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New on Blu-ray and DVD (March 24, 2015)

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HobbitTwo titles jump out this week. New to Blu-ray combo and DVD is the final installment of J.R.R. Tolkien’s The Hobbit, a single book that Peter Jackson stretched out to make a companion trilogy to The Lord of the Rings. As I wrote in my review, The Hobbit: The Battle of the Five Armies is really more third act than stand-alone film, dominated by final-battle conflict. You have to have seen The Hobbit: An Unexpected Journey and The Hobbit: The Desloation of Smaug to appreciate the climax, and even then it’s a series for families with older children, as the PG-13 film has plenty of fantasy violence. But for Tolkien-lovers, it’s a must-buy. Martin Freeman stars as the hobbit Bilbo Baggins, while Ian McKellen is the wizard Gandalf and Richard Armitage is dwarf leader Thorin.

IntotheWoodsIf your family is into musicals, the must-have this week is Disney’s PG-rated Into the Woods, a review of which I’ve just posted. It’s a pretty faithful adaptation of the Stephen Sondheim-James Lapine Tony Award-winning Broadway play that really has a theatrical feel to it. Into the Woods is also pretty faithful to the original, and I thought Disney’s cast and their performances were every bit as good as the Broadway version. Meryl Streep stars as the witch, Anna Kendrick as Cinderella, James Corden and Emily Blunt as the Baker and his wife, Daniel Huttlestone as Jack, Lilla Crawford as Little Red Riding Hood, Mackenzie Mauzy as Rapunzel, Chris Pine as Prince Charming, and Billy Magnussen as Rapunzel’s Prince in this fairytale mash-up, which subverts the clichéd happily-ever-after ending. Look for it on Blu-ray or DVD.

SureThingFamilies with teens might check out Rob Reiner’s The Sure Thing, an opposites-attract romantic dramedy starring John Cusack (Say Anything) and Daphne Zuniga (Spaceballs). The 1985 film comes out in a 30th Anniversary Blu-ray this week, rated PG-13 for sexual content, including references and language. But the only skin we glimpse is a man “mooning” other cars in this story of a college freshman (Cusack) who decides to travel across country to visit his friend and bed what his friend claims is a “sure thing.” To share on costs he teams with Allison (Zuniga), a coed who is going to California during the same spring break to visit her boyfriend. Opposites clash, opposites drive each other crazy, and opposites kind of like each other and try to help each other figure out life, which seems more complicated for teens than for anyone else. Though sex is the driving force, it’s actually a sweet film from Reiner, who also gave us The Princess Bride and Stand by Me.

UnbrokenNot so sweet and downright difficult to watch in parts is Angelina Jolie’s directorial debut, a war and prisoner-of-war movie about a U.S. Olympian named Louis Zamperini (Jack O’Connell) who survives 47 days on a raft after his bomber is shot down during WWII, only to be taken prisoner and subjected to all manner of abuse at the hands of his Japanese captors. Unbroken is rated PG-13 for brief language and near-constant war violence, including intense sequences of brutality. It’s a movie about survival, and that means catching and slitting open a seagull to eat raw, then vomiting. There’s even violence in flashbacks, where we see a boy beaten by others and called a “dago.” But for families who are into historical-based films, this one offers a glimpse into man’s inhumanity to man . . . and man’s ability to resiliently survive. It’s available on both Blu-ray combo and DVD.

VincentTheoIt seems as if every fifth arts question on Trivia Crack is about Vincent van Gogh, and the curious can learn his tragic story this week when Robert Altman’s 1990 biopic Vincent & Theo comes to Blu-ray for the first time. Tim Roth stars as the artist and Paul Rhys as his art-dealer brother in this beautifully filmed PG-13 rated offering, which can be dark at times, since it deals with a tortured artist who went through long bouts of depression and was unstable enough to cut off his ear to give it to a woman.

AtwarwithArmyFinally, if your family loves old black-and-white classics, the comedy team of Dean Martin and Jerry Louis stars in At War with the Army, a 1950 musical-comedy directed by Hal Walker, who also helmed three of the Crosby-Hope-Lamour “road pictures.” Sgt. Puccinelli (Martin) wants to be transferred overseas, while PFC Korwin (Lewis) wants a pass to see his wife and new baby. But forget about it, because this is WWII and the boys are in training . . . to perform at a talent show. Though it isn’t highly regarded now, this was the film that solidified Martin & Lewis as box-office talents and introduced actress Polly Bergen. Film Chest restored the film and is bringing it to Blu-ray for the first time this week.

