Family Home Theater

THE HEE HAW COLLECTION (DVD)

August 12, 2015

James Plath, Family Home Theater Entire Family, G rated, Musical, TV Comedy Leave a comment

Grade: B/B-
Entire family: Yes
1969-71, 369 min. (5 episodes), Color
Not rated (would be G despite some innuendo)
Time Life
Aspect ratio: 1.33:1
Featured audio: Dolby Digital 2.0 Mono
Bonus features: B-
“Pfft You Was Gone” clip

The hay-day (sorry, bad pun) of rural comedy on American TV was between 1960, when The Andy Griffith Show debuted, and 1971, when all of them were put out to pasture. The novelty of The Beverly Hillbillies, Petticoat Junction, Gomer Pyle: USMC, Green Acres, and Mayberry R.F.D. had worn off, so it was no surprise that in 1971 CBS also cancelled Hee Haw—a country version of Rowan & Martin’s Laugh-In.

But like the Grand Ole Opry, this corny variety show, which debuted in 1969 and featured a group of talented regulars and some of the top country stars of the time, had a life of its own. It became an institution, going into syndication and lasting nearly another 20 years.

Hee Haw managed to have it both ways, featuring characters and jokes that celebrated rural life, but also poked fun of rural stereotypes. You’ll see nostalgic, folksy segments that lament the loss of cracker barrel philosophers, with Archie Campbell playing a barber and regaling customers with stories, Grandpa Jones and Junior Samples doing the same at Gordie’s General Store, or Stringbean reading a letter from home. Always it was a tall tale modernized or a long simmering lead-in to a corny punch line. Yet there were also recurring segments featuring not-too-bright farmer’s daughters in short-shorts or the country equivalent of mini-dresses, and a recurring sketch about barefooted moonshiners in overalls lying in the front yard next to a jug and a bloodhound. In fact, Junior Samples, with his slow-witted and deliberately speaking persona, was the anti-sophisticate, and darned proud of it. Put Junior in a Shakespeare sketch (as they often did) or making a used car commercial and it was instant laughs.

Laugh-In was hosted by a comic duo. Hee Haw’s hosts were musicians first and comedians second, which fit the corny concept just fine. Roy Clark, best known for his instrumental work on banjo, guitar, and mandolin, first appeared on the Grand Ole Opry at the age of 17. Buck Owens was a popular country singer and band leader whose best-known songs were “Act Naturally,” “Together Again,” and “Tiger by the Tail.” The pair appeared to have fun together and provided the perfect anchor for a boatload of sketches and musical numbers. Buck and Roy started each show with a rendition of “Hee Haw” and at some point did a vaudeville-style routine called “Pickin’ and Grinnin’” that strung jokes together with musical riffs. They also did at least one solo per episode.

Though the humor could be adult, the show was obviously intended for families because kids were included in some sketches and the show relied on animated farm animals to add to the laughs. One minute the audience could be enjoying some serious guitar-playing from Clark, and the next minute a chorus line of pigs would be dancing across the screen while he’s playing, lightening the mood. More

INSURGENT (Blu-ray)

August 2, 2015

James Plath, Family Home Theater Action-Adventure, PG-13 rated, Sci-Fi/Fantasy Leave a comment

Grade: B
Entire family: No
2015, 119 min., Color
Rated PG-13 for intense violence and action throughout, some sexuality, thematic elements and brief language
Summit Entertainment
Aspect ratio: 2.40:1
Featured audio: English Dolby TrueHD Almos Mix
Includes: Blu-ray, Digital HD
Bonus features: B+ (four hours!)
Trailer
Amazon link

Some people seem to hate Divergent and Insurgent (the second installment in Veronica Roth’s Young Adult dystopian novels-come-to-film) because they’re not The Hunger Games. Or because they feel so structurally similar. My son hates them because he doesn’t think Shailene Woodley can carry a sci-fi action movie the way Jennifer Lawrence does in The Hunger Games. Then again, he’s a teenager, and it could be as simple as liking Lawrence that much more, or associating Woodley too much with a romantic weeper that he refused to watch: The Fault in Our Stars.

