Family Home Theater

THE MAZE RUNNER (Blu-ray combo)

December 31, 2014

James Plath, Family Home Theater Action-Adventure, PG-13 rated, Sci-Fi/Fantasy Leave a comment

Grade: B+
Entire family: No
2014, 113 min., Color
Rated PG-13 for thematic elements and intense sequences of sci-fi violence
20^th Century Fox
Aspect ratio: 2.35:1
Featured audio: DTS-HD MA 5.1
Includes: Blu-ray, DVD, Digital HD
Bonus features: B+
Trailer

The Maze Runner is the latest young adult post-apocalyptic sci-fi novel series to make it to the big screen. Directed by relative newcomer Wes Ball (Beginners), the film follows the journey of 16-year-old Thomas (Dylan O’Brien), who awakens in an elevator shaft that dumps him in the middle of a grassy field, surrounded by a gigantic stone maze. He’s not the only one, because other teenage boys have been deposited here, and none of them have any memory of who they were before the Maze—they only remember their names.

Like the boys in William Golding’s Lord of the Flies, they establish a society in which some people have authority and the rest function according to jobs that need to be done. They call their society the Glade, and what sets this film apart from others based on young adult sci-fi novels is that there isn’t a romantic interest. It’s all about the boys trying to explore and map The Maze with designated “runners” without jeopardizing their existence by angering whoever or whatever controls the ever-shifting, ever-changing maze. More

DRAWING WITH MARK: TAKE FLIGHT, AS THE WHEELS TURN, A DAY AT THE FIRE STATION (DVD)

December 17, 2014

James Plath, Family Home Theater Children's, Entire Family, G rated Leave a comment

Grade: B
Entire family: Yes, but . . .
2014, 90 min., Color
Unrated (would be G)
Shelter Island/Big City
Aspect ratio: 16×9
Featured audio: Dolby Digital 2.0 Stereo
Bonus features: C

If you have a small child who loves to draw and wants to get better at representational art, the Drawing with Mark DVDs might be just the ticket. While there are scores of learn-to-draw books out there, let’s face it: this up-and-coming generation is motivated by electronic and interactive learning situations, and nothing can take the place of actually seeing an artist draw so you can imitate the strokes. Maybe that’s why this series has earned the Seal of Approval from The National Parenting Center.

Mark Marderosian worked as an illustrator for Disney books and Golden Books during the ‘90s and in 2007 he created and marketed a collection of children’s stuffed animals called Angels from the Attic, with each character coming with a related storybook. In 2010 he and designer-animator Robert Palmer Jr. developed a TV show called Drawing with Mark, which was provided free of charge to public-access cable TV stations. That first year more than 105 channels came onboard, and in 2013 the Boston/New England Chapter of the National Academy of Television Arts and Sciences nominated the show for a Regional Emmy Award in the Children’s/Youth category.

It didn’t win, and I can see why. Though Mark’s heart is in the right place, the show combines “visits” to see the real thing plus drawing lessons, and the latter is definitely stronger than those field trips. Children are savvy and Mark comes across as not quite exuberant enough and the writing such that you wonder what ages are being targeted. Since his animated “angels” hover in many of the field-trip scenes, you have to think that he’s going for the seven-and-under crowd, but the drawing lessons themselves are such that the whole family can participate.

Pictionary is popular, and I can see families with children too young to play that game starting off with this. Pop in a DVD and have everyone draw, then compare and see how people did. Since family members will draw at different speeds, you’ll want to be able to pause the DVD frequently to give everyone a chance to catch up.

Drawing with Mark: Take Flight, As the Wheels Turn & Fire Station was released on December 2, and so was Let’s Go to the Zoo & Zoo Stories. At the risk of perpetuating gender stereotypes, it’s still been my experience that cars and planes and fire engines are of more interest to boys, but there’s an advantage to starting with this disc: there’s more angularity in vehicles, and they therefore seem easier to draw than the animals.

As the press release for this title notes, “In addition to its Parent’s Choice and Creative Child Magazine awards, Drawing with Mark is a Dr. Toy winner for “best vacation” product and was approved by Kids FIRST!, a voluntary collaboration consisting of more than 100,000 members whose mandate is to teach children critical viewing skills and to increase the visibility and availability of quality children’s media.”

And I will say this: My children can attest that I’m the worst drawer when it comes to a game like Pictionary, but I was able to draw the airplane and cars right along with Mark. The secret is in the steps, and while Mark won’t be there forever to follow, you have to believe that learning the logic of sequence in a number of examples will make enough of an impact so young would-be artists can begin to guess sequences on other objects as well.

