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A BELLE FOR CHRISTMAS (DVD)

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BelleforChristmascoverGrade: C
Entire family: Yes, but . . .
2014, 91 min., Color
Anchor Bay Entertainment
Rated PG for “mild thematic material and rude humor”
Aspect ratio: 1.78:1
Featured audio: English Dolby Digital 5.1 Surround Bonus features: None
Trailer (Caution: spoilers)

Anchor Bay Entertainment has found a nice little niche by marketing family movies—including Christmas-themed ones that feature dogs. They’re unabashedly warm and fuzzy, with second-tier supporting actors and screenplays that fall somewhere between Hallmark movies and the kind of kid-pet-parent shenanigans we often see on the Disney Channel. This holiday season you can even pick up a five-pack of canine Christmas movies: Chilly Christmas, A Christmas Wedding Tail, The Dog Who Saved Christmas, The Dog Who Saved Christmas Vacation, and The Dog Who Saved the Holidays. They’re either made-for-TV movies or direct-to-video offerings, and how much your family likes them will likely depend on their ages and viewing tastes. The good news is that A Belle for Christmas, a new 2014 entry, is better than any of the previous doggie-holiday releases, with several likable characters, a cute pooch, and a plot that has kids, not adults, saving the day. The bad news is that if your children are as picky about their movies as they are their food, they may not respond well to the film’s clichés, the over- (or sometimes under-) acting, occasionally weak writing, and a pervasive undercurrent of sentimentality. The most likable character isn’t the dog at all. It’s Glenn Barrows (Dean Cain), a single father who’s trying to date again after losing his wife earlier in the year. He’s such a nice guy you wonder how he ever became a rich attorney and where he finds the time to spend with his kids. Personally, I think it’s a little soon for a relationship, much less a partial live-in girlfriend, but you can chalk that up to a facile screenplay that takes the quick route to conflict and relies on exaggeration to make its points.   More

PLANES: FIRE & RESCUE (Blu-ray combo)

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PlanesFireandRescuecoverGrade: B-
Entire family: Yes, but . . .
2014, 83 min., Color
Disney
Rated PG for “action and some peril”
Aspect ratio: 2.39:1 widescreen
Featured audio: English DTS-HD MA 7.1
Includes: Blu-ray, DVD, Digital HD Copy
Bonus features: C-
Trailer

Here’s what I think: Disney’s Planes never got off the ground in 2013 because it was a) too close in concept to Cars, and b) not even half as complex, in terms of the world that animators created and their sight gags and background animations. It was an as-the-crow-flies narrative about an airplane named Dusty Crophopper that dreamed of racing instead of dumping pesticides on crops . . . though, of course, Disney didn’t frame it that environmentally conscious. It was all about dreaming to be more than you’re born to be, a familiar Disney theme.

In this 2014 sequel, Planes: Fire & Rescue, an opening montage weakly reminds us of Dusty’s status as a racing champion, then in short order we see him sputter and learn that his racing career is basically over. He has a bad gearbox, which, for a reason we’re not quite sure about, can’t be replaced. Not one to accept bad news, Dusty pushes himself to fly faster than the warning light that a crew member installed and ends up crash-landing and starting a fire at the airport. All of this is the run-up to the film’s basic scenario: Propwash Junction’s airport has a single aging fire and rescue unit, and Dusty’s crash made it clear that they were operating below standards. They’ll remain shut down unless they get a second unit. So Dusty, feeling guilty, offers to go to Piston Peak National Park for fire-and-rescue training.

In a way, I’m surprised that it took so long for there to be a film about forest firefighters, because I had a friend who was a smokejumper—who parachuted into fires along with bulldozing Bobcats and forklifts that were dropped in the area—and the stories he told were amazing.

In Planes: Fire & Rescue, which is dedicated to firefighters of all kinds, Disney shows just how far they’ve come by animating the most realistic forest fires I’ve ever seen, and they continue to display the same kind of prowess with their animation of water sequences. Visually, this sequel is a huge improvement over Planes, and there’s more here to learn, too—though I wish Disney would have trusted their young audience to be able to absorb more than just basic information about fighting forest fires. Young minds want to know details, and there are plenty of times where more explanation would have been welcome.