When I reviewed the Divergent Blu-ray a year ago I gave it a B because three out of four family members really enjoyed it, and I thought the film featured a nice balance of moral dilemmas and action packaged inside a relatively believable sci-fi world. Like the first film, Insurgent was made for audiences, not critics, and the tone and pacing are similar, with continuing characters and plenty of drama and action.

But this is a trilogy, and frankly we got most of the character development in the first film. In Divergent, Tris was faced with tough decisions, starting with which faction she should join and have to remain in for the rest of her life. Then there was her fight and constant struggle to make it through Dauntless training and keep her identity as a “divergent”—someone who has elements of several factions in her—a secret. To top it off, there was a developing romance between her and one of her superiors, and she seemed more complex that first outing because she was as fragile as she was tough.

Here she’s mostly tough, which means Tris really doesn’t grow as a character as much in this installment. What’s more, sci-fi fans might be disappointed that there’s less science fiction in Insurgent and more drama. Insurgent also pushes the main male character Tobias/Four (Theo James) slightly to the fringe while giving the oppressive Erudite leader (Kate Winslet) more screen time as she sends her Dauntless police in pursuit of the two Divergents. These are not bad things, especially if you consider that you’re watching the second act of a three-act extended screenplay.

You’ll need to have watched Divergent to appreciate or even understand what’s going on in this film. The action picks up just after Jeanine’s (Winslet’s) mind-controlled Dauntless obliterated Abnegation and she went on TV to blame divergents for the attack. So Tris and Four go on the run, first through factionless territory and then on to Candor. All the while they’re pursued by Dauntless traitors under the command of the sadistic Eric (Jai Courtney). Then there’s some hokum about a box that only a divergent can open, and that opens the door to criticism about the dystopian sci-fi elements. But if you don’t think too hard and just roll with the action, Insurgent makes for an enjoyable family movie night for households with teens. It’s rated PG-13, though, and deservedly so.

Language: A few “b” words and “a” words pop up, but nothing more. Pretty clean.
Sex: Nothing much, really. Just a kiss and a faux attack.
Violence: Punches and knives are thrown and there are some teen beatings and one suicide. The most traumatic might be semi-successful mass execution.
Adult situations: Some pursuit scenes might scare younger viewers.
Takeaway: Don’t listen to the naysayers. Divergent and Insurgent are decent dystopian sci-fi teen action movies that also hold appeal for viewers outside the target age range.

INNERSPACE (Blu-ray)

July 25, 2015

James Plath, Family Home Theater Action-Adventure, Comedy, PG rated, Reviews (by Genre), Sci-Fi/Fantasy Leave a comment

Grade: B+
Entire family: Yes
1987, 120 min., Color
Rated PG for briefly exposed male buttocks, some comic violence, some mild profanity, and drinking
20^th Century Fox
Aspect ratio: 1.85:1
Featured audio: English DTS-HD MA 5.1
Bonus features: B+
Trailer
Amazon link

Like Fantastic Voyage, which preceded it by twenty years, Innerspace won an Academy Award for special effects that simulated the interior of a human body—great effects, actually, considering they were accomplished before the advent of computer-generated images. In Voyage, a team of doctors was miniaturized and injected into a human being in a dramatic attempt to save an important political life. But Innerspace director Joe Dante (Small Soldiers) opts for low comedy, not high drama, with Batmanesque villains, pre-Mask morphing, and more than one Austin Powers-style “mini-me.”

A young looking Dennis Quaid stars as Lt. Tuck Pendleton, a bad-boy Navy pilot with a weakness for alcohol and Lydia, the reporter-girlfriend (Meg Ryan) who walked out on him. Tuck resigns his commission to pilot a submersible pod for an independent lab working on miniaturization. But instead of being injected into a rabbit, as planned, when an industrial terrorist raid interrupts the procedure and a lab technician flees with the syringe containing the tiny Tuck, the pilot is injected instead into the bloodstream of Jack Putter, a frazzled milquetoast supermarket clerk (Martin Short). In a relationship that becomes symbiotic out of sheer necessity, Tuck and Jack party in order to “bond,” then work together to battle personal defects, the bad guys, and (tick, tick) time. Tuck’s oxygen supply is limited, you see, and he needs a microchip the villains have in order to coordinate his reentry into peopledom. But it’s a double search, because the evil Victor Scrimshaw (Kevin McCarthy)–a comic cross between Mr. Freeze and The Penguin–has one microchip and needs Tuck’s in order to complete the technology theft, and he and his henchmen, his oversexed lead doctor (Fiona Lewis), and industrial spy/hit man “The Cowboy” (Robert Picardo) will do anything to get it.