HAPPY DAYS: SEASON 6 (DVD)

December 11, 2014

James Plath, Family Home Theater Entire Family, TV Comedy Leave a comment

Grade: C-
Entire family: Yes
1978-79, 661 min., Color
Unrated (would be G)
CBS/Paramount
Aspect ratio: 1.33:1
Featured audio: Dolby Digital Mono
Bonus features: C-

Some sitcoms are born fully formed, but that wasn’t the case with Happy Days. Though it debuted as a mid-season replacement in January 1974 and finished in the #16 spot that season, it took a second year before the series really hit its stride. By Season 4, Happy Days had become a pop phenomenon, in part because the ‘70s were a time of turmoil and this show transported everyone back to the happier, simpler 1950s. But a “greaser” named Arthur “Fonzie” Fonzarelli (Henry Winkler) quickly became the show’s most popular, and his catch phrase “Heyyyy!” caught on just as much as the show’s “Sit on it!” insult.

During its fourth season Happy Days became the #1 show in America, then dropped to #2 its fifth season and #3 its sixth. But truthfully, the numbers don’t tell the whole story. The early shows were driven by ‘50s nostalgia and ‘50s situations and phrases, like “You got it made in the shade.” Then the show’s success changed everything. Fans loved Fonzie, so, as it happened with Mister Ed and other TV sitcoms where a character took over, more episodes were written to showcase him. And when fans responded well to the crooning of Potsie Weber (Anson Williams), he got more songs—way too many, given the generic quality of his voice. Before you knew it, the plots bore little resemblance to the 1950s and were instead character-driven. That also meant the plots became more generic, because, no longer tied to the ‘50s, they could have happened to anyone.

In Season 5 Fonzie “jumped the shark,” literally, on water skis. But figuratively the phrase has come to mean when a TV show starts to go downhill. You don’t have to look any farther in Season 6 than the first three episodes, in which the whole cast packs up and moves west to help Marion’s uncle save his dude ranch. It’s clear that the writers thought the characters were so popular that they could put just about anything down on paper and it would work. But with such character-driven plots, ‘50s nostalgia was the first casualty . . . and that’s what had made the show popular in the first place. This season, the characters—including Ralph Malph (Donnie Most), Mrs. C. (Marion Ross), Mr. C. (Tom Bosley), and Al from the drive-in (Al Delvecchio) seem like caricatures of themselves.

A full 25 out of 27 Season 6 episodes are inferior, with the only exceptions being one in which Potsie drops out of school, and another in which Joanie (Erin Moran) falls for the high school quarterback but sees him with another girl and ends up facing her Sweet Sixteenth birthday party without a date—and even that episode is marred by Potsie’s singing. The other shows involve an incredible amount of silliness and hard-to-believe situations, whether its Fonzie becoming blind after being hit by a serving tray, the gang dressing up for Thanksgiving, or Richie falsely accused of being the Kissing Bandit. These “post-shark” episodes seem mostly contrived, and if families want to give Happy Days a chance, your best bet is to go with Seasons 2, 3 and 4. Those are truly family-friendly seasons that hold up, still.

GUARDIANS OF THE GALAXY (Blu-ray)

December 10, 2014

James Plath, Family Home Theater Action-Adventure, PG-13 rated, Sci-Fi/Fantasy Guardians of the Galaxy Leave a comment

Grade: A-
Entire family: No, but . . .
2014, 121 min., Color
Rated PG-13 for intense sequences of sci-fi violence and action and for some language
Disney-Marvel
Aspect ratio: 2.40:1
Featured audio: DTS-HD MA 7.1
Bonus features: C
Trailer

Who could have predicted that a Han Solo type, a talking raccoon, a walking tree, an ill-tempered green-skinned woman, and a shirtless tattooed convict would make such an entertaining group to watch? Almost as surprising—at least for the parents who thought they were turning their kids on to another Star Wars—is that Disney-Marvel’s Guardians of the Galaxy is about a group of intergalactic escaped convicts who band together despite great differences and decide to do something unselfish for a change. And it’s a doozy: they try to save the universe, starting with a planet that the villain intends to destroy.

The main characters are different from the group that appeared in the 1969 Marvel comic book, but credit Disney for finding a way to assemble them from other Marvel comics and insert them into a cohesive, slam-bang sci-fi/fantasy adventure that takes the original Guardians concept and runs with it, while also generating a comic-book vibe built on non-stop action. And the best part? Humor rides along in a sidecar.

