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Review of FLUSHED AWAY (Blu-ray)

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Grade: B+
Rated PG
Animation

It’s hard not to be bowled over by Flushed Away, an eccentric tale of a pampered upper-crust pet mouse who’s flushed down the toilet, only to discover a miniature city in the sewers underneath London. French Kung-fu frogs? Singing and screaming slugs? A mouse-granny obsessed with Tom Jones? A Bond-style villain who’s wanting to destroy an entire city? I’m not sure that an animated feature can have more organized chaos and still have such strong emotional content that you walk away from it feeling like you just watched a CGI and claymation Indiana Jones-style adventure.

This 2006 entry from Dreamworks (Shrek) and Aardman (Wallace & Gromit) is an unmistakable tip-of-the-hat to Romancing the Stone, and Flushed Away certainly has the same runaway-train pacing and playful male/female antagonism as that live-action adventure. Add similarities to The African Queen as well and you’ve got a cartoon journey that doesn’t drag, even during the occasional quiet moments.

Though it’s rated PG for “crude humor and some language,” nothing stands out as being really objectionable, and that includes what you’d expect to find floating in the sewers. Mostly, that’s because it all happens so quickly. The gags that do go the low-brow route are subtle or treated in an almost tasteful way. The grossest character is a sewer-rat named Sid (Shane Richie), who shoots up the drain from the underworld and flushes Roddy (Hugh Jackman) from his posh Kensington digs. Sid has the manners of a soccer hooligan, which is appropriate since World Cup Soccer is somehow involved in a destructive master plan by The Toad (Ian McKellen), a literal “underworld” boss. More

Review of PLAYMOBIL: THE MOVIE (DVD)

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Grade: C+/B-
Rated: PG
Animation

Given the success of the Lego movies, one thing that’s surprising about Playmobil going Hollywood is that it took them so long. The other thing is that there aren’t any Native Americans or knights in this film, and those were among the very first Playmobil sets.   But hey, Ancient Rome is here, and so are Playmobil pirates, cowboys, Vikings, spies, robots, a T-Rex, and a food truck operator.

Yep, it’s pretty random, and while the fun lies in seeing these Playmobil sets come alive on the big screen, Playmobil: The Movie can feel a bit like a screenwriter’s challenge: see how many different Playmobil sets you can jam into a single film. And while the Lego movies’ bread and butter was pop culture allusions and verbal humor, this Playmobil film relies more heavily on sight gags.

As a result, it can feel more like a film aimed at children than adults—but this film for children has secret agent Rex Dasher (Daniel Radcliffe) sipping a martini that’s shaken, not stirred. It also features people being drugged or roofied, a kick to the groin, bales of pink hay that feel like an allusion to marijuana bales. And there are battles where swordplay and fisticuffs and explosions up the ante from children’s typical pretend play of knocking figures down with rubber bands or Nerf guns. More

Review of NE ZHA (Blu-ray combo)

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Grade: B/B-
Not Rated (would be PG-13)
Animated fantasy-adventure

The ancient Chinese philosophy of yin and yang (light/dark, positive/negative) is at the heart of Ne Zha, an animated feature film from Chinese director Jiaozi that shuns the harsh angularity of anime in favor of the rounded contours that typically characterize western animation.

In fact, there are moments in this 3D computer animated fantasy when you might find yourself thinking of Disney’s more traditionally rendered Mulan, especially when a governor named Li Jing (Hao) is drawn in the same style as a younger version of Mulan’s father. The governor and Madam Yin (Qi) learn that the Primeval Lord of Heaven has decided that they will be the ones to raise one half two beings that came from the Heavenly Pearl. The other half is being raised and controlled by the Dragon King, who seems determined to prove that even the good offspring of the Primeval Lord of Heaven can be used for evil purposes.

But of the two, Nezha is the hellraiser. In fact, the full Chinese title of the film translates as “Birth of the demon child Nezha.” He’s like Dennis the Menace and Stitch rolled into one—a little fireball that his doting parents love, nonetheless, and want to protect. Because of his temperament and frankly evil laugh, he’s ostracized by his community, and probably justifiably so. I mean, he is prophesized to bring destruction to the world, so why would people cozy up to him? But eventually the community learns they have to count on him. More

Review of FROZEN II (Blu-ray combo)

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Grade: A-/B+
Rated: PG
Animation

Has there been a more anticipated Disney sequel than Frozen II?

Frozen was an instant classic, winning Oscars for Best Animated Feature Film and Best Original Song. Within the first few weeks of its debut, children young enough to have barely mastered sentences could be heard belting out “Let It Go” with the same intensity as Idina Menzel, the Broadway talent who sang it in the film.

