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Review of DRAGONHEART: VENGEANCE (Blu-ray combo)

February 20, 2020

James Plath, Family Home Theater Action-Adventure, Fantasy, PG-13 rated , , , Leave a comment

Grade: C+/B-
Entire family: No
Fantasy
2020, 97 min., Color
Universal
Rated PG-13 for sequences of violence and action, and some bloody images
Aspect ratio: 1.78:1 widescreen
Featured audio: DTS-HDMA 5.1
Bonus features: C
Includes: Blu-ray, DVD, Digital Code
Trailer
Amazon link

Dragonheart: Vengeance is the third direct-to-video “prequel” to the cult-favorite 1996 fantasy adventure starring Dennis Quaid and the voice of Sean Connery, and the good news is that it doesn’t look like the typical slap-it-together direct-to-video release.

Aside from some noticeable green screen work in less than a handful of spots, the CGI effects and animation are strong enough to make you forget that this spawn of Dragonheart never saw the dim light of theaters. But apart from those strong production values, Dragonheart: Vengeance is a mixed bag.

On the plus side, the two main characters are instantly likeable. The more screen time they get, the more you like watching farm boy Lukas (Jack Kane) and mercenary swordsman Darius (Joseph Millson) as they set about to avenge the murder of the boy’s family and eventually take on the evil king. On the minus side, haven’t we already seen a family-less Luke hooking up with a profit-minded rogue adventurer who then take on the Emperor—albeit with a galactic rebel army? And haven’t we seen Darius’s “look” before in Aragorn?

Instead of Sean Connery’s voice, the dragon in this film is powered by Helena Bonham Carter (“You’re a girl dragon?”). Carter is always the consummate professional, and it’s a nice touch having the dragon breathe ice and not fire. But some of the lines that are written seem way too contemporary, and the script doesn’t allow for the same playful interaction as in the original film. Instead of a con game where the mercenary and dragon worked together to extort money from frightened villagers (and banter like buddy cops in the process), this dragon is a reluctant dragon—as much of a pacifist as those old-time Western heroes who need to have someone close to them threatened or die before they’ll take action. More

Review of THE MERGER (DVD)

February 9, 2020

James Plath, Family Home Theater Comedy, PG rated, Sports , Leave a comment

Grade:  B+
Entire family:  No (junior high or older)
Sports comedy
2018, 103 min., Color
Indie Pix Unlimited
Not rated (would be PG for language and very brief comic nudity)
Aspect ratio:  2.40:1
Featured audio:  Dolby Digital 2.0 Stereo
Bonus features:  none
Trailer
Amazon link

Here’s a film not on your radar that would be a great choice for family movie night if you have children who are junior high age and older—especially if they’re into competitive sports. And don’t be fooled by the DVD cover, which looks like it was designed by the same people that do your local TV commercials. The Merger isn’t an amateur pretending to be professional. It’s a sure-footed, quirky, funny, warmhearted Australian Hoosiers.

Like Hoosiers, the plot revolves around an outcast in a small, small town where there’s a single sports obsession, and that outcast is expected to turn the local sports program around. Not everyone approves, there’s one player who doesn’t like the way he’s doing things, a local woman is drawn to him, he becomes close to a boy, and the players he’s assembled don’t particularly like each other. But they learn, under his tutelage, to work together toward a common goal: winning.

As with all sports films there’s a predictable arc from recruiting to practicing to losing to winning, with a big championship game the final scene. But after that, The Merger is as atypical as can be because it considers one of the biggest issues of our time: attitudes toward immigrants and diversity. The film jogs along at just the right pace for non-Australians to decipher their version of the Queen’s English and not miss many of the jokes that help to sell the message. More

Review of PARASITE (2019) (Blu-ray)

February 2, 2020

James Plath, Family Home Theater Comedy, Crime, Thriller Leave a comment

Grade: A-
Entire family: No
Comedy, crime thriller
2019, 132 min., Color
Universal
Rated R for language, some violence and sexual content
Aspect ratio: 2.39:1 widescreen
Featured audio: Korean DTS-HDMA 5.1 (or dubbed English 2.0)
Bonus features: C-
Includes: Blu-ray, Digital Code
Trailer
Amazon link

Parasite is a South Korean black comedy with English subtitles that was among my Top Five films for 2019, along with Jojo Rabbit, 1917, Knives Out, and Once Upon a Time in Hollywood. Directed by Bong Joon-ho (Snowpiercer), the Korean film focuses on a poor family that plots to sponge off of a rich family.

