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HAPPY DAYS: SEASON 5 (DVD)

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HappyDays5coverGrade: C+/B-
Entire family: Yes
1977-78, 662 min. (26 episodes), Color
CBS Home Entertainment
Not rated (would be G)
Aspect ratio: 1.33:1
Featured audio: Dolby Digital Mono
Bonus features: C (4th Anniv. Special)
Theme song

Entertainment is one thing, but there are times when, if something out of Hollywood has become part of our vocabulary or is frequently alluded to, you need to see a film or TV show just to be culturally literate.

That’s the case with Happy Days: Season 5. Maybe you’ve heard of the expression “jumped the shark”—the precise moment when a TV series gets a little too wonky and begins to go downhill? That phrase comes from a triple episode that launched the fifth season of Happy Days, a popular series created by Garry Marshall and set in Milwaukee, circa the 1950s and early ‘60s. This season in California, Fonzie (Henry Winkler)—whose trademark catchphrase “Heyyyyyy” had already become a part of pop culture—is faced with a water skiing challenge and must jump over a man-eating shark that’s penned in an enclosure near the beach.

For most of America, Happy Days felt like the TV version of American Graffiti, especially because Ron Howard also starred in that coming-of-age film about teenagers cruising around on the eve of their separate departures for college. This series from Garry Marshall is a fun, wholesome one that hit its stride in Season 2 and, as many believe, started to decline in Season 5 when Fonzie paraded around the beach in his leather jacket, shorts, and motorcycle boots.  More

THE HONEYMOONERS: CLASSIC 39 EPISODES (Blu-ray)

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HoneymoonerscoverGrade: B+/A- for adults; C+/B-  for kids
Entire family: Yes, but . . .
1955, 1017 min. (39 episodes), black-and-white
CBS Home Entertainment
Not rated (would be G)
Aspect ratio: 1.33:1
Featured audio: PCM 2.0 Mono
Bonus features: C+
Trailer

The Honeymooners began in 1950 as a comedy sketch on Cavalcade of Stars, a variety show hosted by Jackie Gleason, and continued with The Jackie Gleason Show. The Honeymooner sketches became so popular that five years later they aired for a season as a half-hour situation comedy, and it’s these “39 classic episodes” broadcast on CBS that are featured on this Blu-ray.

Shot for the most part on a single set depicting the shabby New York City apartment of bus driver Ralph Kramden (Gleason) and his longsuffering wife, Alice (Audrey Meadows), The Honeymooners had the feel of a stage play, with character entrances sparking plenty of applause—especially when tenement neighbors and good friends Ed Norton (Art Carney) and his wife Trixie (Joyce Randolph) walked in.

So here’s the puzzler. The basic set-up—two couples living in apartments above and below each other, with one gender getting into mischief—is the same as I Love Lucy, and yet our kids don’t find The Honeymooners nearly as entertaining, despite being #3 on TV Guide’s 50 Greatest TV Shows of All Time, right behind Lucy.

Maybe part of it is the look. Black-and-white can seem ancient enough for young people, but at least Lucille Ball and Desi Arnaz were visionary enough to shoot each episode with more permanent 35mm film than the throwaway kinescope process being used by other television series prior to the introduction of videotape in 1956. I Love Lucy also used three cameras, compared to the one or two that were standard for other sitcoms. Kinescopes were subject to banding, and we see evidence of such vertical white lines on some of these episodes, even though the Blu-ray is a vast improvement over the DVD.   More

MAYBERRY R.F.D.: SEASON 1 (DVD)

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MayberryRFD1coverGrade: C+
Entire family: Yes, but most kids will think it dull
1968-69, 667 min. (26 episodes), Color
Warner Bros.
Not Rated (would be G)
Aspect ratio: 1.33:1
Featured audio: Dolby Digital Mono
Bonus features: none
1968 fall preview 

The Andy Griffith Show ranks #9 on TV Guide’s List of 50 Greatest TV Shows of All Time, and it’s easy to see why. Like I Love Lucy, another Top 10 series and perennial favorite of parents AND children, it featured comic situations and characters that were as endearing as they were funny. Plus, the show had the added attraction of a Norman Rockwell, small-town wholesomeness and Griffith’s folksy manner as Sheriff Andy Taylor.

But the series changed when it went from black-and-white to color. New writers took over and the emphasis shifted from laugh-out-loud comedy to gentler humor and small-town folksiness—an emphasis that continued with Mayberry, R.F.D., which aired from 1968-71.

The first episode of Season 1 will be of interest to fans of The Andy Griffith Show because it provides closure. Andy and longtime sweetheart Helen Crump (Aneta Corset) finally get married, and Barney is at his goofy best as Best Man. While they’re on their honeymoon (yes, Barney too), back in Mayberry widowed farmer-turned-councilman Sam Jones (Ken Berry) and his son Mike (Buddy Foster) manage to convince Aunt Bee (Frances Bavier) to move in with them and cook and clean and mother them, as she had done for Andy and his son Opie (Ron Howard) in The Andy Griffith Show.