PlanesFireandRescuescreenI’m not spoiling anything when I say that of course Dusty’s racing arrogance gets in the way of his instruction and performance, because we’ve seen that before, too, in Cars. This time his mentor is a command and training helicopter named Blade Ranger (Ed Harris), and a mechanic named Maru (Curtis Armstrong) rigs him with a set of pontoons so he can skim the surface of a lake or river, pick up water, and then release it over a fire.

A sideplot involves the equivalent of a lodge developer who’s reminiscent of the mayor’s attempts in Jaws to convince patrons there’s no immediate danger, but it’s underdeveloped and only exists to put vacationing cars and planes in harm’s way when a forest fire spreads out of control. Otherwise, this is a single-trajectory narrative that follows Dusty’s arc through disappointment, training struggles and mistakes, and his eventual (and predictable) heroism. Yes, there are a couple of vans in extreme danger, but I think the ratings people went overboard giving this a PG. I mean, without some peril there’s no drama, right?

Adults and older children may think back to the richer world of Cars and wish for more complexity, but Planes: Fire & Rescue should appeal to younger children of both genders, probably up until 3rd or 4th grade. And everyone in the room will appreciate the accomplished artwork and animation. These people were on fire!

MALEFICENT (Blu-ray)

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MaleficentcoverGrade: B+
Entire family: Yes
2014, 97 min., Color
Disney
Rated PG for “sequences of fantasy action and violence, including frightening images”
Aspect ratio: 2.40:1
Featured audio: English DTS-HD MA 7.1
Includes: Blu-ray, DVD, Digital HD Copy
Bonus features: B-
Trailer

Disney’s live-action Maleficent has irked and annoyed more than a few of the generation that saw the studio’s animated Sleeping Beauty in theaters when it was released in 1959. That’s because the evil fairy Maleficent was Disney’s first larger-than-life villain, someone everyone loved to hate.

Now the haters are angry that in reworking the material for a live-action feature, Disney went the Wicked route, offering up a completely sympathetic portrait of a Disney villain so that she’s really no longer recognizable as a villain. She’s both villain and hero, as Aurora proclaims.

Some will insist that Disney can’t have it both ways, arguing that they spoiled a perfectly good villain by giving her a heartbreaking backstory and making her more of a softie than you’d ever have imagined possible. But Disney wanted to reimagine the story for a new generation, and since both my teenage daughter and son prefer it to the animated classic, and since “Maleficent” is the second-highest grossing film of the year thus far, you’d have to say, “Mission accomplished.”

The filmmakers give Maleficent a context so that she’s not villainous, but rather a protector of the fairy world against encroachments from warlike humans. They give her a motivation for the curse she bestows on King Stefan’s newborn daughter, something more significant than the petty reason offered in the animated version: not being invited to the christening. They even tweak the story so that we see how she regrets the curse and wishes for a way to take it back. And they give her a fairy version of Kryptonite to make her potentially weak. What’s more, it all feels logical.

It’s clever, really, how the filmmakers are able to turn such a menacing character into a victim, and the fun for those of us who remember the animated classic comes comes from seeing the gradual steps they take to completely transform the horned fairy and flip this fairy tale on its head.

As for the casting, I really don’t see this working without Angelina Jolie, who has the same angular face as Disney’s villain and who’s able to be both menacing, when she needs to be, and sympathetic, when a scene calls for it. There’s a harshness and beauty in her face that perfectly suits the character. Sharlito Copley, meanwhile, does a nice job of handling Stefan’s own transformation from an idealistic young man to a self-serving one, and finally a bitter old man filled with hate. And Elle Fanning dishes up a large serving of sweetness and naiveté as the teenage Aurora.  More

THE WONDER YEARS: COMPLETE COLLECTION (DVD)