Frozen was a tough act to follow, but Frozen II gives the 2013 original a run for its money.

For me, the differences can be summarized with a few simple observations. I thought Frozen was marred only by two songs that stood out because they were less successful than the rest: a goofy snowman song that seemed to run counter to the mood of the film, even for comic relief, and a troll song that could have been cut and no one would have cared. But overall, the film brought Broadway style to the fairytale format (a Disney specialty) and also embraced the “meet cute” formula of romantic comedies, with fun characters and interesting side plots and plot twists that were simple enough for even those budding young sopranos and tenors to understand.

Frozen II, meanwhile, comes closer to the operetta in its use of music, where songs are sometimes employed instead of dialogue to move the story forward, and those songs (as a result) seem to come at more frequent intervals. That’s not bad, mind you, just different. Still, it’s been three months since the film premiered, and I have yet to observe any youngster singing a song from the sequel. I also couldn’t pick out a favorite song the way I instantly could with Frozen—though “Into the Unknown” was nominated for an Academy Award and the Frozen II soundtrack reached #1 on the Billboard 200 Album chart. So it might take a second listen for those songs to kick in.  I also thought that Frozen II, a darker film in tone and subject matter, had a plot that was both more richly imagined and a little more contrived, and therefore a little harder for younger children to comprehend. Maybe that’s because Frozen steered fairly close to the shoreline of fairytale land, while Frozen II comes closer to fantasy. There are ghosts and spirits and people living in a netherworld. More

Review of THE ADDAMS FAMILY (2019) (Blu-ray combo)

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Grade: C+/B-
Entire family: Yes
Animation
2019, 87 min., Color
MGM / Universal
Rated PG for macabre and suggestive humor and some action
Aspect ratio: 1.85:1 widescreen
Featured audio: DTS-HDMA 7.1
Bonus features: C+
Includes: Blu-ray, DVD, Digital Code
Trailer
Amazon link

I’ve been scratching my head over why The Addams Family 2019 animated feature film isn’t as entertaining as the original 1961 live-action television series.

Then again, there are probably better things I could do with my time. Feature films based on half-hour TV shows have a long history of limited success, with filmmakers either unable to capture the tone of the original or unable to expand the basic plot and premise to fill out the additional minutes. And films based on novelty sitcoms from the sixties have been particularly prone to bomb. I’m talking about feature-length versions of My Favorite Martian, The Jetsons, The Flintstones, Bewitched, The Beverly Hillbillies, Alvin and the Chipmunks, and Underdog. Even slightly better ones like The Brady Bunch movies and George of the Jungle were a mixed bag, with only Get Smart coming close to matching the success of the original half-hour series.

Writers Matt Lieberman and Pamela Pettler took an immediate wrong turn with an opening pre-title sequence in The Addams Family that has more in common with the Frankenstein sagas than the popular TV series inspired by the Charles Addams New Yorker cartoons that began appearing in 1938. Addams’ famous understated tongue-in-cheek humor is supplanted by more over-the-top gags and characters, wrapped up in an overly familiar plot. Yet, none of these things is necessarily the kiss of death, and The Addams Family isn’t a BAD film. It’s just not a very good one. For the most part it’s dull, and there aren’t enough moments to delight. What’s more, the TV Addams family’s charming obliviousness to how different they are from everyone else is replaced by a monsters vs. humans and us vs. them dynamic that’s far too common and clichéd. More

Review of THE ANGRY BIRDS MOVIE 2 (Blu-ray combo)

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Grade: B
Entire family: Yes
Animation
2019, 97 min., Color
Sony / Columbia
Rated PG for rude humor and action
Aspect ratio: 1.85:1 widescreen
Featured audio: DTS-HDMA 5.1
Bonus features: B+/A-
Includes: Blu-ray, DVD, Digital
Trailer
Amazon link

The Angry Birds Movie 2 (which should have been simply “Angry Birds 2”) is a colorfully manic CGI animated feature that’s full of feathery little fluffballs and cutesy antics that are obviously aimed like a big giant slingshot at young children, rather than gamers.

At one point a bird is reading Crazy Rich Avians, and there are enough smartly written lines and movie allusions to make it fairly painless, even amusing for older siblings and parents to watch along with youngsters. And that includes the curmudgeons who say they’ll only watch such films “when pigs fly” . . . because in this movie, they do. This time around, it’s a classic tale of enemies—pigs and birds—who put their prank war on hold so they can work together when an outside force threatens their separate island paradises. The same cast returns from the 2016 original, and if your family liked that one they’ll like this sequel. It’s a stronger film, and the feather and effects animation is noticeably superior.

