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Mickey, Donald, Goofy: The Three Musketeers (Blu-ray combo)

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ThreeMusketeerscoverGrade: C
Entire family: Yes . . . but?
2004, 68 min., Color
Rated G
Disney
Aspect Ratio:  1.78:1
Featured audio: English DTS-HD MA 5.1
Includes: Blu-ray, DVD, Digital HD Copy
Bonus features: C-
Trailer

The Three Musketeers is that rare Disney animated feature that’s tough to recommend, even for youngsters in the family.

Made in 2004 as a direct-to-video offering, the Mickey, Donald and Goofy version of Alexandre Dumas’ timeless novel seems mechanical and uninspired, almost to the point of being tedious to watch. And it’s not just one thing. Many facets of the filmmaking process are disappointing.

There’s much more detail and heart in another Disney adaptation of classic literature, Mickey’s Christmas Carol. That 1983 animated film felt like a performance of Dickens’ story in which Mickey and the gang were cast as characters, and their “acting” was good enough to pull us into the story. Although that film was only 26 minutes long, it was so well done that every family and Disneyphile wanted to add it to their collections.

The Three Musketeers is 68 minutes long, and it feels longer. My family wasn’t drawn into the story at all, because it seemed more like those Warner Bros. and Disney cartoon shorts in which the characters are still the characters, but transposed to different settings. The scenes felt bloated to take up space, the animation seemed pedestrian, and the character locomotion was unimaginative. In short, there was nothing that brought a laugh or a smile of delight, as usually happens when we watch a Disney animated feature.   More

HERCULES (1997) (Blu-ray combo)

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HerculescoverGrade: B+
Entire family: Yes
1997, 93 min., Color
Rated G
Disney
Aspect ratio: 1.78.1
Featured audio: English DTS-HD MA 5.1
Includes: Blu-ray, DVD, Digital HD Copy
Bonus features: C
Trailer

Hercules has always struck me as an underrated film—maybe because it has a little more attitude than your typical Disney animated feature. Like Avis Rent-a-Car or the City of Chicago, it tries a little harder to be hip, cool, or whatever the current vernacular is, and much of the sass comes from a lass. The lead female in this ancient adventure is Meg (Susan Egan), and she’s no maiden in distress. Like Katharine Hepburn in any movie, she’s the equal of her man, a film noir femme fatale sort of gal, and that’s kind of refreshing.

It’s energizing too that embedded in this revised story of Greek mythology are extended references to a number of films. Hercules is found on earth by mortal parents and raised as their own, just as Superman was—and the little guy does super boy stuff, like lifting Dad’s entire wagonload with one hand. Eventually Mom and Dad tell him that they adopted him and show him a medallion with his name on it. He came from Mt. Olympus, and though Hades tried to make the little guy mortal to ensure his own future power, baby Hercules fought off the last drop and so retained some of his super strength.

Like Rocky, he finds a trainer (Danny DeVito) who’s been itching to coach a champion. And every hero needs theme music. Herc gets his from five muses who act like vamps and come to life off of a Grecian urn to narrate through song—a gambit we saw in Little Shop of Horrors and There’s Something about Mary. Like Meg, they’ve also got a little attitude, and it adds another layer of fun.   More

RIO 2 (Blu-ray combo)

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Rio2coverGrade: B+
Entire family: Yes
2014, 101 min., Color
Rated G
20th Century Fox Animation
Aspect ratio: 2.40:1
Featured audio: DTS-HD MA 7.1
Includes: Blu-ray, DVD, UV Digital Copy
Bonus features: B+
Trailer

I won’t beat around the rainforest. If your family enjoyed Rio, they’ll appreciate this sequel, which brings back all of the original voice talents and offers the same sort of smorgasbord of songs, richly textured animation, and a serviceable plot that combines humor with mild peril. Even when that plot hits an occasional speed bump, the animation is so darned captivating that you don’t really notice.

If Rio showed that 20th Century Fox Animation had finally moved into Disney’s neighborhood, with Rio 2 they’ve taken off their shoes and propped their feet up on the coffee table. This talented bunch is clearly comfortable with what they’re doing, and they strut their stuff at every opportunity, showcasing things like complicated big-cast song-and-dance sequences and the hyper-realistic water and fireworks that used to be the sole province of Disney animators. And the writing, while not on a par with the best of Disney, is certainly good enough to match second-tier Disney efforts.

