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Review of LOST HORIZON (1937) (80th Anniversary Blu-ray)

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Grade: B/B+
Entire family: No
1937, 132 min., Black-and-White
Drama-Adventure
Columbia Pictures/Sony
Not rated (would be PG for brief long-distance nudity and some violence)
Aspect ratio: 1.37:1
Featured audio: DTS-HDMA 2.0 Mono
Bonus features: B
Trailer
Amazon link

“In these days of wars and rumors of wars, haven’t you ever dreamed of a place where there was peace and security, where living was not a struggle but a lasting delight?” an opening card reads. “Of course you have. So has every man since time began. Always the same dream. Sometimes he calls it Utopia. Sometimes the Fountain of Youth. Sometimes merely ‘that little chicken farm.’”

That’s how Frank Capra’s 1937 adaptation of James Hilton’s novel begins, and it’s a tip-off that despite an action-packed opening evacuation scene set in China, a plane crash that delivers the original Lost passengers to an isolated place that’s cloaked in mystery, and a mountain sequence involving a massive avalanche and harrowing escape, Lost Horizon is more of a heady melodrama than it is a typical adventure film. And that means that while it may be perfectly suitable for the whole family to watch, it will most likely interest only families with children in their later years of high school.

Capra (It’s a Wonderful Life, Mr. Smith Goes to Washington) skips the frame story and jumps right into the evacuation of “white people” who are being evacuated. Hilton’s novel was set in a different time and place, but with war brewing Capra set it in more familiar—and, for 1937 audiences, more disturbing—territory.

When diplomat Hugh Conway (renamed Robert for the film) leaves on the last plane with four other people and their plane is crash-landed in the Tibetan mountains, they make their way to the only shelter around: Shangri-La, a lamasery that’s completely cut off from the outside world, and where everyone is happy no matter what work they do. Once there, the main dramatic questions for each character become: Were they kidnapped or were they rescued? Should they stay or should they go? Shangri-La beckons some, but repels others.

The five travelers offer the same sort of variety as viewers would see two years later in Stagecoach. Joining Conway (Ronald Coleman) is his impetuous brother George (John Howard), mild-mannered paleontologist Alexander Lovett (Edward Everett Horton), con-artist Henry Barnard (Thomas Mitchell, who played Uncle Billy in It’s a Wonderful Life and the drunken doctor in Stagecoach), and a sarcastic woman named Gloria (Isabel Jewell) who discovers that her terminal illness seems to go into remission once they reach and spend time in Shangri-La. Given the CGI world we now live in, the sets seem average, but back in 1937 they were impressive enough for all critics to notice, and the cityscape sets took five years to build. But there was a rural component to this as well, which, for all its utopian pretenses, feels remarkably feudal. The High Lama creates a world where all the people are happy, even as they work at different jobs to contribute to society.

It’s not just that everyone in Shangri-La lives in peace and harmony. They also have everything they need, obtained over time because the mountains around them are full of gold. And for the child philosophers in your families, therein lies the film’s main contradiction that’s worth talking about. But the film’s main philosophical question is also discussion-worthy: would you want to live in a place that’s isolated from the world if doing so would enable you to live a hundred, even two hundred years? And what would you do for love? Would you stay in a place like that to be with Sondra (Jane Wyatt), as Conway contemplates? Would you leave, as Maria (Margo) does, risking life itself to be with someone you loved? And why is it that utopias always fail? Is it human nature? Is it the nature of life itself?

Lost Horizon is a thought-provoking drama that’s worth watching if for no other reason than to be aware of this culturally significant film. It did, after all, give us the name “Shangri-La,” which has since become synonymous with a utopian paradise on earth.

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Review of PILGRIMAGE (2017) (Blu-ray combo)

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Grade: C/C+
Entire family: No
2017, 96 min., Color
Adventure-Drama
RLJ Entertainment
Not rated (Would be R for violence)
Aspect ratio: 2.35:1
Featured audio: DTS-HDMA 5.1
Bonus features: C+
Includes: Blu-ray, DVD
Trailer
Amazon link

Pilgrimage is an average movie with above-average atmosphere and cinematography, thanks largely to the Irish landscapes where it was mostly filmed. It’s also a movie that plods along into eye-rolling territory until, suddenly, there’s a burst of violent (some would call it ultra-violent) action. Though it’s billed as a medieval thriller, this Jekyll-Hyde movie lurches between tedium and frenetic action, while viewers may well wish that the filmmakers had opted for some sort of happy medium.

