Family Home Theater

Grade: B-/C+
Entire family: Yes
1971, 117 min., Color
Disney
Rated G
Aspect ratio: 1.66:1
Featured audio: English DTS-HD MA 5.1
Includes: Blu-ray, DVD, Digital HD Copy
Bonus features: C+
“Portobello Road” clip

It’s Disney, it has magic in it, but for me it would be a stretch to call Bedknobs and Broomsticks magical. Hollywood has a name for when studios try to capture lightning in a bottle twice. It’s called a “sequel,” and at times this 1971 blend of live action and animation feels like one, or a throwback to Disney features like The Love Bug. That said, this film has a dedicated bunch of fans that will be tickled to get it on Blu-ray, finally, and nostalgia is a powerful draw.

Still, how you respond to this film most likely will depend upon your age and whether you’re a fan of Mary Poppins. Why? Because critics and audiences have compared the two from the beginning, and not without cause.

Mary Poppins, which played in theaters seven years earlier and was as big of an event as Hollywood had seen, received 13 Oscar nominations and won for Best Actress, Best Editing, Best Song, Best Score, and Best Special Visual Effects. Meanwhile, Bedknobs and Broomsticks earned five nominations and only won for Best Special Visual Effects.

There’s no solace to be taken in the source materials, either, because P.L. Travers published the first of eight Mary Poppins books in 1934, while Mary Norton’s The Magic Bed Knob; or, How to Become a Witch in Ten Easy Lessons and Bonfires and Broomsticks followed in 1943 and 1945. Then there’s the box office. Bedknobs reportedly cost $20 million to make and only returned $17.9 on the investment; Mary Poppins cost $6 million to make and grossed $102.3 million.   More

Grade: A-/B+
Entire family: Yes
1999, 88 min., Color
Disney
Rated G
Aspect ratio: 1.78:1
Featured audio: English DTS-HD MA 5.1
Includes: Blu-ray, DVD, Digital HD Copy
Bonus features: B+
Trailer

I’ve seen just about every Tarzan movie made, and have to confess that I still have a soft spot for the Johnny Weismueller films. But Disney’s animated Tarzan represents one of the strongest narratives to tackle the legend of an orphaned baby raised by apes. Some of those early Tarzan movies now seem a little racist, and Disney solved that potential problem by not including any Africans at all. It’s apes vs. white hunters and a leopard in this animated feature, which begins by intercutting scenes of how baby Tarzan came to be orphaned and how one ape, Kala (Glenn Close), lost her baby.

Because we get talking animals, we also get a better appreciation for the relationships that young Tarzan forged, and because it’s animation we get a Tarzan who is more believably a combination of animal and human movement than would be humanly possible with actors.

It’s a jungle out there, and Disney makes no attempt to soft-peddle that part. There are plenty of Bambi’s mother moments. But the filmmakers do balance any naturalism and menace in the movie with humor, songs, cute characters, and the eye-popping animation that makes the jungle itself come alive. Tarzan was the first full-length Disney animated feature to spotlight a single performer (Phil Collins) for the entire soundtrack—something that DreamWorks would imitate a year later when they used Elton John for all the songs in The Road to El Dorado—and that continuity also added to the film’s uniqueness. One of Collins’ songs, “You’ll Be in My Heart,” won an Oscar for Best Original Song.   More

Grade: B+
Entire family: Yes
2014, 101 min., Color
Rated G
20^th Century Fox Animation
Aspect ratio: 2.40:1
Featured audio: DTS-HD MA 7.1
Includes: Blu-ray, DVD, UV Digital Copy
Bonus features: B+
Trailer

I won’t beat around the rainforest. If your family enjoyed Rio, they’ll appreciate this sequel, which brings back all of the original voice talents and offers the same sort of smorgasbord of songs, richly textured animation, and a serviceable plot that combines humor with mild peril. Even when that plot hits an occasional speed bump, the animation is so darned captivating that you don’t really notice.

If Rio showed that 20^th Century Fox Animation had finally moved into Disney’s neighborhood, with Rio 2 they’ve taken off their shoes and propped their feet up on the coffee table. This talented bunch is clearly comfortable with what they’re doing, and they strut their stuff at every opportunity, showcasing things like complicated big-cast song-and-dance sequences and the hyper-realistic water and fireworks that used to be the sole province of Disney animators. And the writing, while not on a par with the best of Disney, is certainly good enough to match second-tier Disney efforts.

Other things Fox apparently learned from Disney animators are the importance of character personalities and the impact that small details and quirky comedic moments can have on a film. Rio 2 is loaded with little surprises that catch you off-guard and make you smile or laugh out loud. What’s interesting is that it’s often not the same sight gag or verbal gibe that tickles everyone’s fancy. I watched this with three family members, and it seemed as if each of us blurted out an expression of delight at least once when the rest of the room was silent.

A feast for the senses, Rio 2 picks up where Rio left off. You don’t have to know the whole backstory because there are hints embedded in the narrative. But it certainly helps—especially to appreciate the evil cockatoo Nigel’s current predicament. In Rio, Linda (Leslie Mann) had brought her blue macaw Blu (Jesse Eisenberg) to Rio to mate him with Jewel (Anne Hathaway), after she learned from ornithologist Tulio (Rodrigo Santoro) that those two are the last of their species. By film’s end, she had married Tulio and set up a blue macaw sanctuary. In Rio 2 their love-birds have three spirited offspring—Carla, Bia, and Tiago—and on an expedition to release a rehabilitated bird, Tulio and Linda glimpse another rare blue macaw. So the whole group sets off on an expedition deep into the Amazon to discover if there are more.   More