INTO THE WOODS (2014) (Blu-ray)

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IntotheWoodscoverGrade: B+
Entire family: Not really
2014, 125 min., Color
Rated PG for thematic elements, fantasy action and peril, and some suggestive material
Disney
Aspect ratio: 2.39:1 widescreen
Featured audio: English DTS-HD MA 7.1
Includes: Blu-ray, Digital HD
Bonus features: B-
Trailer/Amazon link

I was surprised to see that more than 52,000 readers at the Internet Movie Database collectively rated Disney’s Into the Woods a mere 6.2 out of 10. And at Rotten Tomatoes, only 53 percent of some 85,000 viewers liked it. Obviously, these were people more familiar with the Disney formula than the Broadway musical penned by Stephen Sondheim and James Lapine, because the film version stays pretty true to the theatrical production.

In fact, despite the addition of greater visual depth and special effects, Disney’s Into the Woods has a very staged feel to it, except that the actors aren’t consciously playing to the audience. We’re not talking about the insertion of occasional songs, either. Like an operetta, Into the Woods features plenty of monologues and conversations that are sung rather than spoken. It’s a very theatrical film, in other words, and I can see where, if you’re not expecting that, it could throw you for a loop.

So could the encroachment of serious themes and an ending that undercuts the fairytale notion of happily-ever-after. You and your family may find yourself tearing up, and that’s almost unheard of with a Disney film. In the past, there may have been weepy Bambi’s mother and Old Yeller moments, but all was usually well that ended well. There’s a difference between a happy ending and a hard-earned optimism that reinforces the old adage about making lemonade when life gives you lemons, and it’s the latter that audiences encounter when they travel vicariously Into the Woods.

Disney’s film version may be rated PG, but the emotional content may make the film appropriate only for children old enough to understand and accept what was repackaged in The Lion King as “The Circle of Life.” If they can handle The Lion King, they can handle this. But they have to love live theater and musicals to love Disney’s Into the Woods. It’s that simple. They also need to be able to understand the basic premise, which is an intricate weave of familiar fairytales.

Everybody wants something, which is what the cast sings about in the long, opening title song that begins, “I Wish.” It might help to share ahead of time with smaller children that Into the Woods is a mash-up of fairytales, and that we jump from tale to tale and character to character.

The Baker (James Corden) and his wife (Emily Blunt) desperately want a child, and the witch next door who had put a curse on their family (Meryl Streep in her Oscar-nominated role) offers them a way to do that: they must bring her a milky white cow (from the Jack and the Beanstalk fairytale), a slipper of gold (from the Cinderella fairytale), a blood-red cape (from the Red Riding Hood fairytale), and hair as yellow as corn (from the Rapunzel fairytale).

All the characters go into the woods: Jack (Daniel Huttlestone) is sent by his mother (Tracy Ullman) to sell the cow, Cinderella (Anna Kendrick) goes there to talk to her dead mother and receive the gift of fine clothes that will allow her to attend the ball, Little Red (Lilla Crawford) skips to her grandmother’s house deep in the woods, Rapunzel (Mackenzie Mauzy) rebels against her witchy mother by secretly seeing a prince, the baker and his wife try to acquire their objects, and the giant and giant’s wife from Jack and the Beanstalk eventually wreak havoc.   More

Don Rickles sitcom C.P.O. SHARKEY debuts on DVD May 19

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CPO SharkeyThe ’70s sitcom C.P.O. Sharkey, starring acerbic comedian Don Rickles, comes to DVD for the first time on May 19 when Time Life releases The Complete First Season.

Rickles, a stand-up comic nicknamed “Mr. Warmth” because of his politically incorrect insult humor, plays U.S. Navy Chief Petty Officer Otto Sharkey, a sharp-tongued veteran in charge of a company of new seaman recruits on a San Diego naval base. C.P.O.  Sharkey was a satirical look at Navy life and the perfect vehicle for the abrasive Rickles, who served in the Navy during WWII. The cast of “recruits” includes an African American (Jeff Hollis), a Jew (David Landsberg), an Italian American (Barry Pearl), a Puerto Rican (Richard Beauchamp), and a Pole (Tom Ruben). Though the men of Company 144 were bunglers and blockheads, they were his bunglers and blockheads, and if you looked past the insults Sharkey was a softie who’d do anything for his men.

