Family Home Theater

Grade: B-
Entire family: No (Age 10 and older?)
Sci-fi/Adventure
Universal
Rated PG-13 for intense sequences of science fiction violence and peril
Aspect ratio: 2.39:1 widescreen
Featured audio: DTS-X, Dolby Atmos
Bonus features:  B-
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

As the Jurassic World: Fallen Kingdom box notes remind us, it’s been three years since Jurassic World, the theme park and luxury resort, was destroyed by dinosaurs who had gotten loose, and though all humans evacuated the island the dinosaurs remained, living now as nature may have intended 150 million years ago.

But the volcano on Isla Nubar is erupting and threatening to destroy all dinosaurs on the island while the world watches, helpless. Former Jurassic World employee Claire Dearing (Bryce Dallas Harper) has launched a campaign to save the dinosaurs, and before long Owen Grady (Chris Pratt) is recruited to help with the dinosaur extraction. Of particular interest is Blue, the most intelligent dinosaur on the island, who moviegoers may remember was a Velociraptor raised and trained by Owen.

The main company is ostensibly committed to rescuing the dinosaurs—to save them from going extinct a second time—but when Claire and Owen get there and find that mercenaries are involved, it’s never a good sign. Neither is a sneaky CEO who seems to be giving orders contrary to what the remaining co-founder of Jurassic World would want. The save-the-dino folks and the mercenaries are at cross-purposes, as they were in Disney’s animated feature Atlantis: The Lost Empire. It’s a familiar concept, whether it’s saving lost civilization or an island full of dinosaurs: business versus science. We saw that theme play out in the King Kong films, just as we’re seeing it play out now in America as environmentalists and national park employees try to resist a business-driven administration that’s determined to open up more sanctuary land to development. So yes, the plot is very familiar, and when you see flashbacks showing Owen with baby Blue you realize that there are fewer tender moments here as well. More

Grade: A-
Entire family: Age 10 and older?
2018, 149 min., Color
Sci-fi/Fantasy Action-Adventure
Marvel/Disney
Rated PG-13 for intense sci-fi violence and action throughout, language and some crude references
Aspect ratio: 2.39:1
Featured audio: DTS-HDMA 7.1
Bonus features: B+
Includes: Blu-ray, Digital Code
Trailer
Best Buy link

The Marvel Universe has grown so large and complicated that it sometimes takes a fanboy to keep it all straight. But thankfully, Avengers: Infinity War isn’t all that hard to follow. For the casual film fan, that’s a big plus. Another is that Marvel-Disney has figured out that if you add enough cleverly written dialog and humor to an action film, it can compensate for any lack of character development and keep the action from seeming repetitive or mindless. And for a doom-and-gloom ending to The Avengers’ saga, a little bit of humor can go a long way. There’s something here to keep you on the edge of your seat, and something to make you smile.

And let’s be clear: the action is pretty spectacular. My son, who’s the Marvel devotee of the family, said he liked Avengers: Infinity War every bit as much as one of his favorites, Captain America: Civil War—maybe even more. It is, we thought, possibly the strongest Avengers film to date, despite a downer ending that everyone seems to know about before even watching the film.

From my perspective, a film like this is a shoe-in for repeat play because of the quality script and actors who’ve grown so comfortable with their characters that they fit like latex gloves. You buy into it because they buy into it, and you have fun because you’re watching them have fun, even as they sacrifice everything to meet the challenge of defeating Thanos (Josh Brolin) before he can gather up all the powerful infinity stones (e.g., Power Stone, Time Stone, Mind Stone, Soul Stone) and get the collective power he needs to destroy enough of the universe to “prune it back,” to reverse overpopulation by killing massive amounts of peoples. More

Grade: A-/A
Entire family: No (10 and older)
2018, 140 min., Color
Sci-fi Action-Adventure
Warner Bros.
Rated PG-13 for sequences of sci-fi action violence, bloody images, some suggestive material, partial nudity, and language
Aspect ratio: 2.40:1
Featured audio: Dolby Atmos TrueHd
Bonus features: A-/B+
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

What a fun ride this is—Jason and the Golden Fleece for the 21^st century. Fantastic graphics and CGI special effects, plus a strong, suspenseful story and likable characters make Ready Player One a real winner for all ages.