Since Quaid spends most of the movie sitting inside the pod, it’s a tall order for Short to provide all of the visual action and handle most of the proxy interaction with Ryan. But like Paul Blart, Mall Cop, Short’s character rises to the challenge and the trio has a project chemistry that really makes this otherwise lightweight film an engaging adventure—especially on widescreen and in high def. Together, they really sell the situation. Even when Jack begins to fall for Lydia and compete for her attentions, it’s totally credible—which balances the tonally cartoonish villains.

“For a while, we thought we should call it Fantastic Voyage 2,” Dante quips, adding that they chose Innerspace instead because no one could come up with a better title. Dante teams with producer Michael Finnell and co-stars McCarthy and Picardo on a commentary track that’s almost as entertaining as the film. Warner Brothers’ marketing people get roasted, as does Martin Short for bowing out of the commentary, and Quaid for refusing. As the camera pans across the laboratory, one of them tells how the extras were all real scientists from a nearby jet-propulsion laboratory. As the memorable bonding scene between Tuck and Jack runs, another remarks, “I can’t believe that we were gonna cut that scene.” And as the camera pulls closer to the heart valve opening and closing like the beak of the giant squid in 20,000 Leagues under the Sea, threatening to swallow up Tuck’s pod and kill them both, one of them laughs, “The heart valve opening and closing? Two guys with sticks pulling as fast as they can!”

Dante and Finnell said that early on they realized that Innerspace was “a good audience movie,” and self-deprecating humor aside, Innerspace holds up better than Fantastic Voyage precisely because they don’t take themselves or what they’re doing too seriously. Yes, the hair is dated and some of the special effects now seem rudimentary, but the laughs are still here, and the action is pure fun. And it’s rated PG. Innerspace is one of the better, older comedy-adventures and a great candidate for family movie night. Unlike Fantastic Voyage, this one seems to get better with age. Right now at Amazon Innerspace is selling for under $10 on Blu-ray, and the price seems “righter” if you consider the repeat play this one is going to get.

Language: No f-bombs, but a few milder d, s, and h words
Sex: Just a “swapping spit” kiss that’s a plot device
Violence: Fighting, some shooting, a body dissolving to skeleton
Adult situations: Drunkenness, assassin stripped to his shorts
Takeaway: Parodies can actually have a life of their own.

THE SECOND BEST EXOTIC MARIGOLD HOTEL (Blu-ray)

July 24, 2015

James Plath, Family Home Theater Comedy, Drama, Entire Family, PG rated, Reviews (by Genre) Second Best Exotic Marigold Hotel Leave a comment

Grade: B-/C+
Entire family: Yes, but….
2015, 122 min., Color
Rated PG for some language and suggestive comments
20^th Century Fox
Aspect ratio:
Featured audio:
Includes: Blu-ray, Digital HD
Bonus features: C+
Trailer
Amazon link

The Best Exotic Marigold Hotel (2012) was a surprise hit because it hit home with its basic messages. A group of older British retirees traveled to India because of a brochure that glamorized The Best Exotic Marigold Hotel and made it look like the ideal place to retire, to find a replacement husband, or to stay there while getting a hip operation. Unknown to each other, they discovered things in common; foreign to India and some of them suspicious or awkward, they found an appreciation for a different culture and a level of comfort; and feeling a little tired and depressed by their late stage of life, they found some measure of renewal by their association with the hotel’s optimistic and energetic young owner. It was a feel-good movie about growing old, and there aren’t many of those around.

But The Second Best Exotic Marigold Hotel (2015) is a sequel that really didn’t need to be made. Missing is the charm and freshness of the first film, replaced by a formulaic plot and a paucity of humor, with a running gag that’s a 180-degree turn from the positive attitude toward aging that we encountered in the first film. In the original, one of the residents died, but what kind of tone does it set when in the sequel the proprietor, Sonny (Dev Patel), begins each morning with a roll call so the residents can answer . . . and let him know they’re still alive?