SharkeyscreenFifteen Season 1 episodes are included, and this season Sharkey quells a boot camp mutiny, serves as marriage counselor for a disruptive new recruit, and goes to Tijuana to bail out his guys (who were thrown in jail for cheering the bull at a bullfight). Total runtime is 374 minutes and the DVD has an SRP of $29.99—though it’s currently selling at Amazon for $26.98.

Will Rickles humor work for a new generation? That’s hard to say. The series only ran for two seasons, but it was written and produced by Aaron Ruben, who had previously worked on The Andy Griffith Show, Sanford and Son, and Gomer Pyle: U.S.M.C.  Could it have been a case of bad timing? Possibly. America’s involvement in the Vietnam War had ended just three years before Season 1 of C.P.O. Sharkey debuted on NBC. Maybe the public had had enough of all things military.

Aside from the uncut episodes, the DVD will include a special bonus feature:  a legendary ’70s clip from The Tonight Show featuring Johnny Carson storming the C.P.O. Sharkey set during filming, in retaliation for Rickles accidentally breaking Carson’s cigarette box while a guest on the show several days earlier.

ANTARCTICA: A YEAR ON ICE comes to VOD, Blu-ray, DVD

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AntarcticaMusic Box Films announced that Antarctica: A Year on Ice will be available on VOD beginning March 24, 2015, with the Blu-ray and DVD releases following on April 4.

Award-winning filmmaker Anthony Powell spent more than a decade filming Antarctica: A Year on Ice to show what it’s like to live in Antarctica for a full year alongside a close-knit international population of research scientists, technicians and craftsmen that call the southernmost continent home.

Antarcticascreen1Isolated from the rest of the world, coping with temperatures that drop to -75 degrees Fahrenheit, and enduring months of unending darkness followed by periods when the sun never sets, Antarctic residents live and work under extraordinary circumstances. And Antarctica: A Year on Ice offers a look at a culture few people have ever experienced.

Antarcticascreen2Powell used specially modified cameras and time-lapse photography to capture the splendor of the region like no film before it—one reason why it won awards at the 2013 Calgary International Film Festival, the 2013 Eugene International Film Festival, and the New Zealand Film and TV Awards. Bonus features on the Blu-ray include behind-the-scenes footage, director’s commentary, and outtakes. Feature runtime is 92 minutes, and it’s presented in 1.85:1 widescreen with a Dolby Digital 5.1 soundtrack. Antarctica: A Year on Ice is rated PG.

EXODUS: GODS AND KINGS (Blu-ray)

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ExoduscoverGrade: C+
Entire family: No
2014, 150 min., Color
Rated PG-13 for violence including battle sequences and intense images
20th Century Fox
Aspect ratio: 2.40:1
Featured audio: English DTS-HD MA 7.1
Includes: Blu-ray, Digital HD
Bonus features: C-/D
Trailer/Amazon link

Last year two modernized biblical blockbusters came to the big screen: Noah, starring Russell Crowe in the title role, and Exodus: Gods and Kings, with Christian Bale playing Moses. Both films took so many liberties with the Old Testament version that if a bell rang every time they veered off-course, we’d all be deaf. But at least there are no fantastic rock monsters in Exodus, the superior of the two.

Exodus: Gods and Kings is Ridley Scott’s attempt to retell the story of Moses and the Israelites’ flight from Egypt, but it’s significantly different from Cecil B. De Mille’s The Ten Commandments, which was closer to King James.

Exodusscreen1De Mille made an epic. Scott, like Noah director Darren Aronofsky, made an action movie. There’s no wandering the desert with staff and sandals in Exodus. Scott’s Moses rides a horse across the Red Sea narrows and the wilderness to Midian, with a sword in his bedroll. This Moses wears a breastplate and fights assassins, and when the time finally comes for him to return to Egypt and lead the Israelites to freedom, there’s more talk of rebellion than there is of a “promised land.” He teaches the Israelites to fire bows and arrows and leads them on commando raids. This Moses is more military leader than prophet, and there’s not a single “And the Lord says” to be found here. “They’re Egyptians,” Moses tells Ramesses, “they should have the same rights, they should be paid.”

Much of the language is contemporary, with liberal use of contractions—something my 17-year-old son assures me will go a long way toward appealing to the younger generation. So you have the Pharaoh saying things like, “Everybody but the Viceroy, OUT!” and another ancient Egyptian saying, “I didn’t say exiled. I said DEAD.” In Midian, Moses says, “Your daughters invited me here for food. They didn’t tell me there was going to be an interrogation”—a word that didn’t exist until the late 14th century.

