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THE LONE RANGER (Blu-ray combo)

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LoneRangercoverGrade:  B-
Entire family:  No
2013, 149 min., Color
Rated PG-13 for sequences of intense action and violence and some suggestive material
Disney
Aspect ratio:  2.40:1
Featured audio:  DTS-HD MA 7.1
Includes:  Blu-ray, DVD, Digital Copy
Bonus features:  C-
Trailer

Johnny Depp and Gore Verbinski conspired to reinvent the pirate movie, so why would it surprise anyone that they’d give a complete makeover to the legend of The Lone Ranger?

According to the legend that radio series and ‘50s TV show were based on, the Lone Ranger was John Reid, who rode into a box canyon with his brother and other Texas Rangers in pursuit of the Butch Cavendish gang—who lay in wait and ambushed them, killing everyone and leaving Reid for dead. Enter Tonto, who helps him recover, and soon the masked man dedicated to avenging those Rangers by fighting for truth, justice, and the American way is riding across the West with his faithful Indian companion, rounding up bad guys in every episode.

When Verbinski and a trio of screenwriters (including Ted Elliott and Terry Rossio, from the Pirates of the Caribbean franchise) begin with the premise that John Reid is a lawyer and anti-gun crusader and brother Dan (James Badge Dale) is a man’s man kind of Ranger, it serves as the set-up to a punch line. Tonto later finds the dead Rangers, John included, and puts them in open graves, after which a white spirit horse thought to be able to bring someone back from the dead focuses on John, despite Tonto’s efforts to flag him over to brother Dan instead.  After John is fully recovered and their reluctant partnership begins, Tonto keeps calling him Ke-mo-sah-be until John finally asks what it means. “Wrong brother,” Depp-as-Tonto deadpans.

That pretty much sets the tone and narrative approach for this big-screen reboot. As in Pirates, there are supernatural elements, super-sinister villains, eyebrow-raising stunts, and two heroes that, together, do what Depp did as Capt. Jack Sparrow—calmly blundering through the mayhem and coming out at the end of each scrape or skirmish with a kind of befuddled confidence. So parents, if you’re fine with your children watching Pirates of the Caribbean, this film has more of the same. But the violence is every bit PG-13, and that’s the audience. Is it any worse than the Pirates films? Not really. It has the same blend of action, stylized violence, and humor.  More

MAN OF STEEL (Blu-ray combo)

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ManofSteelcoverGrade:  B
Entire family:  Yes, if . . .
2013, 143 min., Color
Rated PG-13 for intense sequences of sci-fi violence, action and destruction, and some language
Warner Bros.
Aspect ratio:  2.40:1
Featured audio:  DTS-HD MA 7.1
Includes:  Blu-ray, DVD, UV Digital HD copy
Bonus features:  B
Trailer

Man of Steel is the kind of sci-fi action film you’d expect if you thought for a moment about the fact that Superman comes from another planet. Played by Henry Cavill, he seems much more alien and more psychologically tormented than any Superman we’ve seen on the big or small screens thus far. Instead of x-ray vision he has eyes that glow red and can sear things. And instead of feeling the warm fuzzy bond with his parents that we’ve seen in previous incarnations, he’s the adopted child who, though he loves the man (Kevin Costner) and woman (Diane Lane) who raised him, still seeks his real parents.

Flying, stopping bullets, or lifting vehicles used to be all in a day’s work for Superman, but this outing—a revisionist reboot from director Zack Snyder (300, Watchmen)—the action is ramped up in 21st-century fashion. Adding to the mayhem is a fractured narrative that jumps around in time. It’s all very figure me out, with a pace and style that’s geared toward younger viewers who grew up with blockbuster special effects and seem to crave, always, more. Which is to say, how you respond to Man of Steel may well depend upon your age.

