apes. Some of those early Tarzan movies now seem a little racist, and Disney solved that potential problem by not including any Africans at all. It’s apes vs. white hunters and a leopard in this animated feature, which begins by intercutting scenes of how baby Tarzan came to be orphaned and how one ape, Kala (Glenn Close), lost her baby.

Because we get talking animals, we also get a better appreciation for the relationships that young Tarzan forged, and because it’s animation we get a Tarzan who is more believably a combination of animal and human movement than would be humanly possible with actors.

It’s a jungle out there, and Disney makes no attempt to soft-peddle that part. There are plenty of Bambi’s mother moments. But the filmmakers do balance any naturalism and menace in the movie with humor, songs, cute characters, and the eye-popping animation that makes the jungle itself come alive. Tarzan was the first full-length Disney animated feature to spotlight a single performer (Phil Collins) for the entire soundtrack—something that DreamWorks would imitate a year later when they used Elton John for all the songs in The Road to El Dorado—and that continuity also added to the film’s uniqueness. One of Collins’ songs, “You’ll Be in My Heart,” won an Oscar for Best Original Song.   More

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