Other things Fox apparently learned from Disney animators are the importance of character personalities and the impact that small details and quirky comedic moments can have on a film. Rio 2 is loaded with little surprises that catch you off-guard and make you smile or laugh out loud. What’s interesting is that it’s often not the same sight gag or verbal gibe that tickles everyone’s fancy. I watched this with three family members, and it seemed as if each of us blurted out an expression of delight at least once when the rest of the room was silent.

A feast for the senses, Rio 2 picks up where Rio left off. You don’t have to know the whole backstory because there are hints embedded in the narrative. But it certainly helps—especially to appreciate the evil cockatoo Nigel’s current predicament. In Rio, Linda (Leslie Mann) had brought her blue macaw Blu (Jesse Eisenberg) to Rio to mate him with Jewel (Anne Hathaway), after she learned from ornithologist Tulio (Rodrigo Santoro) that those two are the last of their species. By film’s end, she had married Tulio and set up a blue macaw sanctuary. In Rio 2 their love-birds have three spirited offspring—Carla, Bia, and Tiago—and on an expedition to release a rehabilitated bird, Tulio and Linda glimpse another rare blue macaw. So the whole group sets off on an expedition deep into the Amazon to discover if there are more.   More

TEACHER’S PET (1958) (DVD)

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TeachersPetcoverGrade: B+
Entire family: Yes (except for the very young)
1958, 119 min., Black-and-white
Not rated (would be PG for adult drinking)
Warner Bros. Archive (not available elsewhere)
Aspect ratio: 1.85:1
Featured audio: Dolby Digital Mono
Bonus features: None
Trailer

If you believe that a steady diet of contemporary films ought to be supplemented occasionally by an interesting foreign film or black-and-white classic in order for the kids to have a broad sense of culture, you might consider Teacher’s Pet for a family night movie.

Along with Pillow Talk it’s one of Doris Day’s most delightful and enduring romantic comedies, and the kids get a two-for, since she’s paired with pop culture icon Clark Gable.

Yes, eyes will roll as Day sings the cheesy (albeit catchy) title sequence song, but in the first scene the Internet generation gets an introduction to old-school newspaper production. We watch a group touring the New York Evening Post and see what they see: presses rolling and the chaotic excitement of the newsroom. The film’s theme is introduced in this early sequence when a mother who had snuck onto the tour begs city desk editor James Gannon (Gable) to fire her son so he’ll go back to school. Gannon, who never went to high school, is convinced that real job experience is more worthwhile than college.

Most of Day’s romantic comedies depend on an opposites-attract formula that pits the former band singer’s screen naiveté and virginal attitudes against a more promiscuous male, and while there’s a little of that here, the main contrast is still college instructor Erica Stone’s belief that journalism can be taught vs. Gannon’s resistance to education.  More

JUSTIN AND THE KNIGHTS OF VALOR (Blu-ray)

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JustincoverGrade:  B-
Entire family:  Yes
2013, 96 min., Color
Rated PG for mild action and some rude humor
Arc Entertainment
Aspect ratio:  Letterboxed 16×9
Featured audio:  English DTS-HD MA 5.1
Bonus features: D
Trailer

Samuel Johnson once told an aspiring writer, “Your manuscript is both good and original, but the part that is good is not original and the part that is original is not good.”

I thought of old Sam as I watched the animated Justin and the Knights of Valor, which, as I told my wife, had its moments. Unfortunately, that included a moment when a horse started behaving like a dog and it reminded me of Disney’s Tangled, or the main character was blindfolded as he learned how to become a knight and I thought of Luke Skywalker, or the same lad set astride a crocodile with mechanical wings strapped to him gave me How to Train Your Dragon flashbacks, while a swordfight by a giant wheel had a Pirates of the Caribbean look and feel. And so on.

In this new age of computer animation, films like Justin and the Knights of Valor prove that you don’t have to have the resources of a Disney or Pixar to create great graphics with a superior production design and accomplished animation. But those high-quality production values also got me thinking about the difference between films like this one from KANDOR Graphics (Spain) and mega-budget studios.