Two standard plot devices that we’ve seen before drive the narrative: a wedding and an anonymous visiting inspector who will decide whether Sonny can create a second hotel. Sonny is finally marrying the love of his life, Sunaina (Tina Desai), and there are some song-and-dance numbers that liven up the film. As with the first, each character has a subplot. Evelyn and Douglas (Judi Dench, Bill Nighy) are now working and fully immersed in local culture and finding occasional times to date each other. Carol and Norman (Diana Hardcastle, Ronald Pickup) are learning how to be exclusive to each other, while Madge (Celie Imrie) still plays the field and juggles two wealthy suitors. Somewhat lost in the shuffle is Muriel (Maggie Smith), who has been named co-manager of the hotel and seems to exist only as a confidante for everyone else. Meanwhile, there are two new arrivals (Richard Gere, Tamsin Greig) and only one nice room, and of course one of them is thought to be the inspector. Another sideplot about a business rival seems thrown in for good measure.

More than in the first, the screenplay feels like a paint-by-numbers affair, but the acting and the characters remain strengths. Patel is as energetic as a stand-up comic, and his onscreen mother (Lillete Dubey) gets something fresh to do as the object of Gere’s attentions. As with the first film, India itself is really the most colorful draw, and if you want to make a pilgrimage you can visit the Pearl Palace Heritage Guesthouse in Jaipur, where Second Best was filmed. But the movie truly is “second best,” which is not an uncommon thing for sequels. I was charmed by the first film, yet as much as I wanted to like this one I found it slightly dull. So did my family.

Language: some mild swear words
Sex: n/a
Adult situations: n/really
Takeaway: No matter what your age, after watching this film or the first you’ll dream of going to India.

TREASURE PLANET (10th Anniversary Edition) (Blu-ray Combo)

July 24, 2015

James Plath, Family Home Theater Animation, Entire Family, PG rated, Reviews (by Genre) Treasure Planet Leave a comment

Grade: B
Entire family: Yes
2002, 95 min., Color
Rated PG for adventure and peril
Disney
Aspect ratio: 1.66:1
Featured audio: English DTS-HD MA 5.1
Includes: Blu-ray, DVD
Bonus features: C+
Trailer
Amazon link

Pirates in space?

Why not? But Treasure Planet is a strange combination of futuristic space age, recent pop culture, and 17^th century elements. The plot and characters have one foot in the past and one in the future. It’s the same with visual design. Ships that look like Spanish galleons fly in the air. Whales fly. Jim Hawkins, the lad at the center of this Robert Lewis Stevenson adaptation, has a solar board and rides it like a skate punk or parasailor. And the architecture? It’s like Tortuga in space. Disney was trailblazing in its combined use of 2D and 3D animation, and the results are stunning to look at. But the past-and-future mix doesn’t work nearly as well when it comes to content.

Fans of Disney’s live-action Treasure Island may be disappointed that the spaced-up version has more breakneck action and not nearly the intrigue of the 1950 classic. What’s more, Robert Newton carried the old film as Long John Silver, playing just the right blend of a benign old peg-legged pal who fascinates Jim Hawkins, and a menacing fellow with a hidden agenda—a blackguard who could be ruthless when the time came.

We don’t get that same type of character in Treasure Planet’s John Silver, who’s a menacing looking cyborg from the start. His face is drawn a little like Fagin from Oliver & Company, but fuller and meaner. And he’s armed with a gadget that slices, dices, shoots, and scares the heck out of everyone. There’s only menace in this fellow, so he’s nowhere near as interesting as Newton was in the more complex live-action role.