The plot is simple: an emissary from Rome shows up at an Irish monastery in remote Western Ireland with instructions to take a holy relic back to the Pope, who believes it has enough power to end the Crusades. An opening scene showed just how that relic came to become “holy”: it was the large rock that ended the life of a Christian martyr who was being stoned for his beliefs. Fast-forward to 1202 A.D. and Brother Geraldus (Stanley Weber) shows up in a white robe asking for the relic.

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Review of THE WEDDING BANQUET (Blu-ray)

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Grade: B+/A-
Entire Family: No, older teens and up
1993, 106 min., Color
Comedy-drama
Rated R
Olive Films
Aspect ratio: 1.85:1
Featured audio: DTS Mono
Bonus features: C-
Trailer
Amazon link

Though Ang Lee’s The Wedding Banquet is rated R for language and brief frontal nudity, it’s included here because the 1993 comedy-drama deals with issues faced by people on the fringe of society. Suitable for families with older teens, it’s the kind of film that can put a humanizing face on the LGBT and immigration headlines, the kind of film that in the process will have you both laughing and tearing up.

It’s almost hard to believe that The Wedding Banquet is more than 25 years old, because it’s still so topical and relevant. It’s about a gay Chinese man who has yet to come out to his family, and a Chinese artist who needs a green card or must marry an American citizen to stay in the country. Lee (The Life of Pi) does a fine job of exploring the anxieties faced by people in their situations, while also managing to create a thoroughly entertaining and absorbing film. An added bonus is the insight we get into another culture, as the wedding customs themselves will fascinate family audiences.

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Review of WHALE RIDER (15th Anniversary) (Blu-ray)

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Grade: A-
Entire family: No
2002, 101 min., Color
Drama
Rated PG-13 for brief language and a momentary drug reference
Shout! Factory
Aspect ratio: 2.35:1
Featured audio: DTS-HDMA 5.1
Bonus features: B
Includes: Blu-ray, Digital Copy
Trailer
Amazon link

This word-of-mouth hit about a 12-year-old Maori girl captured audience-favorite awards at the Toronto, Rotterdam, and Sundance international film festivals. It’s a feel-good movie that makes you feel a little bad along the way, a “girl power” coming of age story that also involves the girl’s patriarchal-minded grandfather who comes to understand that the best way to preserve the past is to embrace a gender-equal future.

Like Hoosiers, where you know a ragtag bunch of basketball losers are going to somehow win, the plot in Whale Rider is somewhat formulaic. But as with that Indiana roundball saga, the ride itself is really something, and not just because of the fantastic performances or the beautiful cinematography and New Zealand landscape. Just when you begin to think the outcome is predictable, writer-director Niki Caro manipulates a change in current or plumbs the emotional depths to take the performances to another level.

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Review of EVERYTHING, EVERYTHING (Blu-ray combo)

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Grade: C+
Entire family: No
2017, 96 min., Color
Romantic drama
Rated PG-13 for thematic elements and brief sensuality
Warner Bros.
Aspect ratio: 1.85:1
Featured audio: DTS-HDMA 5.1
Bonus features: C
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

The Fault in Our Stars (2014) was such a huge hit that you knew other sick teen romantic dramas would follow, even if you were unaware of what books were out there to inspire the screenplays. And sure enough, along comes Everything, Everything (2017), starring Amandla Stenberg (The Hunger Games) and Nick Robinson (The Kings of Summer).

If there’s a teen in your family, they’ve no doubt seen trailers or heard of it. But they may not know about the one big difference between the two “sick teen” romantic dramas: The Fault in Our Stars aims high, for an adult audience as well as teens, with believable dialogue and situations and an edginess that comes from a healthy cynicism that comes from a realistic optimism in a hopelessly pessimistic situation. It’s a little like Hemingway for teens, where grace under pressure and how well you face tragedy becomes more important than the outcome. It’s about finding consolation in an impossible situation.

Everything, Everything is the flip side of that—a film that doesn’t just look for a silver lining, but manufactures one. It’s made for the people who wept during The Fault in Our Stars thinking, Why? Why couldn’t there have been just a slightly happier outcome?

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Review of A QUIET PASSION (DVD)

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Grade: B-/C+
Entire family: No
2016, 125 min., Color
Biographical drama
Rated PG-13 for thematic elements, disturbing images and brief suggestive material
Music Box Films
Aspect ratio: 2.35:1 widescreen
Featured audio: English Dolby Digital 5.1
Bonus features: B
Trailer
Amazon link

Here’s a revealing statistic:  At Rotten Tomatoes, 92 percent of critics gave A Quiet Passion a “fresh” rating, while only 52 percent of readers liked it.