The film’s gags and jokes will make all that sci-fi violence palatable for parents who worry about their children being exposed to such things. Guardians feels like a visual comic book, and tone is largely responsible. It’s fun, it’s funny, it features a strangely likable group of characters and terrific action sequences and special effects, and the screenplay and direction keep things moving along—another surprise, really, if you consider that the film is directed by James Gunn, the fellow who gave us the clunky live-action Scooby-Doo movie.

Chris Pratt really anchors the cast. He’s infectiously likable as Peter Quill, an Earthling who’s snatched as a boy by a blue-skinned interplanetary rogue (played rather menacingly in Woody Harrelson Natural Born Killers fashion by Michael Rooker). Like Jim Hawkins and Oliver before him, he’s adopted and taught the ways of thievery, thuggery, and skullduggery. But a brief stint in prison puts him in contact with Rocket Raccoon (voiced by Bradley Cooper), a mutation that’s intelligent enough to know he’s the product of wild experimentation, and Rocket’s sidekick, the talking, walking tree named Groot (Vin Diesel). There he also meets Gamora (Zoe Saldana), the green-skinned woman who, like him, was adopted and trained for a life that goes against her nature, and Drax (WWE star Dave Bautista), a tattooed shirtless hulk who’s bent on avenging his family’s death. Together they figure out how to break out of prison, and when responsibility for saving the universe falls their way, they all stand tall. Well, except for that little raccoon. More

DOLPHIN TALE 2 (Blu-ray combo)

November 29, 2014

James Plath, Family Home Theater Biopic, Drama, Entire Family, PG rated Leave a comment

Grade: B
Entire family: Yes
2014, 107 min., Color
Rated PG for some mild thematic elements
Warner Bros.
Aspect ratio: 1.85:1
Featured audio: DTS-HD MA 7.1
Bonus features: C+
Includes: Blu-ray, DVD, Digital HD Copy
Trailer

When you do the right thing, you don’t have to do it perfectly in order to make a difference. So I’m going to pick up a pocketknife and cut this film some slack, the way that its main characters have had to cut fishing line and nets off of trapped and disabled marine life.

Dolphin Tale was based on a true story and used a combination of CGI, animatronics, and real dolphins to tell the tale of Winter, a rescued animal that was fitted with a prosthetic tail and became a beacon of inspiration for physically challenged people everywhere. So many of them came to the Clearwater Marine Hospital to see her that the place not only survived its own bout with possible extinction, but also expanded to a full-blown aquarium to accommodate all the new interest. People who made this film thought it was a one-and-done, with no plans for a sequel. But when they realized that the story about the subsequent acquisition of a very young dolphin named Hope was just as interesting and actually intersected with Winter’s story, Dolphin Tale 2 was born.

The same cast returns, with singer Harry Connick, Jr. playing Dr. Clay Haskett, the amiable head of Clearwater Marine Hospital. Kris Kristofferson is his retired father who lives in a houseboat next to the hospital, while Morgan Freeman reprises his role as prosthetics expert Dr. Cameron McCarthy, and Ashley Judd returns as the mother of Sawyer, a young boy who formed a bond with Winter in the first film.

In the sequel, the boy and Dr. Haskett’s daughter, Hazel, have risen to positions of importance at the aquarium, and the three-year gap between the 2011 original and this film is especially evident when you look at the young actors. Nathan Gamble (Marley & Me) was 13 when Dolphin Tale was released, and his co-star Cozi Zuehlsdorff was younger still. Now they’re more poised and self-assured teens, and if the rule of thumb holds true for young actors—that they tend to appeal to an audience younger, not older than they are—it only means that the audience for Dolphin Tale 2 has grown right along with them. More

THE HUNDRED-FOOT JOURNEY (Blu-ray)

November 22, 2014

James Plath, Family Home Theater Comedy, Drama, Entire Family, PG rated Leave a comment

Grade: B
Entire family: Yes
2014, 122 min., Color
Rated PG for thematic elements, some violence, language and brief sensuality
Touchstone/DreamWorks
Aspect ratio: 2.39:1
Featured audio: DTS-HD MA 5.1
Bonus features: C
Includes: Digital HD Copy
Trailer

There’s nothing in The Hundred-Foot Journey that the whole family can’t see, thanks to an overly dark night scene that’s so murky you can’t tell what’s going on. There is a fire and a character does die, but there’s nothing so graphic that it would warrant staying away—especially when the theme of cultural acceptance and understanding is one that many parents would like their children to see.

The Hundred-Foot Journey goes a surprising number of places for such a short trip. It’s a love story, a story about culture clash, an underdog success story, and a movie that celebrates food—albeit one that devolves into a food fight at one point, figuratively speaking.