There’s a whole host of intangibles that keep adults and older children in their seats for a major studio production, while a film like this that’s entertaining, if you give it a chance, may prompt teens and ‘tweens to wander off, one by one, or pull out their hand-held devices. And if you ask them why they’re not watching they’ll shrug, “I don’t know. I just couldn’t get into it.”   More

FATHER GOOSE (Blu-ray)

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FatherGoosecoverGrade: A-
Entire family: Yes
1964, 118 min., Color
Not rated (would be PG for some peril and adult drinking)
Olive Films
Aspect ratio: anamorphic widescreen (16×9)
Featured audio: DTS-HD MA Mono
Bonus features: None
Clip

Father Goose is one of those rare films that appeal not only to lovers of the genre—in this case, romantic comedy—but others as well. There’s humor and WWII adventure in this amiable 1964 film, which will appeal to boys in the family. The girls, meanwhile, will be won over by the seven schoolgirls of varying ages that are rescued by a reluctant (and still very funny and attractive in his second-to-last film) Cary Grant.

Grant plays teacher-turned-beachcomber Walter Eckland, who dropped out of the world and in return just wants the world to leave him alone. Though war in the Pacific is raging all around him, he’s determined to be neutral and uninvolved. We first meet him when he turns up at British-Australian naval base that’s under fire, and, bothered more by a pelican that keeps hitching a ride on the boat he recently bought than by shells exploding nearby, he proceeds to try to “borrow” cans of gasoline and rations.

FatherGoosescreenThat plays right into the hands of the dockmaster, an old friend named Houghton (Trevor Howard) who’s been ordered to evacuate and set up shop coordinating more than 30 coast watchers spread across the Pacific islands. He needs one more coast watcher and Walter needs supplies, so they strike a deal . . . which Walter had no intention of abiding by, until Houghton “accidentally” rams his boat and forces him to make for the island. Then, to get Walter to actually report Japanese airplane and ship movements, Houghton hides bottles of scotch whiskey and gives Walter the directions to a bottle for every confirmed sighting.

Walter never gets drunk, and his drinking is played for laughs, so most parents won’t find it objectionable. After all, there is a war on, and when Walter ends up rescuing a pretty young teacher (Leslie Caron) and her charges, she immediately sets about trying to reform him. He may be gruff, but he’s still a likable fellow that the girls find as appealing as their teacher does.

Sparks eventually fly, and the action intensifies, and in no time at all you’re rooting for this pair of opposites to come together in spite of all that’s happening in the world around them.

It’s one of the better Cary Grant films to introduce children to, and a darned good “starter” romantic comedy because of all the other distractions. Don’t expect a laugh-out-loud comedy—just a lot of smiles, and a little tension, too, as the world threatens to tear this couple apart before they can even come together. It’s a fun, light adventure that’s perfect for family movie night.

ERNEST & CELESTINE (Blu-ray combo)

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ErnestandCelestinecoverGrade: B-
Entire family: Yes
2012, 80 min., Color
Rated PG for some scary moments
GKIDS/Cinedigm
Aspect ratio: 1.85:1
Featured audio: English (dub) DTS-HD MA 5.1
Included: Blu-ray, DVD
Bonus features: C+
Trailer

I’m sure you’ve heard people say, as I have, that they were “ruined” somehow by the relentlessly chipper, happily-ever-after romanticism they absorbed during a steady childhood diet of Disney cartoons and animated features.

Well, there’s a cure for that. Start with a dose of irreverent Warner Bros. classic cartoons, and then be sure to watch occasional animated features from different countries, where you’ll discover a world that’s not so black and white, morally speaking.

That’s certainly the case with Ernest & Celestine, which received a 2014 Oscar nomination for Best Animated Feature Film of the Year. Ninety-eight out of 100 critics at Rotten Tomatoes pronounced it “fresh,” and Ernest & Celestine won a number of prizes, including Best Picture at Amsterdam Cinekid Festival, Prix SACD Special Mention at the Cannes Film Festival, Best Animated Film at the César Awards, People’s Choice Award at the Dubai International Film Festival, and Best Film (the first animated feature to win) at the Magritte Awards. In other words, people loved this film.