Based on the young adult novel by Ernest Cline, Ready Player One requires knowledge of video gaming no more than another Steven Spielberg directed film, Close Encounters of the Third Kind, required viewers to have seen a UFO. Sure, audience members will reach another level of allusions if they’re gamers, but there are plenty of cultural markers here for non-players to enjoy.

Besides, the film’s overtly stated theme is that maybe, just maybe, people spend too much of their lives avoiding reality, so parents thinking that this is just another film that glorifies video and online gaming so much that it’s a virtual commercial can relax. Cline and Spielberg are on your side.

Ready Player One is set in 2044-45, when so many people live in slums or have mediocre lives that just about everyone dons virtual reality headgear in order to spend time in the OASIS, a virtual reality world where people go after work or school to relax, have adventures, and meet other people. They all have avatars and other names when they’re in the OASIS, and that’s when Spielberg and his effects team really gets going. But the opening slums known as the “stacks” are also pretty impressive—a trailer park of sorts for the future, with mobile homes stacked on ramshackle iron structures—an idea as unique as we’ve seen for future living prognostication. More

Grade: B-/C+
Entire family: No
2018, 107 min., Color
Sci-fi Action
Warner Bros.
Rated PG-13 for sequences of violence, action and destruction, brief language and crude gestures
Aspect ratio: 2.40:1
Featured audio: DTS-HDMA 5.1
Bonus features: B-/B
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

Watching Rampage, I got the giggles when a giant gorilla and an equally enormous mutated wolf and alligator all headed for Chicago, lured by a homing device of some kind for a reason I’m not sure we’re ever really clear about. Rampage is, after all, a popcorn movie—an action film that takes no prisoners and hopes viewers will ask no questions.

Still, I couldn’t help but giggle when a government honcho learns these creatures are only minutes away from doing to Chicago what Godzilla did to Tokyo, and he barks, “Evacuate the city, immediately!” Really? A city of 2.7 million people? Just like that? You couldn’t even convince people to leave the drive-thru line at Portillo’s during that length of time.

Then again, logic isn’t standard issue for a film like this. We don’t need to know exactly why genetic editing was outlawed, or by whose authority. We don’t need to know why some corporate scientists were still working secretly in space, or what they hoped to accomplish. We don’t even need to know why one government agent acts like a cowboy and is unquestioned in his authority everywhere he turns up. All we need to know is that genetic editing is bad, bad people are still doing it, and a good person who used to work for the bad corporation is now trying to save the gorilla . . . and maybe Chicago too. More

Grade:  A
Entire family:  No
2018, 134 min., Color
Sci-Fi action adventure
Marvel/Disney
Rated PG-13 for prolonged sequences of action violence and a brief rude gesture
Aspect ratio: 2.39:1 widescreen
Featured audio: DTS-HDMA 7.1
Bonus features: B+
Includes: Blu-ray, Digital Copy
Trailer
Amazon link

Everything you’ve heard about Black Panther is true. It is a contender for best film in the 18-title Marvel Universe.

Despite a 134-minute runtime, you don’t want this ride to end. You get caught up in the action because it isn’t just nonstop effects-driven nonsense with battles that go on too long. The action feels character-driven, and you care about these characters because they’re richly drawn, with so many of them—even the ones without a backstory— sympathetic because of their on-camera interactions and dialogue. That’s one huge thing this film has going for it. Instead of one big nefarious villain there are three antagonists, and that keeps viewers on their toes.