Maybe that’s nit-picking, since Scott manages to create a visually interesting ancient world. He also uses today’s superior technology to wow us when God sends 10 plagues to smite the Egyptians—even though the Nile turns blood red [SPOILER ALERT] because of a giant crocodile that attacks everyone like an ancient Jaws. And later, when the Red Sea rushes over the Egyptians, we briefly see sharks swirling around them in a feeding frenzy. All that too will probably go a long way toward appealing to a new generation of teens and ‘tweens who’ve grown up playing action-filled video games.   More

THE BREAKFAST CLUB 30TH ANNIVERSARY EDITION (Blu-ray)

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BreakfastClubcoverGrade: B+
Entire family: No
1985, 97 min., Color
Universal
Rated R for language and sex talk
Aspect ratio: 1.85:1 widescreen
Featured audio: English DTS-HD MA 5.1
Includes: Blu-ray, Digital HD
Bonus features: B+
Trailer

In high school, which one were (or are) you? One of the popular kids, a jock, a disturbed misfit, a hood/criminal, or a nerdy brain? These days there are a few more sub-categories, but writer-director John Hughes pretty much nailed the stereotypes back in 1985. And though they’re stereotypes, as one cast member stressed they’re not caricatures. That’s a big reason why The Breakfast Club became such an instant classic film about teenagers and their problems. The other reason is that Hughes captured the way teens talk, and he made sure that his script worked by allowing his young actors to ad lib.

Hughes’ “Brat Pack”—Emilio Estevez, Molly Ringwald, Anthony Michael Hall, Ally Sheedy, and Judd Nelson—did a lot of that, as you’ll discover if you choose to watch the digitally remastered and fully restored (from hi-res 35mm original film elements) 30th Anniversary Blu-ray with pop-up trivia cards. It’s a great way to experience a film that looks terrific with the new transfer, even if the cards linger on the screen a little long (have reading levels dropped that much since 1985?).

Entertainment Weekly called The Breakfast Club “the best high school movie of all time,” and the R rating—for language (including F-bombs), sex talk, and marijuana use—hasn’t stopped generations of teens from watching it. Let’s be honest. Parents know that kids talk this way, or else they hear kids talking this way every day at school. And Hughes captures that part of the culture where everything revolves around the teen and his or her standing among peers. So let your teens watch, if they want. It’s nothing they haven’t seen before.   More

THE HOBBIT: THE BATTLE OF THE FIVE ARMIES (Blu-ray combo)

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FiveArmiescoverGrade: B+
Entire family: No
2014, 144 min., Color
Warner Bros.
Rated PG-13 for fantasy action violence and frightening images
Aspect ratio: 2.40:1 widescreen
Featured audio: English DTS-HD MA 7.1
Includes: Blu-ray, DVD, Digital HD
Bonus features: B+
Trailer

The subtitle says it all. The Hobbit: The Battle of the Five Armies is pretty much non-stop battle action, from an impressive opening sequence when the dragon Smaug (voiced by Benedict Cumberbatch) torches a city, until the converging armies battle and the final arrow is shot. So yes, this 144-minute film is rated PG-13 because of “extended sequences of intense fantasy action violence and frightening images.” There’s no sex, no bad language, and no adult situations to speak of, except for warfare.

The philosopher Bertrand Russell once remarked, “War does not determine who is right—only who is left.” That wordplay aptly describes the third film in the Hobbit trilogy. With so much fighting and no build-up to speak of, the main suspense comes from seeing who will be the last ones standing and whether any major characters in J.R.R. Tolkien’s Middle-earth will die.

Of course, if you can keep all the characters straight and remember who appears in The Lord of the Rings, you’ll have more emotional investment in what happens and have more of a clue, since the book that inspired the film series was written as a prequel. Given the three Lord of the Rings and three Hobbit films that Jackson has made, it’s strange to think that Tolkien’s books are considered classics of children’s literature. But when you read of battles, the violence is whatever a young reader can imagine. That’s not the case with film, hence the PG-13 rating.