But fans of Stevenson’s novel will at least have fun picking up plot points and variations. In this animated version from directors Ron Clements and John Musker (Aladdin, The Little Mermaid), Jim Hawkins (voiced by Joseph Gordon-Levitt) is a bit of a delinquent at a crossroads. His mother (Laurie Metcalf) runs the Benbow Inn, and the adventure begins when Jim finds a dying pirate named Billy Bones (Patrick McGoohan) and brings him back to the Inn. In short order, the pirate is dead, Jim is holding an orb the size of a grapefruit and told to “beware the cyborg,” and pirates are ransacking and torching the place, forcing Jim, his mom, and a family friend, Dr. Doppler (David Hyde Pierce), to flee.

As in the book, Silver (Brian Murray) and his crew keep their identities secret and hire on as hands on a mission to follow the orb-map to Treasure Planet . . . which is curious, since their own planet, Montressor, is French for basically the same thing. Oh well.

Unlike the 1950 film, this souped-up, spaced-out version drags a little, despite the action, because the characters and their relationships are more superficial. Take Ben Gunn, for example. Instead of a lunatic who’s been away from people for too long, it’s an annoying robot named B.E.N., who’s supposed to provide some of the comic relief. The rest comes from the doddering Dr. Doppler, a dog creature with an obvious fondness for the catlike ship’s captain (Emma Thompson), and a little thing that looks like one of those goofy, unidentifiable things that Olympic cities present as mascots. Morph (Dane A. Davis) is a shape-shifting blob of pink mass that perches on Silver’s shoulder, like a parrot. But I’ll take the parrot any day.

So what does that leave us with? The stunning art and animation. Andy Gaskill worked as a visual development artist on The Little Mermaid, and, promoted to art director, he oversees a crew that creates frame after frame and sequence after sequence of breathtaking art design and animation. The palette is largely orange and brown, and yet there’s plenty of visual pop. Only in a few scenes do we get grain and a soft image.

Given the artwork, if a better character had been inserted than the one-dimensional cyborg Silver, we’d be talking about Treasure Planet as another Disney classic. As is, it’s still a stirring animated adventure with near non-stop action that can be shelved in the “underappreciated Disney” category.

Language: n/a
Sex: n/a
Violence: The usual peril and fighting
Adult situations: Several deaths of minor characters
Takeaway: Disney’s adaptations continue to be inventive, if not always successful at the box office. And Treasure Planet deserves a second life.

THE LONGEST RIDE (Blu-ray)

July 23, 2015

James Plath, Family Home Theater Drama, PG-13 rated, Reviews (by Genre) Nicholas Sparks, The Longest Ride Leave a comment

Grade: B-
Entire family: No
2015, 139 min., Color
Rated PG-13 for some sexuality, partial nudity, and some war and sports action
20^th Century Fox
Aspect ratio: 2.40:1
Featured audio: DTS HD-MA 7.1
Includes: Blu-ray, Digital HD
Bonus features: B
Trailer
Amazon link

This could have been the shortest review I’ve written. All I had to do was say that The Longest Ride is based on a novel by romance writer Nicholas Sparks, and everyone would get the picture.

Sparks’ audience is and has always been primarily women, and the movie adaptations of his books have fallen into the category of “chick flicks.” That’s not bad, mind you, but the reality-check is that families with adolescent and teenage girls are more likely to fall for this opposites-attract love story than families with boys. That’s just the way it is, and it’s not a slam. Sparks has written 18 romance novels, and 11 of them (including Message in a Bottle, The Notebook, and Dear John) have been turned into films. They’re tremendously popular.

This one falls right in the middle, in terms of worldwide gross, but it’s decent enough entertainment if you’re into romance. The plot is a two-strand weave that involves two couples.

Romantic comedies always have a “meet cute,” and though this isn’t a comedy, that’s how it works. Wake Forest college student Sophia Danko (Britt Robertson) is coerced by her sorority sisters into donning cowboy boots and going to a rodeo to check out the “beef.” When Luke—who was seriously injured a year earlier and is still mentally and emotionally scarred as a result—falls off a bull right in front of her and loses his hat, she tosses it to him . . . and he tosses it back. “Keep it,” he says. Eye contact. Later they meet at a party where she’s just about to accept a drink with him but has to cut the evening short because of a friend who drank too much. Yep, there’s drinking and implied sex in this film, though the nudity we see is full-body without full reveal, hence the PG-13 rating.