My family, on the other hand, was not as enamored. Maybe we’re just too Disneyfied. A reviewer for People Magazine called Ernest & Celestine “Fantastic! Delightful! Adorable!” and we’d concede that there were fantastic, delightful, and adorable moments, and that this film had the kind of sweetness and charm that you find in watercolor-illustrated children’s books. But there were also kind of creepy parts, and the wholesome theme of friendship that critics have seized upon is balanced by the not-so-wholesome thieving ways of the two main characters.   More

LITTLE HOUSE ON THE PRAIRIE: SEASON 2 (Blu-ray)

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LittleHouse2coverGrade: B/B+
Entire family:  Yes
1975-76, 1080 min. (22 episodes), Color
Lionsgate
Not rated: Would be G
Aspect ratio: 1.33:1
Featured audio: DTS-HD MA 2.0
Includes: Blu-ray (5 discs), UV Copy
Bonus features: C-
Today Show reunion clip

My ‘tweenage daughter doesn’t like historical dramas, isn’t a fan of westerns, and loves fashion so much that it’s like fingernails-on-the-chalkboard to watch the Ingalls girls parade about in their dowdy homemade calico pioneer dresses and bonnets. But she liked Little House on the Prairie: Season 2 enough to want to keep watching one episode after the other, and to shelve it in our collection for future play.

This wholesome family TV series from the ‘70s still has broad appeal, as you can see from the clip of the cast reuniting on The Today Show (link above) to promote the release of the Blu-ray on Season 1 and now Season 2.

The first season was more the authentic pioneer experience, as Pa and Ma Ingalls (Michael Landon, Karen Grasse) moved their brood of three daughters from Wisconsin to Kansas and finally Minnesota. There were Indians and hardships of every kind, and the emphasis was on the family’s journey and settlement.

The popular series was based on the juvenile books by Laura Ingalls Wilder that told of her family’s adventures on the newly expanding American frontier—books like Little House in the Big Woods, Little House on the Prairie, On the Banks of Plum Creek, and By the Shores of Silver Lake. The TV series ran for nine seasons, but by Season 2 the plots were already shifting from pioneer-specific storylines to ones that viewers may have seen elsewhere and could actually identify with better.   More

SOPHIA GRACE & ROSIE’S ROYAL ADVENTURE (Blu-ray combo)

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SophiaGracecoverGrade: C
Entire family: Theoretically, but . . .
2014, 75 min., Color
Warner Bros.
Rated G
Aspect ratio: 1.78:1
Featured audio: English DTS-HD MA 5.0
Includes: Blu-ray, DVD, UV Copy
Bonus features: C+/B-
Trailer

There are three types of people who will go for Sophia Grace & Rosie’s Royal Adventure: people who are charmed by the duo’s YouTube videos, fans of Toddlers & Tiaras, and Ellen DeGeneres. And if only some members of your family fall into any of those categories, you can be sure that the rest will groan or complain all the way through this film.

I was thinking about why Sophia Grace & Rosie’s Royal Adventure has more limited appeal than the old Shirley Temple movies, and maybe it’s as simple as the difference between watching Shirley Temple perform “On the Good Ship Lollipop” or watching another little girl imitate Shirley Temple. It’s the difference between being cute and acting cute, and television is famous for giving us way too many of the latter. Then too, even when Temple was being cute, she was sweet. And there will always be a broader audience for sweetness than there is for attitude, even if we describe it euphemistically as “precociousness.”

Sophia Grace and Rosie first appeared on Ellen in 2011 when they were eight and five years old, respectively, and the older girl performed Niki Minaj’s “Super Bass” while her younger cousin went through the motions alongside her because it made her less nervous. More appearances (and many more YouTube videos) followed, with the pair acting as mini-journalists and doing Red Carpet interviews—always in their trademark pink princessy dresses and tiaras. Then they were recruited for two episodes of the Nickelodeon sitcom Sam & Cat, in which teen stars Jennette McCurdy and Ariana Grande’s characters had to babysit two two-faced “BritBrats” and later had to deal with the “Revenge of the BritBrats.” Even without watching those episodes you can see how the girls’ onscreen personas have been shaped.

Now they’re on their own with no Ellen and no teen stars. Can they carry a movie? Yes indeed, if you happen to like them. If not, it’s like being trapped in an elevator with a valley girl who’s a nonstop chatterer intent on giving you a play by play as she scales Mount Inanity.

SophiaGracescreenIn their Royal Adventure, Sophia Grace & Rosie are sent to Switzelvania as correspondents for Ellen in order to report on the coronation of a new queen, but when they arrive they find that three princesses are scheming to get that crown. And so these “journalists” decide to make the news instead of reporting it by plotting and coaching so that the best candidate wins. Of course the humor is played over-the-top and since the film is a showcase for Sophia Grace & Rosie they don’t have to steal each scene—it’s handed to them on a silver platter.