FiveArmiesscreen1For his last foray into Middle-earth, Jackson broke up a single book into three film installments, so the third film functions as a third act—meaning, unlike some trilogies or sequels, The Battle of the Five Armies will seem impossibly confusing to anyone who hasn’t seen (or remembered) the first two installments. It will seem like what it is: all climax and no plot development or complications. Yes, five armies are converging, but if you’re approaching this cold or have forgotten the first two films, what’s missing is why we should care. The only takeaway in this case is that old motivating force, greed—greed for power, greed for gold—and a genocidal undercurrent.  More

New on Blu-ray and DVD (March 17, 2015)

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This week I’m reminded of an old joke: What’s black-and-white and black-and-white and black-and-white and black-and-white? A penguin rolling down a hill. Well, a nun, actually, but that’s not much of a lead-in to this week’s big title, is it?

PenguinsThe 2014 DreamWorks animated feature Penguins of Madagascar comes to 3D Blu-ray, Blu-ray, and DVD this week, featuring a Cheeto-loving bird and his tuxedoed friends. If you haven’t been following, Madagascar and Madagascar: Escape 2 Africa spawned an animated 2008 TV show called The Penguins of Madagascar—and that was so successful that Skipper, Kowalski, Rico and Private returned to the big screen as the stars of their own big-concept animated movie. The four penguins live at the Central Park zoo by day, but, like the platypus in Disney’s Phineas & Ferb, have a secret life as secret agents. In Penguins of Madagascar they join forces with a rival undercover organization to stop the evil Dr. Brine from destroying the world. It’s rated PG, which means, of course, that Dr. Brine isn’t as scary as he thinks he is.

SongoftheSeaFor a more obscure film that has a totally different style of animation there’s Song of the Sea, a 2014 Irish fantasy from the same people that gave us The Secret of Kells. Based on a Celtic myth, Song of the Sea tells the story of two children who live in a lighthouse with their father, and the daughter, Saoirse, who finds a shell flute that’s somehow tied to the mother who disappeared years ago. She finds out that she’s a Selkie, a mythical creature that lives on land as a human but transforms into a seal underwater. After the siblings are sent to live with a granny in the city, it takes teamwork and Saoirse’s powers to help them bring the tales their mother told them to life and help them find their way home. Song of the Sea is being released on Blu-ray combo or DVD, and the PG-rated film features the voice talents of Brendan Gleeson, Fionnula Flanagan, and David Rawle.

ExodusCecil B. De Mille’s The Ten Commandments was such a monumental film that director Ridley Scott really gave himself a challenge to retell the story of Moses leading the Israelites out of Egypt using today’s high-tech special effects. In Exodus: Gods and Kings, Christian Bale plays the character we all associate with Charlton Heston, while Joel Edgerton is Ramses, the Pharaoh who refuses to let his slaves leave. This version, which also stars John Turturro, Aaron Paul, Sigourney Weaver, and Ben Kingsley, comes to a deluxe edition 3D Blu-ray/Blu-ray combo or DVD on Tuesday. It’s not as compelling a story as the original, but Scott works special effects miracles with the plagues that the Israelite God sent to smite Egypt. It’s more violent and truncated than The Ten Commandments, but also less idealized and corny.

annieI’m not sure the world needed another version of Annie, but we get one anyway this week. The 2014 PG remake starring Oscar nominee Quvenzhané Wallis, Cameron Diaz, and Jamie Foxx tells the familiar story of a little orphan girl who this time is living with a foster mom. And this time the plot thickens when a New York City mayoral candidate takes her in and tries to make political capital out of her. As with the 1982 version, songs add a little life to a comedy-drama that disappointed critics and audiences.

WKRPFinally, if your family likes older sitcoms and you don’t want to spend money on complete series until you sample a taste, this week you can try Season 2 of the ‘70s TV sitcom WKRP in Cincinnati, which featured one of the great ensemble casts of the decade and plenty of ‘70s music for the soundtrack. Andy Travis (Gary Sandy) was hired as the new program manager by the seldom-seen mother of station manager Arthur “Big Guy” Carlson. His job: turn the station into a Top-40 rock success, and that meant bringing in DJs Venus Flytrap (Tim Reid) and Dr. Johnny Fever (Howard Hesseman). Other cast members included a secretary (Loni Anderson) who refused to do anything but answer the telephone, along with a sorta-sleazy ad salesman (Frank Bonner), and a newsman (Richard Sanders) who taped “walls” on the floor around his desk and insisted that people “knock.” Quirky? You bet. Still funny? Yep.