There have been a lot of very good films made about writers and writing—films like Finding Neverland (J.M. Barrie/Peter Pan), Becoming Jane (Austen), Saving Mr. Banks (P.L. Travers/Mary Poppins), or the fictional Finding Forrester, the latter inspired by the reclusive J.D. Salinger. They make for good family dramas because unless the writer is Ernest Hemingway they’re usually pretty tame, tied to an internal drive for success and full of advice that older children can certainly glean.

A Quiet Passion—the story of American poet Emily Dickinson—had the potential to be all that plus a model of enlightened feminism. But while older fans of literature may still warm to this 2016 film despite its flaws, I don’t see it working very well with family audiences.

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Review of COLLATERAL BEAUTY (Blu-ray)

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Grade: C+
Entire family: Yes, but . . .
2016, 97 min., Color
Drama
Rated PG-13 for thematic elements and brief strong language
Warner Bros.
Aspect ratio: 2.40:1
Featured audio: DTS-HDMA 5.1
Bonus features: C+
Includes:  Blu-ray, Digital HD UltraViolet
Trailer
Amazon link

A feel-good movie about death?

Sounds crazy, but that’s what Collateral Beauty tries to be. It’s a message film that wants audiences to appreciate the beautiful moments that can accompany a death—whether it’s a final shared conversation, an act of generosity, or a small kindness that helps someone cope.

If you’re no big fan of message films . . . or contrived plots . . . or melodramas where you know the whole point of a film is to make viewers feel something, then you probably won’t care too much for this 2016 drama starring Will Smith. And if you are a fan, you won’t appreciate that most viewers will be able to see the plot twists coming long before the turn.

Smith plays Howard, a New York ad agency exec who shows up for work every day but is no longer engaged in day-to-day operations. He’s not retired—he’s grieving. He lost a six-year-old daughter to cancer, and now all he feels like doing is stacking elaborate domino structures in his office. He wanders through each day numb with pain and at one point rides his bicycle fast as he can against traffic on a one-way street.

Now here’s the biggest plot contrivance: Unable to participate in a therapy group for parents who have lost children, Howard writes letters to three abstract concepts and puts them in the mailbox. Dear Death . . . Dear Time . . . Dear Love . . . .

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EVELYN (Blu-ray)

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evelyncoverGrade: B
2002, 95 min., Color
Olive Films
Drama
Rated PG for thematic material and language
Aspect ratio: 2.35:1
Featured audio: DTS 5.1 Surround
Bonus features: n/a
Trailer
Amazon link

I’m guessing that more than a few people will notice that Evelyn is a film about an Irish father trying to gain custody of his kids and immediately think of Kramer vs. Kramer. How in the world is that appropriate for family viewing? Well, the 1979 Academy Award-winning picture starring Dustin Hoffman and Meryl Streep isn’t appropriate, unless you think it’s character building for children to watch parents say and do some pretty nasty things to each other while tugging at their offspring as if they were a wishbone. But Evelyn isn’t like that at all. To continue the analogy, it’s more like Kramer vs. the Government.

Based on a real 1955 custody case that had an entire nation hanging on the decision, Evelyn stars Pierce Brosnan in a very un-Bondlike role. He plays Desmond Doyle, an out-of-work Irishman evelynscreen2who sings in his father’s band and drinks a little too much. But it’s clear that he has a good heart and he loves his children. He’s crushed when his wife (and their mother) runs off to Australia with another man, and Irish law at the time forbade children from being raised by a single parent. The children are removed from the home and placed in a Roman Catholic orphanage, where neglect and abuse are as common as the priest scandals that have dominated the headlines in recent years. Viewers soon discover that the orphanages are full of faux orphans—children taken away from a single parent who still loves them dearly and wishes to care for them.

Most parents give up, the film’s narrative tells us. It is, after all, Irish law. But not Desmond Doyle. After a few aborted attempts to get his children illegally, he attracts the attention of a woman working extra hours as a bartender to help pay for her education. She has a brother (Stephen Rea) who might be able to help him. And a would-be suitor from America (Aidan Quinn) who just happens to be a barrister. Before long, they’ve attracted the interest of another lawyer who moonlights as a sports announcer (Alan Bates). Suddenly, Doyle isn’t just a single father fighting the system in futility. He’s part of a team that’s trying to establish a new precedent in Irish law—one that’s fairer to families.