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WonderYearscoverGrade: A-
Entire family: No. Age 10 and older.
1988-93, six seasons, Color
Time Life/StarVista Entertainment
Not rated (would be PG because of mild language, content)
Aspect ratio: 1.37:1
Featured audio: English Dolby Digital 2.0
Includes: 12” tall metal locker, 26 DVDs, yearbook and notebooks, etc.
Bonus features: A-
Trailer

There are plenty of coming of age stories, but the classics for me are still Stand by Me and A Christmas Story in film, and The Wonder Years on TV. In each, you get the full impact of adolescence, but with a terrific sense of the time period, along with plots that bring everything into sharp focus. The Wonder Years is funny, it’s fresh, it’s thought provoking, it insightfully and colorfully captures the attitudes of the era, and it plays well 20 years later.

Why wouldn’t it? Like Leave It to Beaver, the series’ episodes were seen from the point of view of an adolescent, and you knew you were in for an interesting ride when this half-hour comedy-drama shunned a laugh track and introduced the kind of voiceover narrator that we got in A Christmas Story—an adult version of the main character, who was 12 years old when the series began. And you knew that The Wonder Years would meet the ‘60s head-on when the pilot called for the girl-next-door’s older brother to be killed in Vietnam, and for our hero to comfort her in a scene that would culminate in a first kiss for each of them—both as characters, and as actors.

In short, The Wonder Years gets it right. Kids Kevin’s age were too young to worry about a draft number, yet too old to ignore the events that were shaping history and the lives of Americans—things like the Martin Luther King, Jr. and Robert F. Kennedy assassinations, the moon landing, Woodstock, the Apollo 13 crisis, and events that were an outgrowth of Civil Rights, women’s liberation, and increasingly strident anti-war protests. The result is a series that combines the innocence of childhood—of who likes whom, and passing notes—with a world that’s pushing them to grow up more quickly.  More

YANKEE DOODLE DANDY (Blu-ray)

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YankeeDoodleDandycoverGrade: A-
Entire family: Yes, but . . . .
1942, 125 min., Black and white
Warner Bros.
Not rated (would be G despite brief WWI montage)
Aspect ratio: 1.37:1
Featured audio: English DTS-HD MA 2.0 Mono
Bonus features: C
Trailer

John Travolta and I have at least one thing in common: Yankee Doodle Dandy was one of our favorite movies growing up. Maybe that’s because we’re Baby Boomers, and we were raised with postwar patriotism, much of which was reflected in the movies that Hollywood made.

Yankee Doodle Dandy is one of the top musical biopics from Hollywood’s Golden Age, and it has an unbelievable backstory. But just as unbelievable is that this four-star movie about Broadway sensation George M. Cohan doesn’t interest the rest of my family. My wife, who’s not a Baby Boomer, thinks it’s only okay, and my kids find the flag-waving corny, the Vaudeville sequences otherworldly, and the black-and-white picture the last straw. But if your family is into old-time biopics, Yankee Doodle Dandy is one of the best, and it has an interesting history.

At least one good thing came out of the Sen. Joseph McCarthy’s “Red Scare” House Un-American Activities Committee hearings. James Cagney, popular for his gangster roles, had to fly to Washington, D.C. to defend himself against charges that he was a Communist. Though he set the committee straight, afterwards his brother told him, “We have to make the damnedest patriotic picture ever.” Cagney’s very next film would be Yankee Doodle Dandy, a biography of Broadway sensation George M. Cohan, who was honored by President Roosevelt and Congress for composing the patriotic anthems “Over There” and “You’re a Grand Old Flag.” Ironically, Yankee Doodle Dandy would also earn Cagney his only Oscar for Best Actor.   More

SLEEPING BEAUTY (DIAMOND EDITION) (Blu-ray)

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SleepingBeautycoverGrade: A-
Entire family: Yes
1959, 75 min., Color
Disney
Rated G
Aspect ratio: 2.55:1
Featured audio: English DTS-HD MA 7.1
Includes: Blu-ray, DVD, Digital HD Copy
Bonus features: C
Trailer

Sleeping Beauty was the last of the Disney films to use hand-inked cells, and the last film that Walt Disney personally supervised. Which is to say, Sleeping Beauty was both the last great film from the classic era of Disney animation, and a herald of even greater things to come. And though it’s one of the first trilogy of Disney princess movies (following Snow White and Cinderella), it captured the attention of young boys because it featured one of the all-time great Disney villains in Malificent—who now is the subject of a new live-action retelling on the order of Wicked.

