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Review of ALL STYLES (DVD)

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Grade: B
Entire family: Yes
2018, 91 min., Color
Dance drama
Shout! Factory
Not rated (would be G)
Aspect ratio: 2.35:1
Featured audio: Dolby Digital 5.1
Bonus features: C
Trailer
Amazon link

As a film critic, I dread dance movies. The plots are so similar they all seem to have been hatched from the same Dance Mom. Plus there’s no real character development, and the films are usually just a flimsy excuse to showcase a few dance sequences. So why not just post those dance moves on YouTube?

Well, it turns out that the first-time star of this film, 2013 So You Think You Can Dance winner Du-shaunt “Fik-Shun” Stegall, is already pretty YouTube famous as a top-notch hip-hop dancer. My teenage daughter is serious about dance, and she said this guy is seriously good. She had already watched most of his YouTube videos before I even popped in this movie to review. For her, it’s all about the dancing, and she gave the dancing in All Styles an A. The plot and the acting? That was a B, she said. And though I know far less about dance than she does, I’d have to agree. All Styles, though low-budget, is a cut above the average dance movie.

The big surprise—other than Heather Morris (Brittany on Glee) turning up as one of the dancers—is that Fik-Shun isn’t just a terrific dancer. He’s also pretty charismatic on camera, a really likable fellow that makes you want to root for him. In this film he plays Brandon, who refreshingly isn’t from the “hood,” doesn’t have an attitude problem, and isn’t a delinquent who needs dance to turn his life around. All Styles dodges those clichés and in so doing, director Angela Tucker manages to create the most family-friendly hip-hop movie I’ve seen. No one in the film comes from the wrong side of the tracks, nobody has tattoos or uses bad language, and even the lyrics to the songs are the clean version. It’s all surprisingly wholesome, for a hip-hop film. More

Review of PIXAR SHORT FILMS COLLECTION: VOL. 3 (Blu-ray combo)

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Grade: A-
Entire family: Yes
2012-18, 76 min. (13 shorts), Color
Animation
Disney-Pixar
Not rated (would be G)
Aspect ratio: 1.78:1 to 2.39:1
Featured audio: DTS-HDMA 7.1
Bonus features: C (introductions, mostly)
Includes: Blu-ray, DVD, Digital Code
Trailer
Amazon link

Although many of the Pixar short films appear as bonus features on various Disney-Pixar releases, it’s still nice to have them all on one disc, and the Pixar Short Films Collection: Volume 3 is as varied and high quality as the previous volumes.

There’s a nice blend, too, of high-profile shorts that are related to Disney-Pixar films and more distinctive (and quirky/artsy) personal projects that were labors of love for the directors and animators. Of the 13 short films, seven are connected to fan-favorite films.

From the Toy Story films there’s “Partysaurus Rex,” a fun, thumping disco bath story where (T-)Rex goes from party pooper to a partysaurus who helps bath toys get their groove on. It’s an upbeat frolic that fans of the Toy Story films especially will enjoy.

From Inside Out there’s a sequel of sorts where Riley is a teenager and we see “Riley’s First Date” from the inside-out emotional control rooms of her trying-to-be-cool mother, her scowling and disapproving father, and even the young man who dares to date their daughter. A twist ending provides a nice payoff. More

Review of SAVED BY THE BELL: THE COMPLETE COLLECTION (DVD)

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Grade: B+
Entire family: No (3rd grade and up)
1988-94, 46.5 hours (118 episodes, 2 movies), Color
TV comedy
Shout! Factory
Not Rated (Would be PG because of some mature themes)
Aspect ratio: 1.33:1
Featured audio: Dolby Digital 2.0 Stereo
Bonus features: B-
Includes: Episode guide booklet
Clip: Opening Credits
Amazon link

Saved by the Bell was only on the air for four seasons—five, counting Good Morning, Miss Bliss, an aborted Disney Channel series that NBC retooled to shift the focus from a popular teacher to a popular student and his friends. And six seasons, actually, if you count a short-lived sequel about the gang’s college years. But the show quickly became iconic. If you were a kid growing up in the late ‘80s and first half of the ‘90s and caught the show on Saturday mornings, these were your people.

Even before the cancellation, several Saved by the Bell novels were published featuring the TV cast in familiar plots, and over a four-year period fans devoured 21 of those books. Then in 2006 Cartoon Network’s Adult Swim started advertising that Saved by the Bell would begin re-airing on their network and spread the rumor that the series was back in production again. It was a hoax, but the public’s reaction was so spirited that three years later Jimmy Fallon decided to launch a petition campaign to coax the powers that be into creating a Saved by the Bell reunion show. There were parodies and various cast appearances, but a reunion show never materialized—unless you count The Tonight Show Starring Jimmy Fallon sketch that starred six of the eight actors from the series.