But this little film has heart. How can it not, being executive produced by the reunited team of Steven Spielberg and Oprah Winfrey? Everybody in the audience gets a box of warm fuzzies.

Director Lasse Hallström (Salmon Fishing in the Yemen) is no stranger to films that celebrate food. His Chocolat (2000) was among those first-wave attempts to incorporate the transformative properties of delicious concoctions into the narrative. In fact, there are a few similarities to The Hundred Foot Journey. Both films focus on characters new to a conservative, provincial French town the plot revolves around the way that the new arrivals gradually win everyone over because of the food that they make.

Adapted from Richard C. Morais’ 2010 novel, The Hundred-Foot Journey features Helen Mirren as Madame Mallory, a widow who operates an haute cuisine restaurant that has earned a single Michelin star, and she wants another. Soon, as the audience senses, her life will radically change when an Indian family buys the shuttered, former restaurant one hundred feet across the road from her. More

INTO THE WOODS (1987) (Blu-ray)

November 19, 2014

James Plath, Family Home Theater Comedy, Drama, Entire Family, Musical, PG rated Leave a comment

Grade: B
Entire family: Yes
1987, 153 min., Color
Not rated (would be PG for several intense sequences)
Image Entertainment
Aspect ratio: 1.33:1
Featured audio: DTS-HD MA 2.0 Stereo
Bonus features: None
Opening song (audio only)

Into the Woods is a strange musical that’s about to get even stranger this Christmas when Disney’s film version debuts with Johnny Depp as the wolf and Meryl Streep as the witch. But if you want to see the original Broadway production that inspired it, James Lapine does a nice job of filming a performance from the show’s initial 1987 run, with camerawork that pulls in tight for plenty of medium shots that give the stage production a filmic feel—especially since there are no audience reaction shots. It’s a technically accomplished film version of a real Broadway production.

Into the Woods earned Bernadette Peters a Tony Award for Best Actress and statues as well for Stephen Sondheim (Best Score) and Lapine (Best Book). You can see why. There are a few catchy songs, but you won’t walk away singing the score the way you might with something like Frozen. In weaving together the stories of Cinderella, Jack and his mother (and the beanstalk), Little Red Riding Hood, Rapunzel, and the Baker and the Baker’s Wife, Lapine uses the witch as a lynch pin and Sondheim creates song after song that mimics the narrative structure with its high level of discordance and overlapping and interwoven sung lines. That’s one thing that makes this Broadway musical distinctive, and one thing that adds a level of sophistication that might push it beyond the comfort zone of some younger viewers.

What makes Into the Woods strange is that after a first act that playfully pokes fun of children’s fairy tales while at the same time celebrating them, a second act deconstructs the whole idea of fairytale endings by introducing darker elements . . . certain to become even darker in the 2014 film, given Hollywood’s recent forays into fairy tales. Not that the first half is rosy-cheeked and cheery, mind you. Cinderella’s stepmother cuts off parts of her daughters’ feet so that the prince detects they’re not the real deal because of the blood that drips into the golden slipper (only a cartoon character can wear a GLASS slipper). And the wolf’s stomach is cut open so the Red Riding Meal he ingested can escape unharmed. In other words, this fairytale mash-up can be pretty Grimm in an “ewwww” sort of way, despite the infusion of humor at every turn. More

WHAT IF (Blu-ray)

November 15, 2014

James Plath, Family Home Theater PG-13 rated, Romantic Comedy Leave a comment

Grade: B
Entire family: No
2013, 98 min., Color
Rated PG-13 for sexual content, including references throughout, partial nudity and language
Sony Pictures
Aspect ratio: 2.35:1
Featured audio: DTS-HD MA 5.1
Bonus features: C+
Trailer

What If Daniel Radcliffe took a break from the horror-thriller movies he’s been making since his Harry Potter run ended and tried his hand at a romantic comedy? And what if he was paired with writer-actress Zoe Kazan (Ruby Sparks)?

According to Radcliffe, “There was something lovely about just stepping up on the set and talking,” since this was the first contemporary character he’s ever played.

So what if a nice-guy med school dropout named Wallace (Radcliffe), who’s been burned one too many times in a relationship, meets a woman (Kazan) who already has a boyfriend and clicks with her instantly? What if she drops the “f bomb” on him that no guy likes to hear: “Let’s be friends. Just friends”? And what if the two of them find themselves growing so close as friends that he definitely wants it to be more, and on some level, so does she? What would it take for good friends to move beyond that, without wrecking what they have? And without pushing the film’s rating into R territory?