Set in the 14th century and adapted from Charles Perrault’s version of the tale (Perrault also wrote the ballet which Tchaikovsky scored), Sleeping Beauty is actually closer in structure to the fairy tale related by the Brothers Grimm, who inspired Disney’s Snow White and the Seven Dwarfs.

Sleeping Beauty relates the story of a king and queen whose baby is cursed by a malevolent witch with the promise that before the child’s 16th birthday she’ll prick her finger on a spinning wheel and die! Maleficent (voiced by Eleanor Audley), one of the is a sorceress with spiral-horned headgear and flowing black gown who can vanish into thin air, transform herself into fire or a creature, and send minions scurrying with jolts of lightning from her staff. She both frightened and captivated children when the film first showed in 1959, and she’s likely to do the same for another generation.   More

MILLION DOLLAR ARM (Blu-ray)

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MillionDollarArmcoverGrade: B+
Entire family: Yes
2014, 124 min., Color
Disney
Rated PG for mild language and some suggestive content
Aspect ratio: 2.39:1
Featured audio: English DTS-HD MA 5.1
Includes: Blu-ray, Digital HD Copy
Bonus features: C-
Trailer

My family liked Million Dollar Arm as much as any Disney sports movie. It has a Jerry Maguire structure, a Bollywood vibe, a likable cast, laugh-out-loud moments, and a lead actor who shows us the vulnerable flip side of his Mad Men character.

Million Dollar Arm is the eighth based-on-a-real-story sports film that Disney has made this millennium, following in the footsteps (or hoof tracks) of Secretariat (2010), Invincible (2006), Glory Road (2006), Miracle (2004), The Rookie (2002), Snow Dogs (2002), and Remember the Titans (2000). And it’s a worthy successor to those films.

Jon Hamm is cast against type as sports agent J.B. Bernstein, who quit his job at a large agency to form a partnership with Ash Vasudevan (Aasif Mandvi). But they’re running out of time and the future of their struggling, fledgling business, as in Jerry Maguire, seems to rest with one player. In this case it’s an NFL star named Popo (Rey Maualuga) whom Bernstein is wooing, big-time.

But at the same time, to buy time with an impatient investor named Chang (Tzi Ma), they come up with the gimmick of having a contest in India to find the two best, hardest throwing cricket players to bring to America and convert into baseball pitchers.

That really happened to Rinku Singh and Dinesh Patel, who appeared on a 2008 reality TV show called Million Dollar Arm and became the first Indians to play baseball in America. Only Patel made it to the majors, though, and he only lasted a short while. None of that makes it into the film. Million Dollar Arm is all about the relationship that forms between the agent and his prospects.  More

THE FAULT IN OUR STARS (Blu-ray combo)

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FaultinOurStarscoverGrade: A-
Entire family: No
2014, 126 min., Color
Twentieth Century Fox
Rated PG-13 for thematic elements, some sexuality, and brief strong language
Aspect ratio: 1.85:1
Featured audio: English DTS-HD MA 5.1
Includes: Blu-ray, DVD, UV Copy
Bonus features: B
Trailer

Augustus “Gus” Waters wants what most teens do: to make a mark on the world, to be famous, to be somebody the world will mourn when he’s gone. That’s ridiculous, 16-year-old Hazel Grace Lancaster says. The world will end and no one will be around to remember even its most famous people, much less the billions who, despite grand aspirations, never fulfilled their dreams. But both of them fear oblivion, and in a cancer support group they find in each other an unexpected love.