The point is, there’s an audience out there that fondly remembers the exploits of blond-haired mischief-maker Zack Morris (Mark-Paul Gosselaar), his nerdy friend “Screech” (Dustin Diamond), material girl Lisa Turtle (Lark Voorhies), heartthrob A.C. Slater (Mario Lopez), brainy feminist Jessie Spano (Elizabeth Berkley), and cheerleader Kelly Kapowski (Tiffani-Amber Thiessen) as they navigated the corridors of Bayside High School in Palisades, California. More

Review of INCREDIBLES 2 (Blu-ray combo)

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Grade: A-/B+
Entire family: Yes
2018, 118 min., Color
Animation
Disney-Pixar
Rated PG for action sequences and some brief mild language
Aspect ratio: 2.39:1 widescreen
Featured audio: DTS-HDMA 7.1
Bonus features: B+/A-
Includes: Blu-ray, DVD, Digital Code
Trailer
Amazon link

Our family was split over Incredibles 2—but it was more like splitting hairs. My wife and children thought it was every bit as good as the The Incredibles (2004), if not better; I thought it was almost as good. Curiously, that split matched the numbers at Rotten Tomatoes, where critics rated the original 97 percent “fresh” and the sequel 94 percent “fresh”; audiences, meanwhile, gave the original a 75 percent “fresh” rating and the sequel an 87 percent “fresh” rating.

As I said, curious, isn’t it? Could it be because critics place more weight on originality?

Whatever the reason, the big takeaway here is that if you liked The Incredibles you won’t be disappointed by the sequel.

In the original film, “Supers” had been sued so much for collateral damage caused by their heroics that the government developed a Superhero Relocation Program to set them up with mundane new lives and identities. But Bob (aka Mr. Incredible) gets an anonymous tip about an invasive robot, and he secretly breaks the rules by battling it on a remote island. That exhilarates him, but when he goes to a superhero costumer to get his suit, the costumer makes suits for the whole family. As the plot unfolds, his wife Helen (Elastigirl) gets in on the action and they eventually battle the villain Syndrome—a former fan Mr. Incredible had refused to make his sidekick. More

Review of THE SOUND OF MUSIC LIVE (2015) (Blu-ray)

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Grade: B+/A-
Entire family: Yes
2015, 119 min., Color
Musical comedy-drama
Shout! Factory
Not rated (would be G)
Aspect ratio: 1.78:1 widescreen
Featured audio: DTS-HDMA Stereo
Bonus features: B+
Sizzle reel
Amazon link

The Sound of Music opened on Broadway in 1959, starring Mary Martin as a nun-in-training who falls in love with a widower after taking a job as his children’s governess. The musical won five Tony Awards. Then in 1965, when Julie Andrews took over the role of Maria for the lavish 172-minute film adaptation, the film earned five Oscars. That film is one of our family’s favorites, so a remake seems almost sacrilegious. Why even attempt it?

Though I was surprised to learn that there’ve been nearly a dozen film and television versions of The Sound of Music, all I knew about was the Rodgers and Hammerstein classic and The Sound of Music Live, a 2013 mistake featuring singer Carrie Underwood. So it’s probably an understatement to say that my wife and I began watching this 2015 live British television production expecting to be disappointed—especially since we’ve seen our share of lackluster filmed stage performances. While you may get a better view than if you were sitting in Row 20, it’s still a filmed version of a live performance with cameras positioned unobtrusively off-stage, creating an odd distance and dislocation. There may be three or four cameras to give you different angles, but gone is the excitement of sitting in Row 20.

As it turns out, we liked The Sound of Music Live nearly as much as the 1965 movie, partly because it’s a quality production and partly because of the very nature of the production. As one of the actors says, it’s a script-to-stage theatrical production that’s filmed on three soundstages for television, but shot in cinematic style using 17 different cameras. It feels like a movie, but it also has the look of a live performance. Instead of the bright three-point lighting that’s a film-industry standard, what’s here comes closer to stage lighting. In this version, cameras are everywhere and they follow the actors with medium shots and close-ups, but because characters go behind pillars and such and we see angles that would be denied a theatrical audience, it feels as if we’re right there on the set with the characters. It’s a strangely exhilarating feeling. More

