Grade: B-
Entire family: Yes
1968, 111 min., Color
Olive Films
Not rated (would be PG for mild language and innuendo)
Aspect ratio: 1.85:1
Featured audio: DTS 2.0 Mono
Bonus features: n/a
Trailer
Amazon link
In 1968, a year before The Brady Bunch charmed television audiences, two blended family movies played in theaters: With Six You Get Eggroll, starring Doris Day and Brian Keith, and Yours, Mine and Ours, with Lucille Ball and Henry Fonda as the parents. The latter was popular enough to spark a less successful 2005 remake (with Rene Russo and Dennis Quaid). Of them all, the original Yours, Mine and Ours is the best—partly because of a decent script by committee, partly because of the stars’ steady performances, and partly because it’s based on a real story.
Helen North was a Navy wife whose husband was killed in an air crash when she was 30 and pregnant with their eighth child. When she married Navy Warrant Officer Frank Beardsley in 1961, her eight children were blended with his 10. And a year later, when each of them legally adopted the others’ brood, they made headlines for the largest group adoption in California history and ended up as guests of Johnny Carson on The Tonight Show. Yours, Mine and Ours is based on her memoir, Who Gets the Drumstick.
Only a fraction of her story is recounted in the film, which focuses on the courtship between Helen and Frank, their marriage, and their attempts to raise 18 children together in the months leading up to that adoption. Though dated (what sixties’ movie isn’t?) Yours, Mine and Ours is still cute —and “cute” is the word that came to my wife and myself as we watched and sometimes laughed out loud.
It’s a little bit of a stretch to accept 57-year-old Ball and 63-year-old Fonda as fertile parents of these combined families, but the casting makes sense when you realize that Ball’s Desilu Productions bought the movie rights. Though the two of them are old enough to be the children’s grandparents, they still make for believable parents once you get over the initial shock. Fans of the old I Love Lucy series will find it interesting to watch Ball in a mostly seriocomic role, with only two scenes that feature slapstick/physical comedy—things that Ball did best. There’s a funny scene at a crowded bar, and later, when Frank brings Helen home to meet his children, the teenage boys (among them Tim Matheson of Animal House fame) put a little extra booze—make that a lot extra—in her drink. Ball, in that scene, evokes a few memories of her Season 2 episode “Lucy Does a TV Commercial,” in which Lucy takes a little too much of the alcohol-based elixer Vitameatavegimin.
Fans of vintage TV will also smile seeing another TV dad, Tom Bosley (Happy Days) playing a doctor. If you’re a Brady Bunch fan, you’ll realize how many of the blended family situations came from this movie. The level of realism and believability is enough to offset anything corny or quaint comes from Yours, Mine and Ours being so wholesome and nearly 50 years old. It’s still enjoyable family fare, and because it is so dated looking it’s going to provide a nice touchstone for children to see what’s changed and what’s stayed the same when it comes to family dynamics.
Aside from Matheson, the actors who play the children are believable but unremarkable, while the same could be said of the film’s minor characters—except for Van Johnson, a leading man who gets to play the sidekick this outing. Directed by Melville Shavelson—who got his experience shepherding stepparents and stepchildren in the Oscar-nominated romantic comedy Houseboat, starring Cary Grant and Sophia Loren—Yours, Mine and Ours is a wholesome, cute family movie. And age hasn’t diminished its cuteness one bit.
Age has, however, affected the print, which is a little rough in the opening. But the graininess gradually becomes less after the title sequence. Like the stars’ ages, once the film gets rolling you it all smoothes out, and the colors especially look rich in this HD presentation.
Language: Nothing here except literally a handful of “damns” and “hells”
Sex: Nothing here either, apart from a few phrases (“sex maniac”), a boy reading a Playboy, mild innuendo, and references to a boy who expects a teenage girl to “prove her love”
Violence: Just one scuffle and an implied schoolyard fight with a black eye to prove it
Adult situations: Aside from the innuendo, a few fertility jokes, and the drinking/drunkenness, nothing offensive
Takeaway: As old as Ball and Fonda seem at the beginning of the film, you quickly forget their ages and appreciate two professionals—two Hollywood legends—at work
Grade: B/B+
The boys helped their father some of the time, but mostly struck out on their own. It was like a permanent summer vacation, where Sandy and Bud could take the skiff out any time they wanted and go diving or snorkeling to their heart’s content. Often they were accompanied by Flipper, a wild dolphin that took a shine to Bud (who can communicate with it) and hangs around the boys of his own volition. Good thing, because he’s needed to come to the rescue in just about every episode. In a way, Flipper is a marine version of that earlier iconic ‘50s show Lassie. What’s that, Lassie? Timmy’s trapped in the well?
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