In our little Family Home Theater the parents seemed to prefer the chronological narrative and more romanticized story with Christopher Reeve in the tights and cape, while our 15-year-old son gave this one high marks and our daughter—no fan of superhero films—gutted it out. She’s one who covers her eyes when things get too violent, and there was really just one spot where she had to do that:  when Superman’s (aka Kal-El’s) real father Jor-El (Russell Crowe) and adoptive father meet their fates.  More

THE WAY WAY BACK (Blu-ray)

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WayWayBackcoverGrade:  B+
Entire family:  Yes

2013, 103 min., Color
Rated PG-13 for thematic elements, language, some sexual content and brief drug material
Fox Searchlight Pictures
Aspect ratio:  1.85:1
Featured audio:  DTS-HD MA 5.1
Includes: Blu-ray + UV copy
Bonus features: C-
Trailer

There are some films that children just aren’t as willing to watch with adults—like foreign movies with subtitles, silent movies (more subtitles), or indie pics, with their watch-grass-grow pacing.

But if you are looking for a great “starter indie” for the family—an adult movie that the kids can see, if you don’t mind adult drinking and pot smoking—you might consider The Way Way Back. It’s from the same studio that gave us Little Miss Sunshine and Juno, but is even more kid-friendly than those two films. It’s that rare coming-of-age film that isn’t all about having sex for the first time.

The title is inspired by the rear-facing “way way back” seat in those old station wagons that were big as boats, and while there’s teens and adults and bad behavior, the twist is that the adults behave badly and the kids—at least the main characters—seem more mature.   More

THE INTERNSHIP (Blu-ray combo)

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InternshipcoverGrade:  B
Entire family:  No
2013, 119 min., Color
Rated PG-13 for some sexuality, partying, crude humor, and language
Twentieth Century Fox
Aspect ratio: 2.35:1
Featured audio: DTS-HD MA 5.1
Includes:  Blu-ray, DVD, UV copy
Bonus features:  C-
Trailer

Watching The Internship, I couldn’t shake the feeling that I was reliving Stripes all over again—only instead of Bill Murray and Harold Ramis as the laid-back, unconventional “leaders” of a bunch of misfits we get Owen Wilson and Vince Vaughn. And instead of Army basic training exercises as the main plot structure, it’s a series of internship challenges to see which group gets offered permanent jobs at Internet giant Google. There’s even a disapproving authority figure (Aasif Mandvi as Mr. Chetty) that’s every bit as ubiquitous as Sgt. Hulka, and a raunchy club scene where the tech geeks get drunk and bond like the men in khaki.

I realize that my first paragraph will be enough to convince many families that this movie isn’t right for them, and as PG-13 movies go it feels borderline. While there’s no nudity as there is in Stripes, the theatrical version of The Internship does have pole dancing. For some families, that will be a  reason to stay clear. Be warned too that there is nudity and plenty of F-bombs on the unrated version that’s also provided on this combo pack, so make sure you select the right one. The theatrical version has sexuality, partying, some crude humor, and language—though it all seems less offensive because the focus is on the comedy that derives from two “old guys” trying to compete with a younger, tech-savvy generation.   More

ARROW: SEASON 1 (Blu-ray combo)

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Arrow1coverGrade:  B
Entire family:  No
2012, 972 min. (23 episodes), Color
Unrated (would be PG-13 for violence)
Warner Bros.
Aspect ratio:  1.78:1
Featured audio:  DTS-HD MA 5.1
Bonus features:  C+
Includes: Blu-ray, DVD, UV Copy
Trailer

If your family consists of parents and a teenage boy and you’re looking to bond, Arrow can be a good alternative to video games. The series appeals to boys, especially, because it’s based on the DC Comics vigilante Green Arrow, who fights crime in his city but isn’t appreciated by police or the media because of his methods. He doesn’t work within the system. He works from a list of people his father gave him—rich people who have built their fortunes by abusing and taking advantage of others, making the city worse for their wear.

The action is top-notch, the acting is solid, and the characters are interesting. There’s graphic violence of the PG-13 sort, but there are also twists.   More

IRON MAN 3 (Blu-ray combo)

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IronMan3coverGrade:  A-
Entire family:  Yes . . . and no
2013, 130 min., Color
Rated PG-13 for intense sci-fi action and violence throughout, and brief suggestive content
Paramount/Disney
Aspect ratio: 2.39:1
Featured audio: DTS-HD MA 7.1
Bonus features:  C
Includes:  Blu-ray, DVD, Digital Copy
Trailer

Robert Downey, Jr. makes Iron Man one of the most entertaining superheroes in the Marvel movie universe. He “gets” his character—a mega-rich wunderkind named Tony Stark who is just as quick to dip into an arsenal of deadpan, sarcastic “Who cares?” cuts and comebacks as he is the toolbox that keeps his Iron Man suit on the cutting edge of technology . . . and blockbuster movie action.