They start to see each other, but an otherwise ordinary love story is given another layer when they come across an accident. Luke (Scott Eastwood—Clint’s youngest son) pulls the man out, while Sophia goes back at the man’s request to retrieve a box. Sparks has never been bashful about using plot devices, and this one’s a doozy. With a curious Sophia reading the love letters contained in the box, Sparks sets up a double love story—one in the past, with the woman (Oona Chaplin) deceased and the man (Alan Alda) on life support, and the other a young couple just trying to find someone. Sparks and director George Tillman, Jr. (Soul Food, Barbershop) do a nice job of pacing the reveals and relationship development, and a surprise-but-inevitable ending ties that neat bow that romance lovers have come to expect on every package.

In between there are some exciting and wonderfully filmed bull riding sequences, and the stars are plenty likable—which is really important in a formulaic romance, so that we care about their characters and their outcomes. It also looks great in HD, with a bundle of bonus features that should appeal to fans.

Language: Surprisingly little. Maybe a few s-words but that’s about it
Sex: A number of sex scenes, with one brief breast shot and a brief men’s top half of a butt shown. Also plenty of talk about sex.
Violence: Not much. Really just the bull riding sequences and the car crash
Adult situations: Drinking, smoking, partying, etc.
Takeaway: You’re doomed to repeat the past, unless you can learn from someone else’s past. Oh, and love is timeless.

CURIOUS GEORGE 3: BACK TO THE JUNGLE (DVD)

July 3, 2015

James Plath, Family Home Theater Animation, Children's, Entire Family, G rated 1 Comment

Grade: B+/A-
Entire family: Yes, but ….
2015, 81 min., Color
Rated G
Universal
Aspect ratio: 1.78:1
Featured audio: Dolby Digital 5.1
Bonus feature: C-/D
Trailer
Amazon link

After a disappointing Curious George 2: Follow That Monkey and a relatively pedestrian Curious George Swings into Spring, executive producers Ron Howard and Brian Grazer have given this popular children’s book character the kind of animated adventure he deserves. Curious George 3: Back to the Jungle may be better than the original Curious George theatrical release, and that’s quite a compliment for a direct-to-DVD release.

This outing, George (voiced by animated voiceover genius Frank Welker) is recruited by a space program run by a man named Houston (John Goodman) to fly into space to link a gizmo to a satellite and then return to Earth with it so that the gizmo can be installed in Africa to prevent flooding. And yes, we do get the line, “Houston, we have a problem.” So while the previous two Curious George films were aimed directly at preschoolers and everyone else be gosh-darned, this time there are a few more embedded allusions to entertain the older siblings and parents who watch with them. More

THE BLACK STALLION (Criterion) (Blu-ray)

July 2, 2015

James Plath, Family Home Theater Drama, Entire Family, G rated Leave a comment

Grade: B+
Entire family: Yes, but . . .
1979, 117 min., Color
Rated G
Criterion Collection
Aspect ratio: 1.85:1
Featured audio: DTS-HD MA 2.0 Surround
Includes: 17×11 color poster, five short films by Ballard
Bonus features: B-/C+
Amazon link

The Black Stallion—at least the 1979 adaptation that Francis Ford Coppola “presents”—is an interesting hybrid. It’s part family movie and part indie/art house film. Director Carroll Ballard takes the 1941 book for young readers and infuses the story of a boy and a wild horse who “save” each other with indie film sensibilities and art-house cinematography.

The result is a film that’s obviously made for adults but suitable for children. There are a few less warm fuzzies and sappy moments in this hybrid (a good thing!), though the pacing in the first act might seem a bit too leisurely for the youngest viewers. There’s not much you can do for them except to assure them that the action picks up, but older children who squirm can be shown the luxurious cinematography from Caleb Deschanel (Zooey Deschanel’s father), with breathlessly original shots and angles and the space for those shots to breathe and expand in our consciousness.