Review of ANT-MAN AND THE WASP (Blu-ray)

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Grade: B+
Entire family: Almost (parental discretion advised)
2018, 118 min., Color
Action sci-fi-comedy
Marvel Studios
Rated PG-13 for some sci-fi action violence
Aspect ratio: 2.39:1 widescreen
Featured audio: DTS-HDMA 7.1
Bonus features: B-
Includes: Blu-ray, Digital Code
Trailer
Amazon link

We’ve gotten to the point where we know a Marvel superhero movie is going to be good, just as surely as we know that legendary Stan Lee is going to turn up in a cameo. Ant-Man and the Wasp is another solid entry in what’s becoming a long line of solid Marvel productions. A little less dark and violent than some of the Marvel movies, it’s also one that’s close to being appropriate for the whole family. It’s just a question of where parents draw the line with sci-fi violence.

Paul Rudd and Evangeline Lilly click pretty well together as the title characters, and if you don’t happen to have seen (or remember) Captain America: Civil War, not to worry. There’s enough exposition included for you to have an idea of why Scott Lang (Ant-Man) is currently wearing an anklet and serving a two-year sentence under house arrest. In fact, the plot of Ant-Man and the Wasp is much easier to follow than any of the Avengers films, which is another reason why children younger than 13 can also enjoy this one. It’s not just miniaturization they’ll see, but mega-enlargement as well, and that’s fun for any age. More

Review of DRAGNET (1987) (Blu-ray)

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Grade: C+
Entire family: No
1987, 106 min., Color
Crime comedy
Shout! Factory
Rated PG-13 for some nudity, language, and violence
Aspect ratio: 1.85:1 widescreen
Featured audio: DTS-HDMA 2.0 Stereo
Bonus features: B
Trailer
Amazon link

Two years after Tom Hanks was paired with John Candy in Volunteers, Universal matched him up with another SNL regular: Dan Aykroyd. The premise? Spoof the old black-and-white Dragnet police drama starring Jack Webb as detective Sgt. Joe Friday, who always narrated with a stiff, humorless voiceover, walked without swinging his arms, and questioned witnesses and suspects with the same no-nonsense manner as he spoke. If someone started talking just a little off-topic, he’d interrupt them with a line that became his catchphrase: “Just the facts, ma’am.”

In other words, Joe Friday and Dragnet were both ripe for a parody, and while you don’t have to be familiar the old 30-minute detective show “get” this comedy, seeing Webb as Friday would certainly set you up for a steady smile as you watch Aykroyd nail the character playing Joe Friday’s nephew pursuing the same occupation. Being just a little familiar with the TV series also enables you to also appreciate the casting of Harry Morgan (M*A*S*H) as Friday’s superior officer, because Morgan played Sgt. Friday’s partner in the original series, which ran from 1951-59 and briefly again from 1967-70.

Although Roger Ebert gave it three out of four stars because of how clever the parody played out, the trouble is, once you get past those delightful recognitions, this “flatfoot” crime comedy falls a little flat after a promising start. It’s entertaining enough, but you just don’t find yourself laughing as much once you get past the first 15 minutes or so. The humor is more tongue-in-cheek, with satire, not slapstick or clever writing, defining the comedy. More

Review of GET SHORTY (Shout Select Blu-ray)

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Grade: B
Entire family: No (older teens only)
1995, 105 min., Color
Crime comedy-drama
Shout! Factory
Rated R for language and some violence
Aspect ratio: 1.85:1 widescreen
Featured audio: DTS-HDMA 5.1
Bonus features: B+
Trailer
Amazon link

Get Shorty is rated R and strictly for families with older teenagers. The third word we hear is an f-bomb, and it’s dropped dozens of times throughout the film (how many dozen make a gross?). But for families that may have watched John Travolta as Vinnie Barbarino in the old TV comedy Welcome Back Kotter, or caught his “cool” acts in Grease and Saturday Night Fever, his performance as small-time hood Chili Palmer will seem like a revelation. It’s Travolta at his absolute coolest. For his portrayal of Chili he won a Golden Globe for Best Actor in a Musical or Comedy.

Chili is a Miami-based loan shark who works for a crime boss, and a crazy series of unfortunate events is set in motion when he’s at a restaurant and a mobster from a rival crime family “borrows” his leather jacket from the coat room. Chili promptly goes to the man’s apartment and breaks his nose when he answers the door, then reclaims his coat. When the man, Ray “Bones” Barboni (Dennis Farina), comes to Chili’s office to get revenge, Chili parts his hair with a bullet. And all of this is done to the kind of jazzy, up-tempo soundtrack that viewers have come to expect from crime comedy-dramas.