Entertainment Weekly called it “The greatest romance story of this decade,” and I can see why. It’s this generation’s Titanic—only cancer is the iceberg that sinks their boat. Though it’s about teens, narrated by a 16 year old, and based on a young adult novel by John Green, The Fault in Our Stars has a much wider appeal because cancer is not age- or audience-selective. It affects the lives of so many, and this film reassures people that it doesn’t matter if you’re not famous enough to make history (or reality TV, for that matter). In the end, what matters is that your passing is remembered by ONE person—which reinforces that relationships of any kind are more important than accomplishments.   More

CAPTAIN AMERICA: THE WINTER SOLDIER (Blu-ray)

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TheWinterSoldiercoverGrade: B+
Entire family: No
2014, 136 min., Color
Marvel Entertainment
Rated PG-13 for intense sequences of violence, gunplay, and action throughout
Aspect ratio: 2.40:1
Featured audio: English DTS-HD MA 7.1
Bonus features: C+
Trailer

Superhero films are the exception to many parents’ rules against too much violence, because even without the “BAM” or “SOCK” graphics we got from TV’s campy Batman episodes, it’s understood that superheroes aren’t real and so neither, by extension, is the violence. It’s why younger children climb onboard to watch a film that, were it a straight action flick, might have been taboo.

But Captain America: The Winter Soldier does something no superhero movie has even attempted: it picks up the superhero and plunks him down right in the middle of a ‘70s conspiracy thriller. That makes sense, actually, because Captain America is probably the most human and normal of all the Marvel superheroes. He’s a regular guy who was made stronger and faster through medical experimentation, the U.S.’s attempt to counter Hitler’s “Master Race.” His only weapon is a shield that he throws like a Frisbee.

Screenwriters Christopher Markus and Stephen McFeely were heavily influenced by espionage thrillers such as Sydney Pollack’s Three Days of the Condor, while directors Anthony and Joe Russo wanted to push the superhero movie beyond the simple nemesis-driven plots we typically see. How unusual is it for a superhero NOT to appear in just about every scene of a superhero movie? But of course it isn’t unusual for that to happen in more complex thrillers.

The Winter Soldier takes its title from a Soviet agent that Captain America (Chris Evans) goes up against, but that assassin (Sebastian Stan) is only one piece of the puzzle in a complex plot that twists and turns like Steve Rogers own souped-up DNA.   More

BLENDED (Blu-ray)

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BlendedcoverGrade: B
Entire family: No
2014, 117 min., Color
Warner Bros.
Rated PG-13 for crude and sexual content and language
Aspect ratio: 1.85:1
Featured audio: English DTS-HD MA 5.1
Includes: Blu-ray, DVD, UV copy
Bonus features: B-
Trailer

Sometimes you just have to ignore the buzz. Our family had heard that Blended, the latest Adam Sandler and Drew Barrymore comedy, wasn’t all that good. But hey, I said, we loved them together in The Wedding Singer and 50 First Dates, so let’s give it a chance.

We did, and our whole family was entertained—enough to watch it again in the future. Yes, there were some cheesy spots and a few gags that fell flat, but that’s the nature of comedies—especially those that try to balance humor with warm fuzzy moments.

So I’m going to have to disagree with my colleagues at Rotten Tomatoes that gave this film a crappy 14 percent “rotten” rating—meaning only 14 critics out of 100 liked it. The telltale sign is that 66 percent of the Rotten Tomatoes readers liked it, and audiences aren’t looking to criticize. They’re just looking to have a good time. So were we.

Blended won’t be for everyone, though, because it does try to do the impossible: to make a family movie that’s also adult, insomuch as it’s full of put-downs, sexual innuendo, and slapstick that bounces back and forth between the adult and juvenile realms. Running gags include the girls’ boyish looks, one “blended” couple’s get-a-room antics, a 15-year-old girl’s flat chest, and a boy’s babysitter and dirty magazine fetish. Blended is rated PG-13 for “crude and sexual content and language,” and parents who are uncomfortable letting their children watch films like that will want to take a pass.

But you know what? The juggling of adult and family content is the realistic theme of this film—and the bulk of it takes place at a South African resort specializing in blended families, one which makes no bones about wanting to keep (or rekindle) the flame between the mother and father so that they don’t just think of themselves as 24/7 parents.  More

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