Taking his cue from director Shane Black, who penned the screenplays for all four Lethal Weapon films, Downey seems to ramp up the Larry David-like self-absorption and lack of warmth for comic effect in Iron Man 3, which seems to have a more comedy and more action than the previous two films. Depending on how you feel about sci-fi violence, children ages 10 and up might be able to watch it comfortably.

Iron Man 3 soars above first sequel and might even rival the 2008 debut for overall entertainment value. You laugh, you sit on the edge of your seat, and you marvel (yes, Marvel) at some of the visual effects—especially the destruction of Stark’s cliffside mansion, an airplane disaster rescue, and scenes involving explosive, firelit, lava-fleshed creatures called “Extremis.”  More

THE GREAT GATSBY (2013) (Blu-ray)

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GreatGatsbycoverGrade:  B
Entire family:  No
2013, 142 min., Color
Rated PG-13 for some violent images, sexual content, smoking, partying, and brief language
Warner Bros.
Aspect ratio:  2.40:1
Featured audio:  DTS-HD MA 5.1
Bonus features:  B
Includes:  Blu-ray, DVD, UV copy
Trailer

If your children are of high school age, Baz Luhrmann’s version of The Great Gatsby is a worthwhile film to watch together. Certainly it’s superior to the dreadfully slow-paced 1974 adaptation. But it helps if you’ve read the F. Scott Fitzgerald novel first, as many do in high school. Then the fun comes from comparing (and talking about) the ways you’ve imagined scenes versus the ways in which Luhrmann depicts (or deconstructs) them.

The Great Gatsby, published in 1925, is a leading contender for the elusive title of Great American Novel. It’s a document of the Jazz Age, when the Charleston, bathtub gin, speakeasies, and post-WWI euphoria kept Americans on a constant high until the stock market crashed. Though Luhrmann pulls a few tricks (fast pans, pull-backs and other over-the-top elements) out of his Moulin Rouge! bag and also intercuts the party-style rap of Jay-Z with George Gershwin’s “Rhapsody in Blue,” he still does a pretty good job of capturing the manic grandeur of Gatsby’s parties and moving the narrative along.  More

FRIENDS: SEASON 2 (Blu-ray)

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friends2coverGrade:  A-
Entire family:  No
1995-96, 544 min. (24 episodes), Color
Unrated (would be PG-13 for sexual talk/situations)
Warner Bros.
Aspect ratio:  1.78:1
Featured audio:  Dolby Digital 5.1
Bonus features:  D

You know a TV series is going to be a classic when its second season is just as well written as the first. That was the case with Friends, which kept the laughs coming as audiences got to know the characters better. In fact, a Huffpost TV countdown of the Top 10 Friends Episodes of all time included three from Season 2: “The One with Ross’s New Girlfriend” (when Joey finds out that his family’s tailor isn’t supposed to be using “cuppage” to measure the inseam on men), “The One Where Ross and Rachel . . . You Know” (where feelings finally surface), and “The One with the Prom Video” (where Rachel learns from an old prom video how much Ross has always loved her).  More

SHANGHAI NOON / SHANGHAI KNIGHTS (Blu-ray)

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shanghaicoverGrade:  B+,  C+
Shanghai Noon / Shanghai Knights
Entire family: Yes . . . and no
2000 / 2003, 110 min. / 114 min., Color
Rated PG-13 for action violence, some drug humor, language and sensuality / sexual content
Touchstone / Disney
Aspect ratio:  2.35:1
Featured audio:  Dolby Digital 5.1
Bonus features:  C+
Trailer 1 / Trailer 2

Shanghai Noon isn’t just a fun pun on the Gary Cooper classic Western, High Noon. It’s a clever variation on the buddy cop picture, with Jackie Chan showing both his comic chops and his martial arts skills, and Owen Wilson doing what he does best—playing a laid-back, chick-magnet California surfer dude (this time, in the body of an Old West train robber) whose tongue-in-cheek verbal riffs are as funny as any stand-up routine. The two have great chemistry together, and the original concept plus a first-time feature director give them plenty of room to ad lib.