Another positive is the blend of technology and primitive mysticism—something that lends itself to the film’s visual style and may remind viewers of Avatar or Atlantis. We’re told that long ago a meteorite hit Africa and the rare metal it was made of—Vibranium—had powers that allowed the Wakandans to develop a technologically advanced civilization. Because they feared other nations would try to steal or abuse the Vibranium, they created a deceptive shield to hide their futuristic world so that, to outsiders, Wakanda would appear to be just another poor Third World country. In the past, an adventurer-physicist named Ulysses Klaue (Andy Serkis, unrecognizable as always) discovered the secret world, stole some Vibranium, and was responsible for the death of T’Chaka, their king and Black Panther. Klaue is at it again, hooking up with other baddies as he tries to penetrate Wakandan security, defeat the new Black Panther, and profit from their technological secrets.

If you have flashbacks to Avatar, Atlantis, The Lion King, Tarzan, or even early James Bond films and Eddie Murphy’s Coming to America, you’re probably not alone. There are archetypes at work here that surfaced in all of those films, and the multi-referential aspect adds an additional layer of interest. And while too many superhero plots can seem like exercises in confusion, Black Panther is neither muddled nor insultingly obvious. More

Grade: B+
Entire family: No
2018, 141 min., Color
Sci-fi action adventure
20^th Century Fox
Rated PG-13 for intense sequences of sci-fi violence and action, language, and some thematic elements
Aspect ratio: 2.39:1 widescreen
Featured audio: DTS-HDMA 7.1
Bonus features: B+
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

What you want to know is this: How does Maze Runner: The Death Cure stack up against the previous two installments, and how does The Maze Runner film trilogy compare with The Hunger Games and Divergent—the other popular dystopian series based on young adult novels?

Our family thought that all three Maze Runner films were comparable in quality—ranging from a B+ to an A, depending on your age (teens leaning higher). In terms of production design and plot, this series may rely a little more on familiar post-apocalyptic tropes than the others, but it’s just as well done—again, comparable. The characters are engaging, the production design is strong, and the action, though it covers familiar ground, is unique in its details.

With Maze Runner: The Death Cure, director Wes Ball brings his film adaptation of the popular James Dasher young adult novels to a close, but if you’re going to understand anything that’s going on, you really need to have seen the first two films—the second, especially. The three installments function like a three-act screenplay, with the first film the set-up, the second the acceleration of plot, and the third a push toward resolution.  More

Grade: A-
Entire family: No
2017, 152 min., Color
LucasFilm/Disney
Rated PG-13 for sequences of sci-fi action and violence
Aspect ratio: 2.39:1
Featured audio: DTS-HDMA 7.1
Bonus features: B+
Includes: Blu-ray, Bonus Disc, Digital Copy
Trailer
Amazon link

Fans at IMBD.com liked Star Wars: The Force Awakens considerably better than Star Wars: The Last Jedi, and I’ve heard it said that it’s because they thought the humor in it was more contemporary than campy.

I think that assessment is a little harsh, as there are only a few instances where the humor seems peculiar to our galaxy. For me, the last two installments in the Star Wars franchise were equally accomplished fun popcorn movies that had all the things that made the original trilogy (Episodes IV-VI) successful: humor, adventure, action, great characters, a complex-yet-decipherable storyline, and mind-boggling special and visual effects. I’m not alone in thinking them comparable. At Rottentomatoes.com, Tomatometer critics gave The Force Awakens a 93 percent fresh rating and The Last Jedi a 91 percent. Our family liked them equally well.

For me, there was but one jarring moment when I thought, really? And that was when General Leia Organa (Carrie Fisher), having been jettisoned into space and floating unconscious like a piece of space junk, suddenly is awakened by the Force and then stretches out one hand and takes off like Mary Poppins extending her umbrella arm and flying off.

If you throw out that moment and a casino scene that seems a little too Bond-like, everything else is tensely (well, except for occasional comic relief) believable within the realm of logic that drives this fantasy world of George Lucas’s. Yet, like The Force Awakens, it’s not as dark and traumatizing as the second trilogy (Episodes I-III). In fact, I’d have to say that The Last Jedi is lighter and less traumatic than The Force Awakens. More