Jason Sudeikis once again gives voice to Red, the hero of the first film who has since developed a bit of an arrogant “only I can do this” attitude. So while the two sides learn to work together, Red is relearning how to be humble and realizing, as well, that it takes teamwork to succeed. An all-star cast features the additional voice talents of Rachel Bloom, Leslie Jones, Josh Gad, Bill Hader, Danny McBride, Awkwafina, Sterling K. Brown, Eugenio Derbez, Peter Dinklage, Nicki Minaj, Maya Rudolph, Tony Hale, and others.

The plot is set in motion when a large iceball falls out of the sky, swamping Piggy Island and leading the pigs to seek out a truce with their Bird Island counterparts. Pigs, birds, and viewers later learn that, like a James Bond villain, Zeta, the head of Eagle Island is launching iceballs from her volcano cannon in an all-out attack. Her plan? Tired of living on a frigid island, she wants to acquire warmer territory for herself and her army of Eagles. Meanwhile, in a cute-as-a-button side plot, three hatchling birds play with a mother’s eggs but end up watching them drift out to sea. How will they ever get them back? More

Review of TOY STORY 4 (Blu-ray combo)

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Grade: A-
Entire family: Yes
Animation
2019, 100 min., Color
Rated G
Pixar/Disney
Aspect ratio: 2.39:1
Featured audio: DTS-HDMA 7.1
Bonus features: B
Includes: Blu-ray, DVD, Digital
Trailer
Amazon link

The buzz (no Lightyear pun intended) on Toy Story 4 was that it’s the saddest (translation: most poignant) entry yet, and that Pixar really fumbled the ball by naming a new character Forky when it’s so clearly a spork.

But if that’s your biggest complaint, you know Pixar/Disney has created another hit. In fact, if there’s a more critically successful film franchise, it’s not coming to mind. The first two Toy Story animated features earned a remarkable 100 percent “fresh” rating at Rotten Tomatoes with audience ratings of 92 and 86 percent, respectively, while the third entry received a 98 from critics and 89 from the audience. Their latest exercise in animated wizardry merited a 97 from critics and a 94 from audiences. That’s amazingly consistent, given that there’s only so much you can do, plot-wise, with a family’s toys that come to life when no humans are looking.

This time western sheriff doll Woody (voiced by Tom Hanks) is having an existential crisis. He’s spent three play days in a row left in the closet, wondering what his purpose is if it’s no longer to be played with by his special human. And in case you’re thinking, “Wait a minute, his special human Andy went off to college,” in Toy Story 4 Woody’s a hand-me-down that’s now in the possession of Andy’s little sister, Bonnie.

When Woody stows away in Bonnie’s backpack to make sure she has the comfort of a toy her first day of kindergarten orientation, he watches her make a new toy doll out of a spork, pipe cleaners, and popsicle sticks. But Forky, as she calls him, is a kind of cheerful fatalist who keeps jumping into wastebaskets and trash receptacles and such because, well, that’s where plastic forks end up.

Pixar/Disney keeps the series fresh by rotating characters who get the spotlight, and this time Woody, Bo Peep (Annie Potts), Forky (Tony Hale), Buzz Lightyear (Tim Allen), and a fun new character, motorcycle stuntman Duke Caboom (Keanu Reeves), take center stage. The animators also moved up the ladder of progressive possibilities for toys that are no longer wanted. Having already explored the Goodwill option, the rabid collector option, and the donated-to-preschool option, they set this entry in an antique store where Bo ended up. More

Review of CURIOUS GEORGE: ROYAL MONKEY (DVD)

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Grade: B+/A-
Entire Family: Yes, but…
2019, 87 min., Color
Children’s, Animation
Rated G
Universal
Aspect ratio: 1.78:1 anamorphic widescreen
Featured audio: Dolby Digital 5.1
Bonus features: n/a
Includes: Sheet of 15 stickers
Clip
Amazon link

Raise your hand if the Curious George picture books by Hans Agusto Rey, Margret Rey, and illustrator Alan J. Shalleck helped you learn how to read. If so, you’re not alone.

Since the little monkey first appeared in 1941 with his friend, The Man in the Yellow Hat, all seven original titles penned and inked by this trio have remained in print. They’re that popular. And 2006 was a big year for the tailless monkey. That year, an animated TV show was launched that would run for nine more years, and Universal bankrolled a big-screen feature starring big-name talent and costing $50 million to make.