The structure is classic, with one small act leading to another, and another, growing larger each time. Before you watch, it’s okay to look up “parasite” in the dictionary and discover something like this: “an organism that lives in or on another organism (its host) and benefits by deriving nutrients at the host’s expense.” In fact, Bong counts on the association, if the audience is really going to appreciate his film. But if you’re not a fan of spoilers, stay away from the encyclopedia or specific case histories of certain parasites like mistletoe. Wait until after you’ve seen Parasite and then read up. It will make the film resonate all the more.

The Kim family struggles to get by. They live in a basement apartment in a crappy neighborhood where people urinate outside their window. The first hint of their parasitic nature is that they’re tapped into other people’s wifi. Father Ki-taek (Song Kang-ho), mother Chung-sook (Chang Hyae-jin), college-age son Ki-woo (Choi Woo-shik), and college-age daughter Ki-jeong (Park So-dam) are all unemployed and have only temporary jobs that bring in just a little money as the family struggles to get by. More

Review of I GOT YOU BABE: THE BEST OF SONNY AND CHER (DVD)

February 1, 2020

James Plath, Family Home Theater Entire Family, G rated 1 Comment

Grade: B-
Entire family: Yes, but…
TV Variety
1971-74, 503 min. (10 episodes), Color
Time Life
Not rated (would be G; any innuendo will fly over the heads of youngsters)
Aspect ratio: 1.33:1
Featured audio: Dolby Digital 2.0
Bonus features: B+/A- (some great interviews and TV appearances)
Trailer
Amazon link

Fans of Sonny and Cher will be glad to add I Got You Babe: The Best of Sonny & Cher to their video collections. The five-disc set includes 10 episodes culled from the series’ four-year run (1971-75), and Time Life did a good job finding the best elements to use for the DVD transfer. As for the “best” picks, that will be a matter of fan taste. Included here are:

Season 1, Episode 1—guest star Jimmy Durante (air date 8-1-71)
Season 1, Episode 8—Tony Curtis, Dinah Shore (1-3-72)
Season 1, Episode 9—Carroll O’Connor (1-10-72)
Season 3, Episode 2—Jerry Lewis, The Supremes (9-22-72)
Season 3, Episode 11—Jim Brown, Bobby Vinton
Season 3, Episode 18—Jim Nabors (2-7-73)
Season 4, Episode 3 “The Sonny & Cher Years (Part 1)—retrospective featuring Chuck Berry, Ed Byrnes, Dick Clark, Jerry Lee Lewis, Bobby Vinton, Frankie Valli & the Four Seasons (9-26-73)
Season 4, Episode 11 “The Sonny & Cher Years (Part 2)—retrospective featuring Paul Anka, The Coasters, Peter Noone, Neil Sedaka, Wolfman Jack (11-28-73)
Season 4, Episode 22—Joe Namath, The Righteous Brothers (2-20-74)

From the ‘40s through the ‘70s variety shows were a dominant genre, and Ranker.com currently lists The Sonny & Cher Comedy Hour as the 10th Greatest Variety Show in TV History. But to a TV audience that didn’t grow up with variety shows, their attraction can seem a mystery. It’s like going to see a live revue at a lounge—a circuit that Sonny & Cher played, actually, before they got this summer replacement TV series. There’s something slightly indulgent about variety shows, where a line-up of guest stars as predictable as those on TV game shows get to sing and do out-of-their-element comedy sketches and basically extend their careers, while the stars can do whatever they want. Sometimes they’re entertaining, and sometimes they’re not. Some variety shows are deliberately edgy (like SNL, which debuted in 1975) and some follow the format that had become standard: an opening number (if the host is a singer) or monologue (if a comic), followed by alternating sketches and musical numbers featuring the host and guest stars. More

Review of ICEMAN (1983) (Blu-ray)

February 1, 2020

James Plath, Family Home Theater Drama, PG rated, Sci-Fi/Fantasy Leave a comment

Grade: B-
Entire family: No (but just about)
Sci-fi drama
1983, 100 min., Color
Kino Lorber
Rated PG (for some violence)
Aspect ratio: 2.35:1 widescreen
Featured audio: DTS-HDMA 2.0
Bonus features: C+
Trailer unavailable
Amazon link

Like many kids these days, my son was really into dinosaurs. At age four he could identify most of the prehistoric creatures and even recite many of their scientific names.