THE REWRITE (Blu-ray)

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RewritecoverGrade: B-
Entire family: Yes, but . . . .
2014, 107 min., Color
RLJ/Image Entertainment
Not rated (would be PG-13 for drinking and adult situations)
Aspect ratio: 2.40:1
Featured audio: English DTS-HD MA 5.1
Bonus features: C-
Trailer

Hugh Grant is known for his boyish good looks, casual charm, and dry sense of humor. Writer-director Marc Lawrence is known for casting him.

Thus far Grant has starred in four of Lawrence’s lightweight PG-13 comedies, and while Music and Lyrics remains the best of the bunch—partly because of the chemistry that Grant had with co-star Drew Barrymore—The Rewrite is better than Two Weeks Notice and Did You Hear About the Morgans?

There are some genuinely funny moments in this comedy about an Oscar-winning writer who can’t find work and quickly manages to upset the apple cart after arriving at SUNY-Binghamton to teach a screenwriting course as a visiting writer-in-residence.

Keith Michaels, a one-hit wonder known only for penning Paradise Misplaced, violates teaching ethics by bedding the “apple polisher” that flirts with him his very first night in upstate New York. He drinks too much at the classic wine-and-cheese faculty reception and insults their Jane Austen scholar (Allison Janney). He becomes the talk of the campus after selecting his students on the basis of their attractiveness rather than the strength of their screenplays. And he all but forces an easygoing department chair (J.K. Simmons) to reprimand him after he meets with his students for a total of five minutes and tells them to come back after a month, when they’ve written a complete screenplay.

Michaels isn’t quite at rock bottom, but he still needs to travel a pretty long character arc to reach a point of redemption. And that’s what screenplays are all about.   More

NIGHT AT THE MUSEUM: SECRET OF THE TOMB (Blu-ray combo)

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NightattheMuseum3coverGrade: B/B+
Entire family: Yes
2014, 98 min., Color
20th Century Fox
Rated PG for mild action, some rude humor and brief language
Aspect ratio: 1.85:1 widescreen
Featured audio: English DTS-HD MA 7.1
Includes: Blu-ray, DVD, Digital HD
Bonus features: B-
Trailer

Quick. Name five action comedies that are rated PG. Can’t do it?

I’m not surprised. That’s not the direction Hollywood has been going. Most action comedies aim for an adult audience and then try to ratchet down the adult content in order to squeeze by with a PG-13 rating. But like its predecessors, Night at the Museum: Secret of the Tomb is obviously aimed at children, with an eye toward producing something that adults might enjoy as well.

And wholesome doesn’t mean dumbed down. Sure, there are more silly gags and sequences that will delight kids (like the “rude humor” bit where a monkey takes a page from Gulliver’s Travels and pees to put out a fire). But there’s also some smart writing, and as one of the excellent bonus features on this Blu-ray combo pack reveals, just as much ad-libbing from the stars—nuanced performances that adults can appreciate.

NightscreenBen Stiller anchors the cast again as Larry Daley, a security guard at a New York museum who works at night, when a magical Egyptian tablet brings all the exhibits to life. If your family liked Night at the Museum (2006) and Night at the Museum: Battle of the Smithsonian (2009), you’ll like this one too. My wife and I thought it was just as good as the others, while my 13-year-old daughter said it was her favorite of the three. My 17-year-old son liked it except for Rebel Wilson (he hates her) and Larry’s 17-year-old son (Skyler Gisondo), whose character “wasn’t developed enough” for him.

Though Wilson doesn’t get much screen time as a British Museum security guard, the rest of us thought she was every bit as funny as the others. This franchise shifts the spotlight each time, and in Secret of the Tomb newcomer Sir Lancelot (Dan Stevens) and caveman Laaa (also played by Stiller) are featured. Attilla the Hun (Patrick Gallagher) gets more to do this outing, while miniature diorama guys Octavius the Roman (Steve Coogan) and cowboy Jedediah (Owen Wilson) have a side adventure that requires their rescue by Dexter, the stuffed monkey that comes to life with rest of the fake exhibits.

The plot has a Back to the Future vibe to it, since the magic tablet is gradually turning black and the museum gang starts to malfunction and lose mobility. To save them, Larry convinces museum director Dr. McPhee (Ricky Gervais) to let him take the tablet to London, where Ahkmenrah (Rami Malek) can be reunited with his parents, who know the secret of the tablet. Can he find the answer and fix the tablet before his exhibit friends forever lose the ability to come to life?   More

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