The structure and tone are the same, with Millie Swanson (Arlene Golonka) providing the romantic interest for Sam, but Mayberry just isn’t the same without Andy Taylor and Deputy Barney Fife (Don Knotts). Despite a carryover of minor characters like Goober (George Lindsey), who inexplicably rises from grease monkey to lawman, and handyman Emmett (Paul Hartman) or perennial shy-guy Howard Sprague (Jack Dodson), the show just doesn’t have the same personality and pizazz of the original. There are no mountain folk like Ernest T. Bass, no town drunk like Otis Campbell, and no gossiping Floyd the Barber to liven things up and give Andy something a little more extreme than the mundane to react to.   More

THE GABBY DOUGLAS STORY (DVD)

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GabbyDouglascoverGrade:  B
Entire family:  Yes
2014, 86 min., Color
Sony Pictures Home Entertainment
Rated G
Aspect ratio:  1.78:1 anamorphic widescreen
Featured audio: Dolby Digital 5.1
Bonus features:  F
Trailer

The Gabby Douglas Story seems tailor-made for families with little girls who have big dreams.

This biopic about Olympic gymnast Gabby Douglas, who quickly rose from obscurity to compete in the 2012 London games, aired on Lifetime and has that golly G-rated Lifetime feel to it—maybe a little too direct in its plotting, and a little too ready to tug at the heartstrings. But darn it, teenage role models for little girls aren’t all that easy to come by, so it’s easy to overlook a cultivated wholesomeness when the underlying message is so positive.

Besides, Lifetime or not, this 86-minute drama is a good one. It proves that it’s possible to create a successful film that doesn’t have smart-mouthed kids, sex, drinking, drugs, or swearing. There’s only a little mean-spirited talk from some of the gym rats, but even that’s mild. Meanwhile, the virtues showcased here are as clear and crisp as Douglas’s phenomenal routines: hard work, dedication, sacrifice, family togetherness, perseverance, and a toughness that enables you to play through the pain and get past your own self-doubts. In that respect, it’s like so many other athlete biopics. The hurdles may look different, but the track is essentially the same, which is why this film will appeal to more than just little girls.  More

THE PIRATE FAIRY (Blu-ray combo)

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PirateFairycoverGrade: B+
2014, 78 min., Color
DisneyToon Studios
Rated G
Aspect ratio: 1.78:1
Featured audio: DTS-HD MA 7.1
Includes: Blu-ray, DVD, DigitalCopy
Bonus features: C
“The Frigate That Flies” clip

My daughter, who’s part of Disney’s target audience for the CGI animated Tinker Bell series, says that she likes all the direct-to-video offerings—Tinker Bell (2008), Tinker Bell and the Lost Treasure (2009), Tinker Bell and the Great Fairy Rescue (2010), Secret of the Wings (2012) and this fifth installment in the series, The Pirate Fairy. They’re all good, she says, but the last two are her favorites.

For me, it’s no contest. Secret of the Wings offered wonderful graphics and animation, but I found the ending too pat and the logic strained throughout an uncomplicated and emotionally shallow narrative. Like the other sequels, it felt formulaic to me as it hit all the familiar notes—BFFs, opposites joining forces, mess-ups being vindicated, etc.—without adding anything terribly new. The Pirate Fairy, on the other hand, feels much more honestly energetic and exuberant, and maybe that’s what the addition of a scurvy (but comical) bunch of pirates does for a film.   More

BARBIE: THE PEARL PRINCESS (Blu-ray combo)

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BarbiePearlPrincesscoverGrade:  C
Entire family:  No
2014, 73 min., Color
Universal
Rated G
Aspect ratio:  1.78:1
Featured audio:  DTS-HD MA 5.1
Includes:  Blu-ray, DVD, UV Copy
Bonus features:  C+
Trailer

Not 10 minutes into Barbie: The Pearl Princess my 12-year-old daughter remarked, “I like these movies, but they really need to do something different. Every time it’s either a princess, a fairy, or a mermaid.”

There’s no relief in sight, either, because the next direct-to-video full-length animated feature in the Barbie franchise will be Barbie in the Secret Garden—which apparently features a princess, a fairy, AND a mermaid.

If there’s a series that’s grown more tired than the Barbie movies, I can’t think of it. There isn’t an original idea to be found in this most recent installment—yet little girls will love it, while girls age 9 to 12 will still watch despite bemoaning how repetitive the series has become. For anyone else, this “original” movie apparently draws way too much from Disney’s The Little Mermaid, DreamWorks’ Shark Tale, and every Barbie movie that’s preceded it.   More

THE JUNGLE BOOK 2 (Blu-ray combo)

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Junglebook2coverGrade:  C+
Entire family:  Not really
2002, 72 min., Color
Disney

Rated G
Aspect ratio:  1.66:1
Featured audio:  DTS-HD MA 5.1
Includes:  Blu-ray, DVD, Digital Copy
Bonus features:  C-
Trailer

Admit it, moms and dads. The minute you see a “2” or “II” on a Disney title, doesn’t it trigger a silent consumer alert somewhere in your buying brain?  Sure, The Return of Jaffar (that awful Aladdin direct-to-dumb video sequel) put everyone on guard. But since then, except for a Hercules follow-up with bargain-basement animation, the never-ending sequels have been mostly well done, even if they’re shadows of the original and about as original themselves as Saturday morning cartoons.