Together we played with his dinosaur figures and watched all-things-prehistoric on TV and film, whether it was Disney’s Dinosaur, speculative documentaries like Walking with Dinosaurs and Walking with Prehistoric Beasts, the Jurassic Park films, or animated adventures like The Land Before Time series. And if Kino Lorber had released Iceman on Blu-ray when my son was in his last few years of elementary school or junior high, I think he would have watched and enjoyed this 1983 drama as well.

Notice I didn’t say action-drama, because there’s not much in the way of action. Iceman is speculative storytelling for the junior scientist crowd and people who enjoy asking, “What if…?”

If dinosaurs could be cloned from DNA in Jurassic Park, and if whole preserved woolly mammoths can be found in Siberian permafrost with the hair still perfect as can be, what if a cave man was likewise discovered in a block of ice? And what if there was a miraculously plausible reason for his being not only well preserved, but also in what amounted to a state of suspended animation? What if he could actually be brought back to life after 40,000 years?

That’s the premise of Iceman, which stars Timothy Hutton as a scruffily bearded anthropologist who’s summoned to an arctic base after a research team discovers the body of a prehistoric man. They were going to dissect him and learn from him, but that plan changed when one of the scientists behind the surgical mask noticed brain activity. Before you know it they’re applying the paddles and bringing this Neanderthal back to life. Conveniently, this elaborate research station has a large biodome intended for studying bears, but when they revive the cave man they move those bears to cages and transfer the iceman to this controlled habitat.

Dr. Shephard (Hutton) gets free reign to study the cave man, and most of the film revolves around his attempts to communicate, to understand the man, and to interact with him. Lindsay Crouse plays the other main character, Dr. Diane Brady, while Danny Glover turns up as one of the crew and David Strathairn is among the doctors. Structurally, Iceman resembles Anne Sullivan’s attempts to get through to a wild and unfocused Helen Keller in The Miracle Worker. More

Review of GREGORY’S GIRL (Blu-ray)

January 31, 2020

James Plath, Family Home Theater Comedy, Drama, PG rated Leave a comment

Grade: B-/B
Entire family: No
Comedy-drama
1981, 91 min., Color
Film Movement
Rated PG (for adult situations, some language, and brief frontal nudity)
Aspect ratio: 1.85:1
Featured audio: 2.0 Digital Stereo
Bonus features: B+
Trailer
Amazon link

The Guardian called it “one of the most loved British films of all time.”

Time Out dubbed it “quirky and utterly endearing.”

The great Roger Ebert pronounced it “charming, innocent, very funny.”

And the critics were right. Gregory’s Girl is a sweet movie, a throwback to the even more wholesome ‘50s. But were ‘80s teens ever as sweet and innocent as they are in this BAFTA-winning film—one that Entertainment Weekly named #29 on their top 50 high school films? And how did one decade manage to have both the worst hair and the worst movie music? They’re both here on full display in this teen dramedy of the indie sort by Scottish writer-director Bill Forsyth (Local Hero).

Now, almost 40 years later, watching John Gordon Sinclair as Gregory, a geeky hormone-driven teen who falls hard for the first female player on his school’s soccer team, it’s hard to believe Gregory and his pals are for real. Aside from a Porky’s moment in the opening scene when a group of boys hide in trees outside an apartment to spy on a local nurse as she undresses, Gregory’s Girl is a pretty tame coming-of-age film. And that’s not a bad thing.