Though they overact in the manner of way too many child actors, Sophia Grace & Rosie still impress with their ability to memorize scenes and play to reaction shots. I mean, they’re still only 11 and eight years old, and they really do an amazing job of just being professionals. But over the past three years it seems that the older cousin has gotten more full of herself and therefore more annoying . . . unless you’re a fan of Toddlers & Tiaras or are big fans of Sophia Grace & Rosie because you like their act. Very little girls who are into pink and all things princess will enjoy this movie as well. But for everyone else? It’s like watching a Shirley Temple imitator at a talent contest who tries to act cute, rather than being cute and not knowing it. They’re great in small doses, but the girls make this 75-minute feature feel a lot longer.

THE RODGERS & HAMMERSTEIN COLLECTION (Blu-ray)

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R&HcoverGrade: B/B-
Entire family: Yes (well, two-thirds, at least)
1945-1965, 838 min. (6 films), Color
20th Century Fox
Rated G
Aspect ratios: 1.37:1, 2.55:1, 2.20:1
Featured audio: DTS-HD MA 7.1, DTS-HD MA 5.1, DTS-HD MA 4.0, DTS-HD MA Mono
Bonus features: B-

Rodgers & Hammerstein are Broadway legends, having won a total of 34 Tony Awards for their work. They’ve done all right with film adaptations, too, earning 15 Academy Awards. So if you’re a fan of old musicals and want to share that with your children, it might be tempting to pick up this collection. But don’t do it because you think it will be a good resource should your children get a part in a future high school musical. According to The Broadway Scoop, not one Rodgers & Hammerstein musical ranks among the Top 10 Musicals currently being performed by high schools.

Does that mean they’re dated, or as corny as Kansas in August? Some of them, yes. For that reason, it might be better to wait (right now four out of six are only available through this collection) to buy these titles individually, rather than as an eight-disc, six-film collection, because while two of the films are surefire winners and two are entertaining-enough slices of rural Americana to where they will be of marginal interest to younger viewers, the remaining two musicals feature topics that won’t engage children much.

The King and I and The Sound of Music, with 10 Oscars between them, are the most likely to have wide family appeal. They’re colorful spectacles, and both of them have a large cast of children that will interest young ones.

Set in the 1860s, The King and I features Yul Brynner as the King of Siam, who, in his desire to become a more “scientific” ruler, has decided to educate himself and to hire a teacher to instruct his many children. Deborah Kerr is the English widow who arrives with her son and falls in love with the children (as we do). Audiences also love the give-and-take sparring between her and the KingandIscreenking, while everyone around him is so fearful of his authority. She helps him put on a state dinner for visiting western dignitaries to prove he’s no barbarian, and he charms her with his own grace and gratitude. The costumes are lavish, the songs are wonderfully catchy—like “Getting to Know You,” “Shall We Dance,” and “I Whistle a Happy Tune”—and they have core messages that will resonate, even with children. The ending is sad and it might take some discussion to frame it for your youngest, but The King and I still has wide appeal. Unfortunately, the film isn’t out on Blu-ray except in this collection.

The Sound of Music is already available as a stand-alone Blu-ray title, and in fact if your family likes bonus features the stand-alone is the better buy. That’s because the second disc of bonus features on the stand-alone is not included in this set—an unfortunate omission. But the film is a triumph. It overwhelmed audiences from the start with its story of the von Trapp family singers, who fled Austria for Switzerland during the Nazi occupation.

SoundofMusicscreenExteriors were shot on location, so there’s a beautiful authenticity to complement a storyline that’s classic: a woman studying to be a nun (Julie Andrews) doesn’t seem particularly suited to the convent and is sent to serve as governess to the children of a widowed Austrian captain (Christopher Plummer). There, she reintroduces song into the household, becomes beloved to the children, and falls in love with her employer. How do you solve a problem like Maria? Especially when she becomes part of a romantic triangle in this blended family tale set against the backdrop of war? The songs are some of the best that Rodgers & Hammerstein ever produced, including “Maria,” “Sixteen Going on Seventeen,” “My Favorite Things,” “Do-Re-Mi,” “The Lonely Goatherd,” “Climb Every Mountain,” and a song written especially for the film that’s so convincing as a national anthem that it almost brings tears to your eyes when Capt. von Trapp leads the crowd at the Salzburg music festival in a chorus, right in front of Nazi officials. It’s as stirring a moment as those dueling national anthems in Casablanca.   More

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