Nostalgia is a powerful force, and the original 1967 Disney theatrical release of The Jungle Book has evolved from a minor studio success to a baby boomer classic that the new Disney crew wanted to re-do. This sequel ought to be a hit with young kids, but boomers and anyone over the age of 10 will find The Jungle Book 2 wanting. The characters giggle too much (as hyper-cute Saturday morning animated offerings will do), the music isn’t as well integrated into the story, and the humans come across like an Indian version of The Cosby ShowMore

THE JUNGLE BOOK (Blu-ray combo)

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JungleBookcoverGrade:  B+
Entire family:  Yes
1967, 78 min., Color
Rated G
Disney
Aspect ratio:  1.75:1
Featured audio:  DTS-HD MA 7.1
Includes Blu-ray, DVD, DigitalHD copy
Bonus features:  A-
Trailer

Many people point to Sleeping Beauty (1959) as the last film in the Golden Age of Disney Animation and consider the seven full-length animated features that the House of Mouse made over the next three decades to be lesser accomplishments.

But I think you can build a pretty good case for The Jungle Book and 101 Dalmatians rising to the top of that second tier of Disney animated films. Both were directed by Wolfgang Reitherman, one of Disney’s Nine Old Men—the original animators who were with Disney from the very beginning—and film each has its positives. With 101 Dalmatians it was a terrific villain, 101 dogs, and an exciting narrative. With The Jungle Book it’s the great songbook, characters, and voice talents that elevate it above some of the other films made during this period.

An enchanting soundtrack from George Bruns and memorable songs by the Sherman brothers and Terry Gilkyson add pep to the narrative and even seem to give the animators a shot in the arm. The plot and pacing may be nearly as lazy as the sloth bear Baloo (Phil Harris), but animators use that to their advantage, developing the characters so that even minor ones seem majorly entertaining.  More

MARY POPPINS (50th Anniv. Ed. Blu-ray combo)

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MaryPoppinscoverGrade:  A-
Entire family:  Yes
1964, 139 min., Color
Not rated (would be G)
Disney
Aspect ratio: 1.66:1
Featured audio: DTS-HD MA 7.1
Includes: Blu-ray, DVD, Digital Copy
Bonus features: B+
Trailer

Mary Poppins stands with The Wizard of Oz as one of the all-time great children’s films adapted from books, and one reason is certainly the memorable music.  Richard and Robert Sherman won an Oscar for Best Original Score, which included that long and hard-to-spell word “Supercalifragilisticexpialidocious,” Best Song Oscar winner “Chim Chim Cher-ee,” “A Spoonful of Sugar,” “Jolly Holiday,” “Let’s Go Fly a Kite,” “I Love to Laugh,” and Disney’s personal favorite, “Feed the Birds.”

Mary Poppins also won an Oscar for Special Visual Effects, blending traditional painted cell animation with cutting-edge audio-animatronics, stop-motion animation, reverse filming, sophisticated wire work, and sodium vapor screens (for combining live-action with cartoon characters). And those effects look oh-so-much-better on Blu-ray than I expected, given how the HD treatment exposed the live action/animation magic in Pete’s Dragon. Disney, whose 20-year attempt to obtain the rights to the P.L. Travers books to make a film he had promised his daughter, would have been delighted with this release. And we’re talking about someone who was hands-on throughout the process.  More

BARBIE & HER SISTERS IN A PONY TALE (Blu-ray combo)

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BarbiePonyTalecoverGrade:  B-
Entire family:  No
2013, 75 min., Color
Unrated (would be G)
Universal
Aspect ratio:  1.78:1
Featured audio:  DTS-HD MA 5.1
Includes:  Blu-ray, DVD, UV copy
Bonus features:  C-
Trailer

In Barbie & Her Sisters in A Pony Tale, Barbie, Skipper, Stacie, and Chelsea go to a riding academy in the Swiss Alps and young viewers learn a little about horses.

It’s Barbie meets My Little Pony, but Universal can’t exactly play up that angle because Barbie is a Mattel property and My Little Pony belongs to Hasbro. Still, the shape of the mysterious horses called “Majestiques” and their overly long and lush manes remind you of those flowing equine tresses little girls used to brush as they hummed the commercial theme song.

Of course, all of the Barbie movies are about product placement, and this latest film gives Mattel all sorts of character sets and accessories to sell. As for the film itself, my daughter (a big fan of the Barbie movies) tells me it’s pretty average for the series, and that’s how it struck me as well.   More

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