Ballard isn’t quite as lavish with his plotting and narrative. Some directors like to show rather than tell; Ballard likes to suggest rather than show. We see a young boy and his father on a steamer off the coast of North Africa, where Dad (Hoyt Axton) is gambling with dangerous-looking people, and the boy, Alec (Kelly Reno), has the run of the ship. The boy glimpses a wild black stallion roped and whipped by Arab trainers and forced into one of the ship’s holds. Feeling sorry for the horse, Alec returns with sugar cubes he swiped but is caught and treated almost as roughly by the Arab. Shortly thereafter, his father shares with him a trinket from his poker winnings: a small statuette of Alexander the Great’s horse. We hear the story of how the horse was so wild the king was going to put him down, but conceded that the boy Alexander could keep him if he could ride him. Of course, that tiny statuette and story become a controlling metaphor for the narrative of The Black Stallion, for soon afterwards a violent storm kicks up, the boy releases the horse so he won’t go down with the ship, and after watching him leap into the sea the boy is thrown overboard and calls for help.

So begins a relationship between the boy and the horse that develops on the island until he’s rescued by a group of men who also take the animal that Alec refuses to leave behind. And yet, what Alec does leave behind is any apparent feeling for his father. We really don’t know what happened to the man, nor did we see any emotional reaction in Alec after he awakens on the beach of a desert island. He’s as concerned about what happened to his father as he is about finding fresh drinking water (a detail that’s never addressed). We aren’t told, as readers of the book were, that the two of them had been visiting an uncle in India, so viewers really have no idea why the pair was on a ship so far from his home somewhere in the states where horses are raced. Even after Alec returns home to his mother (Terri Garr), we aren’t given much in the way of information.

But this is an impressionistic film, one that is more image-driven and scene-driven than it is dependent on plot, especially in the early going. For a while, it’s like Cast Away, but with a horse instead of a volleyball. Then turns into National Velvet, but with a teenage boy instead of a teenage girl, and a thoroughbred horse race rather than steeplechase. Perhaps not coincidentally, just as actor Mickey Rooney played the role of the former jockey and mentor in National Velvet who helps young Velvet train for the steeplechase, he’s a former jockey and mentor here too, helping Alec to learn what it takes to harness all that wild energy and race Black, as he’s simply called.

The payoff will ultimately satisfy young viewers if they can make it through the slower parts. But frankly, it wouldn’t hurt today’s children to learn how to appreciate those slow-down moments in life—especially when they’re so beautifully filmed.

If you’re building a Blu-ray collection, by all means, add this title. But the master had a lot of grain that carries over onto the HD release, so this title would probably look just as good on DVD. As for the bonus features, they’re geared for adults—though older, curious young filmmakers-in-waiting might be drawn to several of the five short films by Ballard, especially one on the “Rodeo” and another in which Ballard interviewed centenarians talking about what L.A. was like a hundred years ago . . . juxtaposed against the chaos of images that flood 1971 Los Angeles. What he does will inspire young filmmakers, who will find a way to take the best of what he does and speed it up for the current time and generation.

Language: Clean as can be
Sex: Same here
Violence: That brief boat beat-down, a violent storm, and a cobra incident
Adult situations: Loss of the father
Takeaway: It IS possible to have it both ways, to craft a film that’s aesthetically pleasing out of a story intended for a young audience.

New on Blu-ray and DVD (June 16, 2015)

June 16, 2015

James Plath, Family Home Theater News Leave a comment

The best family movie this week is (wait for it) . . . a family movie.

Spirit Riders (2015) stars Allie DeBerry (Disney’s A.N.T. Farm) as a troubled teen who is sentenced to attend an equine therapy camp. There she forms a bond with a feisty thoroughbred and helps him settle down and accept his post-racing life, even as the ranch owner (Lance Henriksen, Aliens) helps her to lose her anger and find a way to get her life back on track. C. Thomas Howell (The Outsiders) also stars in this feel-good drama. Look for it on DVD. It has the Dove seal of approval

Then there’s Time Lapse (2014), a sci-fi thriller about three friends who discover a strange machine that takes photos 24 hours into the future. Naturally, they decide to have some fun and maybe profit somehow, but nothing is that simple, is it? Time Lapse is out on Blu-ray for the first time. It’s not rated, but there is a lot of swearing, including the dreaded “f-word.”