Gregory’s crush is kind of sweet, and though Dorothy (Dee Hepburn) replaces him at sweeper, relegating him to netminder, he’s still effusively a fan of girls playing on the boy’s team and especially a fan of this particular girl. Hilariously, while Gregory is stuck standing alone in his team’s net at the other end, after Dorothy scores her first goal all of his teammates group-hug her.  And in that celebratory hug that never seems to end, a few kisses on the cheek are snuck in for good measure—some by opposing players as well, wanting to get in on the action. More

Review of THE ADDAMS FAMILY (2019) (Blu-ray combo)

January 29, 2020

James Plath, Family Home Theater Animation, Entire Family, PG rated Leave a comment

Grade: C+/B-
Entire family: Yes
Animation
2019, 87 min., Color
MGM / Universal
Rated PG for macabre and suggestive humor and some action
Aspect ratio: 1.85:1 widescreen
Featured audio: DTS-HDMA 7.1
Bonus features: C+
Includes: Blu-ray, DVD, Digital Code
Trailer
Amazon link

I’ve been scratching my head over why The Addams Family 2019 animated feature film isn’t as entertaining as the original 1961 live-action television series.

Then again, there are probably better things I could do with my time. Feature films based on half-hour TV shows have a long history of limited success, with filmmakers either unable to capture the tone of the original or unable to expand the basic plot and premise to fill out the additional minutes. And films based on novelty sitcoms from the sixties have been particularly prone to bomb. I’m talking about feature-length versions of My Favorite Martian, The Jetsons, The Flintstones, Bewitched, The Beverly Hillbillies, Alvin and the Chipmunks, and Underdog. Even slightly better ones like The Brady Bunch movies and George of the Jungle were a mixed bag, with only Get Smart coming close to matching the success of the original half-hour series.

Writers Matt Lieberman and Pamela Pettler took an immediate wrong turn with an opening pre-title sequence in The Addams Family that has more in common with the Frankenstein sagas than the popular TV series inspired by the Charles Addams New Yorker cartoons that began appearing in 1938. Addams’ famous understated tongue-in-cheek humor is supplanted by more over-the-top gags and characters, wrapped up in an overly familiar plot. Yet, none of these things is necessarily the kiss of death, and The Addams Family isn’t a BAD film. It’s just not a very good one. For the most part it’s dull, and there aren’t enough moments to delight. What’s more, the TV Addams family’s charming obliviousness to how different they are from everyone else is replaced by a monsters vs. humans and us vs. them dynamic that’s far too common and clichéd. More

Review of THE WAR LORD (Blu-ray)

January 25, 2020

James Plath, Family Home Theater Action-Adventure, Drama, PG-13 rated Leave a comment

Grade: B
Entire family: No
Action-Adventure, Drama
1965, 123 min., Color
Kino Lorber
Not rated (would be PG-13 for adult situations, brief nudity and action violence)
Aspect ratio: 2.35:1
Featured audio: DTS-HDMA 2.0
Bonus features: C-
Trailer
Amazon link

Of the dozen or so films set in medieval times that Hollywood made in the ‘50s and ‘60s, The War Lord stands out. It wasn’t another romanticized tale of knighthood like El Cid, Ivanhoe, The Black Knight, or Knights of the Round Table, and it wasn’t a dreamed-up biopic of a famous figure like Lady Godiva, Prince Valiant, Saint Joan, or Francis of Assissi. If a comparison had to be made, you’d have to say that it comes closest to The Vikings in its tone, spirit, and subject matter.

Like The Vikings, this 1965 Technicolor and Panavision feature from director Franklin Schaffner (Planet of the Apes, 1968) is based on the conflicts between Normans and Frisian (Viking) raiders. But like The Vikings a good portion of the drama comes from internal conflicts unrelated to the main bouts. Unlike The Vikings or any of the films about knights, the life of a warrior is not romanticized, nor is medieval life. The castle in The War Lord is but a single tower, and it’s cold and drafty and in disrepair from previous sieges. There are no lute players or jesters, no feasts, and no life of leisure inside that small castle.