Director Barry Sonnenfeld (Men in Black) has fun with this one, showcasing Elmore Leonard’s colorful characters and dialogue in scenes that are packed sky-high with props that add to the crime-comedy flavor. More

Review of SOLO: A STAR WARS STORY (Blu-ray)

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Grade: B/B-
Entire family: No (parental discretion advised)
2018, 135 min., Color
Sci-fi/fantasy Adventure
LucasFilm/Disney
Rated PG-13 for sequences of sci-fi action/violence
Aspect ratio: 2.39:1 widescreen
Featured audio: DTS-HDMA 7.1
Bonus features: B+
Includes: Blu-ray, Digital Code
Trailer
Amazon link

Whoever came up with the high concept Solo: A Star Wars Story hit upon a guaranteed way to put people in the theaters. According to one audience poll, Han Solo is the fourth most popular character in the franchise—behind Yoda, Obi-Wan Kenobi, and that heavy-breathing übervillain, Darth Vader. The problem is that the beloved character was originally played by a beloved actor, and that had to have posed a casting nightmare. How do you replace a charismatic actor like Harrison Ford while also creating a believable backstory involving a younger version of Han Solo?

With great difficulty, it turns out. If Alden Ehrenreich were playing a brand new character, everything would be two thumbs up in the Star Wars universe. He’s engaging enough and, with a little time to get to know him better, would probably evolve into an even more likeable character. The problem is that fans can’t help but compare his portrayal of Solo to Ford’s, and any gaps will be perceived as flaws, not differences of interpretation. This Han isn’t as consistently boyishly and roguishly charming in the self-deprecating, sarcastic manner that made Ford’s character so popular. More

Review of OCEAN’S 8 (Blu-ray combo)

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Grade: B/B+
Entire family: No
Crime Comedy/Drama
Warner Bros.
Rated PG-13 for language, drug use, and some suggestive content
Aspect ratio: 2.40:1 widescreen
Featured audio: Dolby Atmos-TrueHD
Bonus features: C+
Includes: Blu-ray, DVD, Digital Copy
Trailer
Amazon link

It’s hard to say whether Frank Sinatra would be amused or annoyed that Ocean’s 11—his 1960 buddy heist film with fellow rat-packers Dean Martin, Sammy Davis Jr., Peter Lawford, and Joey Bishop—has inspired a series of profitable remakes and sequels. But it might temper whatever he’s feeling to know that the latest of these, Ocean’s 8, also has a lot in common with another sixties’ heist film, Topkapi, which targeted jewels in a museum.

Ocean’s 8 is a caper film through and through. Director Gary Ross, who wrote the screenplays for Pleasantville and The Hunger Games, takes the genre in a warm embrace and has fun with this ensemble flick starring Sandra Bullock, Cate Blanchett, Anne Hathaway, Mindy Kaling, Sarah Paulson, Awkwafina, Rihanna, and Helena Bonham Carter. What could possibly go wrong?

There’s a Reds and Blues Brothers vibe early in the film as Bullock’s character gets out of prison and instantly gets the “band” back together, picking up a few others along the way. The plan? To not just steal the most expensive piece of jewelry on the planet, but also frame the guy who framed her. Instead of hitting three Vegas casinos simultaneously, as the original and first remake buddies did, this group sets their sights on a museum gala and one particular necklace that a star will be wearing. And part of the plan is making sure that this star does indeed wear that heavily guarded and heavily insured necklace.

If you’re not familiar with the caper genre, it’s a little different from the typical Hollywood screenplay in that there’s really no traditional dramatic arc where there’s a peaking movement toward a crisis and then a falling action. It’s more about coming together, planning the heist, and then executing the heist and dealing with whatever unexpected challenges pop up. That can give the film a somewhat even-keeled feel, but a slick upbeat collection of soundtrack songs—a blend of vintage and new that includes The Notorious B.I.G., Eamon, Kelis, Sammy Davis Jr., Herb Alpert, and Nancy Sinatra—provides plenty of energy to make it feel as if even the slow spots are moving a little faster. Ocean’s 8 is a slick film that doesn’t feel forced, and it looks really slick on high-def Blu-ray, which is the way to go with this title.

Everyone will have their favorites, but for me the standouts were Bullock and Hathaway, who really commanded your attention every scene they were in. They also got the glam-scam tone of the film: a combination of tongue-in-cheek humor and slick sophistication. More

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