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THE EDGE OF SEVENTEEN (Blu-ray combo)

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edgeofseventeencoverGrade: A-/B+
Entire family: No (17 and older)
2016, 104 min., Color
Universal
Comedy-Drama
Rated R for sexual content, language, and some drinking, all related to teens
Aspect ratio: 1.85:1
Featured audio: DTS-HDMA 7.1
Bonus features: D
Includes: Blu-ray, DVD, Digital HD
Trailer
Amazon link

More than a few critics have remarked how ironic it is that some 17 year olds might not be able to get past the ticket-taker to see the R-rated film The Edge of Seventeen, which stars 20-year-old Hailee Steinfeld as a teen whose world is turned upside down after her only friend starts dating her only sibling—a brother who is everything she’s not, and who has never shown her any kindness. In fact, the only person young Nadine felt connected to died several years ago, and that’s no spoiler: we see it fairly early in the film.

edgeofseventeenscreen2Nadine and best buddy Krista (Haley Lu Richardson) really capture the behavior of teenager besties, while Blake Jenner as the got-everything-going-for-him older brother struts his stuff—those perfect abs, great hair, and jock standing that make him popular. The gap between the outgoing and accomplished Darian and his introverted and awkward sister is so great that you wonder if they’re really brother and sister . . . until you see more of the mother (Kyra Sedgwick) and realize how incapable she seems of handling life’s problems. The ratings paradox, meanwhile, is the result of another gap: the one between reality and standards of decency. Are today’s teenagers drinking, swearing, and having sex? Not all, and maybe not even most . . . but many, certainly. Do parents feel comfortable admitting this? Not remotely.

The Edge of Seventeen is a film that teenagers would like, and a film that ultimately models the kind of behavior most parents would hope would be their children’s default, no matter how much they experiment or stray (as even the best ones are apt to do). Nadine sexts the boy she’s crushing on and she goes with him in his car to an isolated spot, but her default morality kicks in when it matters most. It’s implied that another couple has had sex, since they’re in bed together, but aside from bare shoulders and a hand moving up and down under the blanket, nothing is shown. Aside from teens making out at a party, that’s the extent of the sex in this 2016 film from newcomer Kelly Fremon Craig. I’ve seen PG-13 films that have had more explicit moments.

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VICTORIA: SEASON 1 (DVD)

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victoriacoverGrade: A-/B+
Entire family: No, small children will be bored
2016, 415 min. (8 episodes), Color
PBS
Rated TV-PG for some adult situations
Aspect ratio: Widescreen
Featured audio: 5.1 Dolby Digital Surround
Bonus features: C+
Trailer
Amazon link

Recently we’ve seen a lot of TV series telling the stories of royals and nobility—so many that it’s hard to keep them all straight, especially if you’re wondering what’s suitable for viewing if you have children old enough to appreciate the intricacies of a historical drama. I’m reminded of the Three Bears porridge: The Royals (E!), Reign (The CW), and Versailles (BBC2/Ovation) can run a little hot; The Crown (Netflix) can be a bit too cold; but Victoria (Masterpiece/PBS) seems just right. There are no graphic sex scenes here, no language to grapple with, no violence to speak of, and no serious breaks in morality . . . just nicely handled adult situations and complications.

If you have teens, they’ll be most drawn to Reign (with its hip young cast) and this series starring the effervescent Jenna Coleman as young Queen Victoria, with the first season covering her ascension to the throne as an eighteen year old and continuing through her battles with family and members of the privy council. The first season focuses mostly on her growing dependence upon (and eventual distancing from) close advisors Lord Melbourne (Rufus Sewell) and Baroness Lehzen (Daniela Holtz), and her courtship and first year of marriage to Prince Albert (Tom Hughes)—a cousin from the German royal side of the family.

victoriascreen3In the past, Masterpiece could tend toward the staid or austere, but since the phenomenal popular success of Downton Abbey they’ve grasped the value of the old maxim “If it ain’t broke, don’t fix it.” Fans of Downton Abbey will recognize here a similar structure and a number of familiar elements. As in Downton Abbey, viewers get a two-tiered look at life in England: the royals and nobles who live, work, and play in and around Buckingham and Windsor Palaces, and the servants who tend to them and have their own interactions. It’s hard, for example, not to think of Downton Abbey’s Mr. Bates and Anna while watching a maid with a tawdry past (Nell Hudson) pursued by a pastry chef (Ferdinand Kingsley). While the below-deck cast of characters isn’t as compelling as the royals, there’s enough here to provide a nice contrast and introduce side plots that keep the series from dragging.

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