Although Shanghai Noon is rated PG-13, you rarely feel that young eyes should be shielded. There’s alcohol and drug use, but it’s played for laughs. There’s a brothel, but it just looks like Wilson’s character is popular with the ladies. There’s plenty of martial arts violence, but it’s imaginatively choreographed and, for the most part, also played for big laughs. There’s a little language, but the most blatant example occurs in subtitles. Yes, it’s a little weird when the boys have their Viagra moment in side-by-side bathtubs—eventually ending up in the same one—but this film is more comedy than action film, and more action film than it is a Western.

Even family members who don’t care much for Westerns might enjoy this one. Chon Wang (Chan) is a member of the Royal Guard who leaves the Forbidden City of China with his uncle and three other guards to ransom Princess Pei Pei (Lucy Liu), who is being held in Carson City, Nevada. In America he has an Indian encounter and runs afoul of a gang whose leader (Wilson) has lost all control of his minions. A series of unfortunate events brings them together as partners faster than you can say Lemony Snicket. There’s a formula at work, and a few montages feel a bit long and obligatory, but Shanghai Noon is a still a fun film that our whole family could enjoy. The trailer will give you a sense of whether it’s right for your family.

That’s not the case with Shanghai Knights, the throw-in movie on this double feature that tosses more language and blatantly sexual situations at you. Even I was slightly uncomfortable when a young woman licks Wilson’s face from chin to brow. The joke was that he was fantasizing, and it was really a goat licking him, but still, it’s graphic sexuality. The language stands out more in the sequel, as well. Frankly, so does everything else. Whatever elements made Shanghai Noon a success were duplicated times five. Subtlety is not this movie’s middle name. The fun banter over cultural differences and Chinese names and Chan’s comic fight sequences are more over-the-top in Shanghai Knights—in one scene, a fight with Chan using umbrellas turns into a Singin’ in the Rain homage—and the violence is a little more graphic.  More

FRIENDS: SEASON 1 (Blu-ray)

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Friends1coverGrade:  A-
Entire family:  No

1994-95, 542 min. (24 episodes), Color
Unrated (would be PG-13 for sexual talk/situations)
Warner Bros.
Aspect ratio:  1.78:1
Featured audio:  Dolby Digital 5.1
Bonus features:  C

There’s no getting around it. Today’s kids are more sophisticated and worldly than they were even in the ‘90s, when this primetime sitcom first aired. It’s an odd place for kids to be, caught between childhood innocence and adulthood. But it’s the same place that the characters in Friends find themselves:  legally adult, yet still not feeling all grown up, still bantering and hanging out like high school or college students. They’re too old to be spending all their time with family, and too young, unlucky (or immature) to have found a permanent relationship and start a family of their own.

That “limbo” factor is one reason why Friends appeals to teens and ‘tweens as well as their parents. Plus, the writing is razor sharp and there are laugh-out-loud moments every five minutes or so.

Friends has extended life because the humor isn’t topical, it’s based on comedy of character. You get Monica (Courtney Cox), the obsessive compulsive who needs everything and everyone to be clean and in its place; Ross (David Schwimmer), her science-geek brother who’s more comfortable talking about dinosaur bones than he is the opposite sex; Chandler (Matthew Perry), who uses sarcasm to mask his own insecurities; Joey, the not-too-bright, wannabe actor ladies man (Matt LeBlanc); Rachel, a spoiled, not-so-bright rich girl who needs to prove she can make it on her own, like everyone else; and Phoebe (Lisa Kudrow), the New Age faux-folk singer who’s as ditzy as a screwball comedy character.

Though the plots revolve around their various relationships, it’s the way that they relate to each other on a daily basis that anchors the series. And it’s not only the characters. This ensemble is as good as any ever assembled for a television comedy. Their delivery, their timing, their body language, their expressions, and the way they play off of each other are near-perfect.  More

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