Producer Ron Howard was involved with both projects. “A lot of animated films throw in adult jokes meant to go over the heads of kids. Curious George doesn’t,” Howard told an interviewer. George doesn’t speak in the books, and Howard said that giving him a voice was never an option. “But you know, there have been a lot of very funny characters going back to Harpo Marx that didn’t have much to say,” he said.

The big-screen version didn’t make as much at the box office as the studio had hoped, and since then the movies have been feature-length direct-to-home-videos. Usually that’s a bad thing, but not in this case. The smaller expectations have allowed Howard and co-producing partner Brian Glazer to focus on the audience that the books were intended to reach.

Though two 2009 films, Curious George 2: Follow That Monkey and Curious George: A Very Monkey Christmas, were disappointments, the filmmakers found their groove with Curious George: A Halloween Boo Fest (2013) and Curious George 3: Back to the Jungle (2015). And I’m happy to report that Curious George: Royal Monkey keeps the winning streak alive. More

Review of POKEMON DETECTIVE PIKACHU (Blu-ray)

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Grade: B-
Entire family: Yes
2019, 104 min., Color
Animation-Live Action-Adventure
Rated PG for action/peril, some rude and suggestive humor, and thematic elements
Warner Bros.
Aspect ratio: 2.40:1 widescreen
Featured audio: Dolby Atmos TrueHD
Bonus features: B
Trailer
Amazon link

My son was into Pokémon when he was younger; my daughter, not at all. From talking with other parents that seems to be fairly common. There are video games and collectors’ cards that can be used to play games and battles and powers and all manner of things that my son could rattle off as if it were all quite elementary. He told me it was like chess: as complicated or as simple as you wanted to make it.

Detective Pikachu, the first live-action film based on the Pokémon franchise, seems to have been made to work on multiple levels as well. There are allusions and references to Pokémon powers and battles that those unfamiliar with the Pokémon universe will choose to ignore, while others will have their heads spinning with recognition. On it’s simplest level, Pokémon are creatures with various powers, and those creatures are pursued by humans that call each other “Pokémon trainers,” because they then battle their Pokémon against those of other trainers for sport.

Tim Goodman (Justice Smith) gave up Pokémon training after his mother died and his father remained absent in his life. Instead, the 21 year old joined the work world. One day he’s told that his father, a detective, was apparently killed in a car crash, and Tim travels to Ryme City—a utopian city where Pokémon and humans live in harmony and equality—in order to meet with the police officer in charge and collect his father’s personal effects. More

Review of WILD KRATTS CREEPY CREATURES! (DVD)

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Grade: B+
Entire family: No (ages 3-8)
2011, 2015, 75 min. (2 episodes), Color
Not Rated (would be TV-G)
PBS
Aspect ratio: 16×9
Featured audio: Dolby Digital 2.0 Stereo
Bonus features: D
Trailer
Amazon link

It’s not exactly family movie night material, but episodes of Wild Kratts—a half-animated, half-live nature show featuring the brothers who gave us Zoboomafoo—will entertain and inform children ages 3-8.

Chris and Martin Kratt’s series, which airs on PBS KIDS GO, is a hybrid that combines the brothers’ nature show activities with a cartoon segment that feels like a cross between The Magic School Bus and a Disney animated series like Kim Possible or Phineas and Ferb.

Each episode of Wild Kratts: Wildest Animal Adventures begins with the real-life brothers in the wild, pointing out an animal with a curious trait—say, for example, the Basilisk lizard that can walk and run on water—and then the brothers morph into cartoon versions of themselves in order to explore the animal’s “powers” and, with the help of a suit that looks a little like a cousin to Iron Man’s, acquire that animal power. It all happens within the animated framework of a story that often involves saving a particular animal from human encroachment, a world problem, or even a Disney-style villain. Though the characters seem unnecessary, there’s also a crew at the computer center in Tortuga helping the brothers once they’ve transformed or are on their way in various animal-shaped vehicles to get a better look. It’s clearly a way to include children of both genders in the show, but they really feel like window dressing, and some children will prefer more nature footage to the Tortuga gang “interruptions.”

The brothers say they got into animation because it gave them a chance to feed their (and children’s) imaginations and project what it might be like to have the ability to fly, swim, leap, see at night, or any of the other animal “superpowers.” And it is kind of fun. Again, I’m not sure that the show needed villains—especially ones that remind you of standard cartoon bad guys—but obviously the brothers thought that it might be yet another “hook” to get kids less innately fascinated by nature into the show. My son would have loved this show if it were around when he was younger, but as a nature guy he would have preferred more live footage than the intro-outro we get for each episode. More

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