That’s the premise of What If, a PG-13 rated comedy-drama-romance that features intelligent writing, a believable chemistry between the slightly staid Wallace and borderline free spirit Chantry, and one “close-your-eyes” skinny-dipping moment that shows both actors’ bodies from behind in a moonlit (sorry, bad pun) long shot.

These two are friends, and so the emphasis is on friendship and clever dialogue rather than the steamy couplings and break-ups and make-ups that often shape the contemporary rom-com. There’s a meet-cute, certainly, but everything else takes a different route from the typical romantic comedy. That’s refreshing, especially since these two are moral individuals who care about each other, and the film emphasizes caring over romance, and romance over lust (which hardly makes an appearance). More

COURAGE THE COWARDLY DOG: SEASON 2 (DVD)

November 14, 2014

James Plath, Family Home Theater Animation, PG rated Leave a comment

Grade: B
Entire family: No (age 7 and older)
2000, 286 min. (13 episodes), Color
Unrated (would be PG for rude humor and frightful situations played for laughs)
Warner Bros.
Aspect ratio: 1.37:1
Featured audio: Dolby Digital 2.0 Stereo
Bonus features: none

Cartoon Network has a reputation for edgy, “out there,” and slightly manic animated shows aimed at kids ages 7-17. The characters are often anime-influenced and drawn with severe angularity, while the style of backgrounds would have to be called minimalist. Coming out of CN in the early years were Dexter’s Laboratory, Johnny Bravo, Cow and Chicken, and I Am Weasel, followed by The Powerpuff Girls and this popular entry, Courage the Cowardly Dog.

CN is part of Ted Turner’s broadcasting empire, and their shows have always tickled some children and rubbed others and parents the wrong way. They can be a little in your face, a little loud, a little shrill at times. But as CN series go, Courage the Cowardly Dog is actually one of the more traditionally animated. The backgrounds have more detail, and there are more props than we get in other shows, which makes for a richer-looking appearance. The concept, meanwhile, is actually as familiar as it gets: a dog is adopted by an older lady named Murial Bagge, a farm wife who lives with her crotchety husband, Eustace, “in the middle of nowhere”—quite literally in the town of Nowhere, Kansas.

But you know you’re not in Kansas anymore when the first episode is a riff on the Jack and the Beanstalk fairy tale, with a Magic Tree of Nowhere granting wishes . . . and gaining power as it goes.

Many of the plots from this 13-episode season are fantastic, with the bulk of them drawing inspiration from the horror genre. One of the best is a take-off on the old Mummy films, but revolving around a special kind of cookie. And in a spoof of The Fly, Courage gets turned into a fly by a villain named Di Lung. Such episodes are constructed in thriller fashion but played for laughs, starting with a dog who’s deathly afraid of just about anything and REACTS IN A BIG WAY. Each outing, Courage has to confront all manner of fantastic villains and threats in order to save his often clueless owners.

The humor in Courage isn’t as rude as in other CN shows, with the worst of it coming out of the mouth of Eustace, who is perpetually annoyed by Courage and shouts “STUPID DOG” every chance he gets. But the extreme exaggeration of old-people stereotypes proves to be a necessary ingredient for a show about a cowardly dog who rises to the occasion despite his fears. Children will respond to the wild leaps of imagination and the ways in which this series, like Disney’s Phineas and Ferb, creates fantastic adventures for everyday characters and situations. More

ARROW: SEASON 2 (Blu-ray)

November 13, 2014

James Plath, Family Home Theater Action-Adventure, PG-13 rated Leave a comment

Grade: B+/A-
Entire family: No
2013, 1014 min. (23 episodes), Color
Unrated (would be PG-13 for violence)
Warner Bros.
Aspect ratio: 1.78:1
Featured audio: DTS-HD MA 5.1
Bonus features: C
Includes: Blu-ray, DVD, UV Copy
Trailer

As I wrote about Arrow: Season 1, if your family consists of parents and teenage boys and you’re looking to bond, this show will grab their attention. Loosely based on the DC Comics vigilante Green Arrow, the popular action series spotlights a hero who fights crime but isn’t appreciated by either the police or the media, largely because of his above-the-law methods and the collateral damage that seems to follow him. In Season 1, we saw the origin of Arrow and the madness behind his method: rich people built their fortunes by abusing and taking advantage of others, and he followed a list his father had given him in order to exact what some would call “revenge” and others “justice.”

That first season grew a little tedious because every episode seemed a dead ringer for the previous one. It was like watching My Name Is Earl without the humor. But Season Two had a bigger budget to work with and the production values are noticeably slicker, while more money was obviously paid to writers. The scripts are a huge improvement, and the special effects and action are cranked up a notch to where they’re right up there with big-screen FX. More