Grade: C-
Entire family: No
2014, 138 min., Color
Rated PG-13 for violence, disturbing images and brief suggestive content
Paramount
Aspect ratio: 1.85:1, “enhanced” for 16×9 monitors
Featured audio: DTS-HD MA 7.1
Includes: Blu-ray, DVD, UV
Bonus features: B-
Trailer
Darren Aronofsky’s Noah has sparked all kinds of criticism for it’s looser-than-loose interpretation of the story of The Flood that’s recounted in The Bible. The film was banned in China on religious grounds, condemned by Muslims for the way it treats prophets, and branded by the official Vatican newspaper as a “strange” and “perplexing” movie that adds up to a “missed opportunity.” Christian audiences have generally decried its inexplicable departure from the traditional Bible story.
But let’s be fair. There are a number of perplexities in The Bible, none of which have anything to do with Darren Aronofsky (The Black Swan). Adam and Eve are supposed to be the mother and father of all humanity, but the Book of Genesis tells us that they begat Cain and Abel—no daughters. And when Cain is confronted by God after murdering his brother he worries that he will become a fugitive and that whoever finds him will slay him—which implies that people exist apart from Adam’s lineage. Later we’re told that Cain “knew” his wife and begat children of his own. Where she came from is not specified.
As for Noah, The Bible says he was 500 years old when he became the father of three sons, and 600 when God commanded him to build an ark and take into it his sons, their wives, and two of all the beasts of the air and ground. There was no mention of fantastic mud-and-rock creatures called “Watchers” helping him to build this massive boat, as we see in Noah.
When it comes to Hollywood, I don’t expect film adaptations to be exact. I didn’t, for example, mind that the land Noah traverses looked more like a desolate apocalyptic wasteland than the arid, olive tree-filled Holy Land we typically see. But I do expect filmmakers to operate in the general vicinity of truthfulness or reality. Infusing Noah’s story, however fictional or true you believe it to be, with the kind of rock creatures we saw in GalaxyQuest is like trying to tell the story of Geronimo with an E.T.-like alien turning up in the Apache desert to offer his assistance. It’s too over-the-top and, because it stands in such sharp contrast to the biblical account and the kind of God-talk that Aronofsky includes, it’s also more than a little hokey. More