A typically wooden Charlton Heston stars not as a glamorous knight but as knight given a swampy place in the middle of Nowhere, Normandy to hold for his king. Chrysagon (Charlton Heston) relishes the appointment of Lord over all who live in this place, while the brother that accompanies him, Draco (Guy Stockwell) thinks it a mudhole fit only for pigs and heathens. Also accompanying Chrysagon is Bors (Richard Boone), a sidekick who’s fought by his side in the Crusades. More

Review of THE KNIGHT OF SHADOWS (Blu-ray)

January 24, 2020

James Plath, Family Home Theater Action-Adventure, Fantasy, PG rated Leave a comment

Grade: C-/?
Entire family: No
Action-Fantasy
2019, 109 min., Color
Well Go USA Entertainment
Not rated (would be PG for crude humor and action violence)
Aspect ratio: 16×9 widescreen
Featured audio: DTS-HDMA 5.1 Mandarin (and English dubbed) with English subtitles
Bonus features: C+ (better than the film!)
Trailer
Amazon link

If you look at the cover of The Knight of Shadows with its tagline “Martial Arts Fantasy Adventure” and see Jackie Chan and a serious-looking co-star in period garb, you’d think you’re in store for a serious adventure. You get a similar impression if you read the Imdb.com or Amazon.com description that the studio provided: “A legendary demon hunter (Jackie Chan), tracking down beasts that enter the human dimension, assisted by a lawman protégé and a motley group of friendly monsters.” Still promising, right? Even if you watch the official trailer, with its strange H.R. Pufnstuf-style characters, you never get the sense that silliness ever tries to hijack the film.

Then you watch the film and go, seriously?

Director Jia Yan tries to juggle the comedy and martial arts adventure, and if they were knives he’d still be in the emergency room getting stitched up. This is a film that lurches clumsily between Three Stooges silliness (three law enforcement officers in The Knight of Shadows do their best to ruin Moe, Larry, and Curly for future generations) and cartoonish creatures that are just poorly designed and clumsily integrated into the plot—as if Jia Yan looked at the first print and thought, “We have to do more with this film to attract small children.” Let’s put in a pig character, and a cross between a fairy and Groot, and a character whose only function is to talk about “farts” and throwing his own special brand of f-bombs here and there.

The influential Chinese website Douban gave The Knight of Shadows a 4.3 out of 10, and I’d have to say that my family and I had nearly the same reaction. I’d go ever-so-slightly higher because there are some wonderful serious action sequences that seem to come out of nowhere, but make you wish that the director had chosen to go this route instead of trying to straddle the fantasy fanboy and Saturday morning cartoon audiences. More

Review of OVERCOMER (Blu-ray combo)

December 16, 2019

James Plath, Family Home Theater Drama, Entire Family, Inspirational, PG rated, Sports Leave a comment

Grade: B-/C+
Entire family: Yes
Christian sports drama
2019, 119 min., Color
Sony Pictures
Rated PG for some thematic elements
Aspect ratio: 2.39:1
Featured audio: DTS-HDMA 5.1
Bonus features: C+
Includes: Blu-ray, DVD, Digital
Trailer
Amazon link

Overcomer is the latest inspirational Christian film from brothers Alex and Stephen Kendrick, with Alex serving once again as director and also starring. Like the others before it—Flywheel (2003), Facing the Giants (2006), Fireproof (2008), Courageous (2011), and War Room (2015)—there’s frequent mention of God and prayer. Unlike the others, there are quite a few come-to-Jesus moments rather than a single pivotal one. That’s not a criticism, mind you. It’s a fact. If you’re put off by preachy films (“You were created to know and worship Him”), then you won’t want to buy or stream this one.

But it’s also a fact that the Kendrick brothers keep improving. The writing is a little more polished, the camerawork has grown stronger, and there are more sophisticated shots—some, in this film, using drones. The overall production values are far superior as well, the result of a $5 million budget (compared to the $20,000 budget the Kendricks had to work with for their first film). While the brothers’ early films mostly cast members of their Sherwood Baptist Church in Albany, Georgia (where Kendrick was an associate pastor), they’ve graduated to using more professional actors . . . and that also help to elevate the overall quality. This time there’s also a killer soundtrack, with the highlight a song (“You Say”) by Grammy- and American Music Awards-winner Lauren Daigle. More

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