For more wholesome fare you have to go back in time. Like the ‘50s and ‘70s. This week Laverne & Shirley: The Complete Series comes out on DVD, along with The Odd Couple: The Complete Series, also on DVD. L&S is sillier and more slapstick, with the appeal of ‘50s nostalgia as we get to know two blue-collar Milwaukee brewery workers as they date and dream. It stars Penny Marshall and Cindy Williams, with a memorable (and yes, funny) cast of supporting characters. The series still holds up for families today.

The Odd Couple (1970-75) was higher rated, but the TV adaptation of the Neil Simon play is also a little more dependent on character conflict: Felix (Tony Randall) is the neat freak divorcee, while Oscar (Jack Klugman) is the divorced slob. Can two divorced men live together? The Emmy- and Golden Globe-winning show also stars Al Marinaro (Happy Days), Penny Marshall (Laverne & Shirley), and Elinor Donahue (The Andy Griffith Show). Though the DVD notes say it’s edited (no doubt because of music rights), the show is still fun to watch.

And if you go REALLY far back in time you can get catch the ‘50s version of the Middle Ages in The Adventures of Robin Hood, a TV series aimed at children starring Richard Greene. A 39-episode release comes out this week from TV Guide and it’s dripping with nostalgia. Unless, that is, you’re seeing it for the first time—in which case you’ll find it surprisingly entertaining. It too is only available on DVD.

Finally, for more sophisticated viewers with older children there’s The Newsroom: Season 3, available on Blu-ray and DVD. Aaron Sorkin does for the newsroom what he did for The West Wing, and Jeff Daniels and Emily Mortimer star in this smartly written commentary on today’s media.

New on Blu-ray and DVD (June 9, 2015)

June 7, 2015

James Plath, Family Home Theater News Leave a comment

Once again there’s not much in the way of family-friendly new releases: just a ‘60s TV series about a veterinarian in Africa, an off-brand animated dinosaur adventure, and, for families with older children that have a more sophisticated range, and a 1939 classic Ernst Lubitsch comedy.

Daktari means “doctor” in Swahili, and for four seasons this TV drama-adventure aimed at children entertained the target audience on CBS. Marshall Thompson played Dr. Tracy, a vet working in East Africa to study animals and also protect them from poachers and politicians. Cheryl Miller played his daughter, Paula, but the real stars were compound “pets” like Clarence the Cross-Eyed Lion and Judy the Chimpanzee. Season 4 comes out on DVD this week, and it was this season that introduced Erin Moran (who struck sitcom gold as Joannie in Happy Days five years later) as a young orphan. The series was created by Ivan Tors, who gave TV audiences Sea Hunt a decade earlier and Gentle Ben a decade later. Tors was also the man behind the Flipper movies. If you have children who are wildlife experts, they might cringe to see tigers and Indian elephants and possibly suspect that real footage of Africa was intercut with footage shot in California—which was the case. But these 15 episodes (755 min. runtime) are still entertaining.

For young children there’s Back to the Jurassic, a 2015 follow-up to the off-brand Dino Time (2012) featuring the voices of Rob Schneider, Melanie Griffith, William Baldwin, and Jane Lynch. The animated adventure follows three young friends who accidentally start a time machine and end up in the Jurassic Period, “adopted” by a dinosaur mom who has a rough-and-playful son of her own. Will they survive before their parents can work in present time to save them? This one comes with the Dove seal of approval. Look for it on 3D Blu-ray (+ Blu-ray + DVD) combo pack or DVD.

It’s the American Film Institute that approves of Ninotchka, rating it #40 on their list of 100 Top Romances and #52 on their list of 100 Top Comedies. Ernst Lubitsch’s 1939 film concerns a Stalin-era Soviet official who is sent to Paris to bring back three Russians who were supposed to sell jewelry that the State confiscated during the Russian Revolution . . . but never returned. The government suspects they’ve been corrupted by Western decedance, and they trust a harsh special envoy named Nina Ivanova “Ninotchka” Yakushova (Greta Garbo) to set things right. But the Count (Melvyn Douglas) who wooed the three Russians into staying in the West can be quite persuasive. Ninotchka is a different kind of romantic comedy, and the first film to portray Stalin’s Russia as the all-gray, severe country that would become a cliché in later Hollywood films. It’s out on Blu-ray this week for the very first time.